#9+one

Back then, I was living in Kanagawa prefecture, but I was too late for tickets of the Yokohama or Tokyo lives. I was planning to visit a friend who lived in Fukuoka city at the time and Kalafina’s Kitakyushu concert perfectly fit into my schedule. Luckily, I was able to buy a ticket via convenience store. As I was pretty late, I got a kinda bad seat in the almost very back of the upper floor.

The morning of the live I arrived in the city of Kitakyushu, which is a rather famous port city at the northern tip of Fukuoka prefecture. The historic town Kokura has a beautiful castle, which I visited as well as Moji port. (After reading Hikaru’s blog post where she said that she also went to see the castle, I was a bit disappointed that I didn’t meet her xD). There’s also TOTO Museum, a museum dedicated to the TOTO company, which is famous for inventing those high-tech toilets that Japan is so known for.

I was kind of warned beforehand that the Kalafina good’s sale would attract a ton of people, so I wanted to be there as early as possible. About two hours too early I arrived at Kitakyushu’s Harmony Cinq Soleil Hall and waited along with a handful of other people. Slowly but steadily more and more people would gather, forming an absurdly long line. Not as extreme as the 10th Anniversary good’s line, but still impressive. Luckily, I was standing in some shade, because it was so damn hot and sunny the entire weekend. When the doors finally opened, I am sure there were like 200-300 people waiting to receive those sweet sweet popcorn buckets that were sold as venue exclusive merchandise. In the end, I bought the T-shirt, the key holder, the popcorn and the clear files, but looking back I do regret not buying the notebook. I wanted the popcorn mainly because of the Kitakyushu exclusive sticker - the popcorn itself had the flavor chocolate + soda (I think?), which I remember thinking was the shittiest combo of all flavors they had. It didn’t taste as bad as I thought but I still think it was overpriced. Together with the ticket itself, I ended up spending about 100€, which I thought was a lot, especially as there were people buying the entire collection and even more... hahahaha, oh innocent, naive past me, I didn’t know what was coming to me yet.

(Photo: in front of the venue)

I do love my merch though. I still wear all my Kalafina T-shirts at home, and while in Japan I had the key holder... hold my keys, making it all dirty and bent now lol The popcorn cup is decorating my shelf to this day.

Anyway, after getting my stuff, I went on to walk around, grab something to eat and even made friends with a Japanese girl, sharing our Kalafina love. Later, when people were admitted, probably around 800-900 people were there, quite a view! I saw some foreigners as well, and even made friends with a Philippine girl as well :D

(Photo: merch table at the venue)

(Photo: the stuff I bought)

While entering, staff was handing out little goodie bags, mostly with flyers and ads for other events or the obligatory concert questionnaire. However, that bag included our very own 9+ONE Lights! I took my seat which wasn’t as far from the stage as I thought, but I still would not be able to see the girls’ expressions.

When the concert finally started, a black but transparent screen was lowered (you know it from the 9+ONE DVD) and they started to play an overture version of “Samidare ga sugita koro ni”. Meanwhile we got see a collection of Kalafina’s entire discography, where each title of their songs, even in their respective font if available, was shown and merged into a white cloud, revealing our ladies.

(Photo: stage before the concert started)

They started with “Samidare ga sugita koro ni”. I remember it being good and nice, but I was never really fond of that song, even though it has grown on me a bit. We all clapped along and had our fun.

It continued with “misterioso”, also a song that has grown on me over time. While everyone was staying seated and enjoying themselves before, all the dudes in the arena seats jumped to their feet, being an upbeat song and stuff. I was grateful for the upper floor to have stayed seated almost the entire time, because being so far away was shitty enough and I didn’t want to spend 2 hours standing.

Anyhow, this song revealed some flaws in either the acoustics of the hall or the mixing of the sound technicians (I guess the latter?). Wakana was uncomfortably loud most of the time, drowning out the other two, but especially Hikaru - in some songs more than in others and more often than not when she wasn’t in the lead too. Some of her notes simply made me cringe. Hikaru on the other hand seemed to be feeling the exhaustion of the tour. On many occasions, she sounded tired, especially when it came to hit those high or long notes. The band didn’t help either, they also drowned out many parts of the singing... Maybe it was just this venue though and luckily, the 10th Anniversary wasn’t like this. Then again, I only attended acoustic lives or lives without band after that, so who knows how they sound when there is no DVD recording going on XD

Next was “Lacrimosa”, and this time Wakana wasn’t being as cringy as before. Poor Hikaru doing nothing for most of the time. One cool moment was that short pause after their “LA-CRI-MO-SA” part, right before the final chorus. The stage turned deep red with the girls reaching out to the audience. When you don’t know that this is coming, it’s an incredibly powerful move.

I don’t remember what they said during MC#1, other than greeting the audience and the usual “We hope you have fun” stuff. I do remember Hikaru welcoming us to the Harmony Cinq Kitakyushu Soleil Hall, by saying the entire name of the hall, and then saying something along the lines of “Thank god I didn’t trip over my tongue” (it’s a lot harder to say that name in Japanese, I give it to her lol).

They proceeded to introduce “Ashita no Keshiki”, a song that is not performed often, also because it’s a song that is mainly sung by Wakana. It was a beautiful performance, which was a little bit ruined by Hikaru. If you thought that she sounds strained and tired in the 9+ONE DVD version, well, imagine her like 5 concerts after that performance. Still great though, I came to love that song a lot.

“Hikaru no senritsu” was equally ok, but Hikaru again kind of screwed up her short “ashita wo kanadete” towards the end of the song. She probably just didn’t hit the note correctly, but to me it sounded as if she screwed up the timing, because I didn’t even her the first word or so.

With “Mirai”, Kalafina finally started to move around, so far they had stayed glued to their positions. They waved and interacted with the audience, cheering us on to cheer them on. I did enjoy the performance and the overall atmosphere, although “Mirai” belongs to my most disliked of all Kalafina songs.

In MC#2, they talked about “Ashita no Keshiki” a bit, together with their first album and how this is the first time performing in Kitakyushu (and not Fukuoka city). Since this is Wakana’s home prefecture, she proceeded to talk about her favorite Udon and Ramen restaurants (I think it was also about the restaurant chain West) and other specialties of Fukuoka.

The next song was “Oblivious”, also a song I was really looking forward to. As you know, this time Hikaru decided to sing her first lines in her high head voice (probably because she just can’t do it “regularly” anymore). I thought and still think it’s lovely, as it gives the song a much more mysterious opening and it’s also quite closer to the original to be honest. Wakana and the band drowned out Keiko for most of the time, with Hikaru and her high voice coming to the party later too. The acoustics were really weird that day...

“storia” was as usual, nothing special and not a song that really stands out to me anymore.

I was more looking forward to “Gogatsu no Mahou”, which is also a song I came to appreciate more over time. I adore the bridge section after the chorus, especially Wakana’s “habataku kotori no” and that one super high moment, so I really tried to focus on that particular part of the song. It was great!

With “consolation”, finally a darker and fiercer song made its debut and while I don’t really remember the performance itself anymore, I do remember the stage production. Basically, they packed out those lights and illuminations that they have been hiding so far and blasted us with them. Hikaru was pretty quiet though. Keiko on the hand appeared to have problems with her earpiece, and at some point she was frantically waving to the technicians backstage.

Wakana took it upon herself to dominate “To the beginning” as well, but we got some action on stage at least, since the girls stayed glued to their positions most of the timea again.

In MC#3, Keiko talked about how every live performance as well as their unique harmony is important to them (quite ironic after Wakana was actively trying to make Keiko NOT be heard lol). The following song was special in a sense that there would be NO harmony. Back then, when Kalafina received the song for the first time (or before recording, not sure), they even asked Kajiura Yuki whether this is correct or even intentional.

With “Haru wo matsu” we got our obligatory ballad. While I was never really fond of the song, I think it’s sweet and yes, their missing harmony gives it quite a refreshing vibe. Keiko sounded pretty much like in the 9+ONE DVD, but it was so strange to hear her cutesy voice live and so clearly... she sounded like an entirely different person XD Hikaru, for the first time actually, could finally shine, as we could HEAR her. She didn’t deliver as good as she probably could have, but still it was a very pretty performance.

Now, we were reaching the spot on their setlist that would differ at each venue. Before the concert, I checked out all setlists from the previous lives to see whether there were any patterns or which songs were most likely to be performed (again). It seemed like they took 4-5 songs and repeated them over the course of the tour, which is why I had my hopes high for “Hikaru furu” or “Kimi no gin no niwa”. But interestingly they chose a song they hadn’t performed yet (please correct if I’m wrong here), which was “Ring your bell”.

“Ring your bell” is very high on my list of all-time disliked Kalafina songs (I just can’t seem to escape that song...). But I was pleasantly surprised to hear that they started the song as an acoustic version, very much like the performance during their Arena Live. It stayed acoustic until after the first chorus, then the band joined too. I like this half-half version over the “normal” version, because it’s an amazing moment when you don’t expect the loud and cheerful opening of “Ring your bell” to suddenly fill the stage. The overall harmony of band and singers came together again and the acoustics were finally so much cleaner and nicer. The audience rose to their feet and even some dedicated dudes on my loser floor stood up to cheer them on. However, Wakana’s final high-pitched “ring your BELL” was incredibly cringy and breathy, one of the main reasons I hate the song so much.

Anyway, Kalafina got their break to change costumes and we got an AMAZING performance by the band that played some BGM of the anime “Kubikiri Cycle”. To this day, I don’t know what exact song they played and for the love of god, please SOMEONE TELL ME. I know it was fairly uptempo and rather dark... help pls XD

So far, the stage production was pretty much boring and simple. Other than some light effects, nothing really happened, we just had that huge curtain as background. Now, we finally got ACTION. Well, at least for the eye. They lifted the curtain and revealed those huge, impressing statues of Kalafina’s silhouettes, mostly made out of their past live outfits. I could have spent a long time checking out every part of this artwork, trying to recognize what dresses from which live they used and what not. Now that I watched the DVD, I know where Kalafina was standing, but at the time I didn’t see them AT ALL. The music played the overture and suddenly Keiko was on stage with the other two following her. To me it looked like they stepped THROUGH the middle silhouette, but turns out they were just standing in front of it - they were so far away, I couldn’t differ between them and the clothes behind them lol

(Photo: Hikaru’s “silhouette” with her outfits)

Well, I think I already gave you my opinion on those new dresses... At the time, both Keiko and Wakana looked kinda cool and pretty shiny, but even though I could see jack shit from so far away, I knew that Hikaru’s outfit was a disappointment. Her fucking pants and skirt or whatever that is... XD

I was incredibly looking forward to “Märchen”, as now it became one of my all-time favorite songs. But back then I was especially amazed by the song during their release event of the single in April. I wanted to hear this live again so badly and well... I did, but it wasn’t as good as the release event. Again, Hikaru sounded tired and Keiko and Wakana were fighting about who could be louder than the band. Keiko drowned out Hikaru most of the time... During the middle section we saw their Kala-dance, which I already got to witness during the release event. However, I was pleased to see that they decided to spice things up by showing background animations. It looked like they danced in sinc with themselves, it was truly impressive and such a refreshing use of video. This, as well as the later “Magia” performance made this concert/tour truly stand out and I am glad that they could take their creativity to a new level. I wish they would have continued to do so much more later on.

So, let’s talk about “Magia”. Holy shit, what a performance. The screen from the very beginning was lowered, intro was played, forest was shown, you know it guys. In sync with their live singing, they showed this fucking amazing pre-recorded bits of Kalafina and as I didn’t see this coming, it absolutely blew my mind. It was a psychedelic wtf show with cinema feeling all over the place and for once, the acoustics were actually good. Especially the instrumental part was... I don’t know what it was, but HOLY. SHIT. Truly guys, it was so cool. If there ever was an interview on that particurly performance I would love to read it to how Kalafina thought about this one and how the creation process went. When Keiko stepped in front of the screen it just added to her overall cool demeanor. When the screen was lifted again, we got a little sneak peak of the microphone stands in back.

(Photo: Keiko’s “silhouette” with her costumes)

Which were of course used for “Kyrie”. The DVD version is truly one of my favorite performances of that song and in Kitakyushu it was pretty cool too, especially with their small but effective arm movements. Keiko’s final long-ass “kyrie” was amazing and fairly unexpected from my side. Also some fat light show and big bass sounds, which I am always appreciating.

Next up was “heavenly blue” and here they tried to interact with the crowd once more. I like this song mostly for the kajiurago bridge and I always focus especially on Wakana’s super high “so na” (or whatever), while Keiko is going low at the same time. Wakana was too loud again though, but by now their overall performance and acoustics improved quite a lot.

“One Light” once again activated the crowd, especially Hikaru went crazy here. The atmosphere was amazing and you could just feel that everyone was fired up, singing along and having fun. Everyone just screamed when Hikaru sang “boku wa yukeru”, so cool.

MC#4 was about band introduction. Konno Hitoshi and Sakurada weren’t present if I remember correctly, which was a shame... but then again, I wouldn’t know the difference lol

The last song of the block was their new single at the time, “Into the world”. It was really beautiful, Hikaru finally sang more clearly. A good performance, very similar to the ones I would see from that point on.

We got a little break again, as Kalafina traditionally fake-ended the concert. While the audience was clapping, it took about 5 minutes or so for them to return. But first, the screen was lowered again, and some text, together with the intro for “Ongaku” finally told us to switch on our 9+ONE Lights. Everyone did so and boy, what a sight! Even from so far in the back, the lights in the dark hall looked so great! While of course hundreds and hundreds of people were present, you don’t really get a sense of that sheer number when you focus on the stage the entire time. I looked around and with so many lights illuminating the hall, you truly get a feeling of how many people actually are here with you.

Kalafina returned with their plain, but nevertheless cool black outfits, wearing the little lights themselves and standing on a mini-stage. The song played out as usual, but this time, as Konno Hitoshi wasn’t present and the other violin guy played his solo different than usual. Don’t ask me how it differed, I really don’t remember, but I liked that version a lot more. We got a new cool background too.

“blaze” pretty much business as usual.

(Photo: Wakana’s “silhouette” with her outfits, sorry for the bad quality)

MC#5 was about Hikaru and her beloved sales corner, where she mainly introduced the Kalafina produced goods like Keiko’s pink dumbbell and her bath salt (I think). She talked about the 9+ONE Lights and that they do not produce new lights for each concert, but re-use them every time. That was supposed to increase to sense of unity and connection between them and the fans as well as among the fans themselves, “carrying the fire of every fan and concert to the next” or something like this. As Kalafina had upcoming concerts in Taiwan and Hong Kong, Hikaru said that they would bring the lights to international fans too, so “don’t take them home!”. Well... I guess my ten years of studying Japanese at this point must have failed me in that particular instance because I truly don’t know what she said or meant. I unfortunately ended up taking the ring home. #guiltybutnotguilty #sue me

I think this is also where they talked about the big silhouettes we have seen in the earlier block and that they used dresses from previous performances to decorate them. They then turned around, facing the wall and imitated the poses of the silhouettes - it was super funny and crowd laughed and cheered. I think they lifted the screen of this stained glass pattern to show the silhouettes for direct comparison. (Correct me if I am wrong, but I think they cut out this conversation from the DVD? Not sure, too lazy to check).

We sadly arrived the final song of the setlist, which again should differ at each venue. What song would it be? I hoped for songs like “sprinter” or “Yume no daichi”, as those were among the songs they had already performed during the tour.

Well, back then, they had announced their new single “Hyakka Ryouran”, but it wasn’t released yet (I think we only knew some bits of the chorus at the time). Funnily, I talked about that with the girls I had met prior to admittance, something like “Hey, wouldn’t it be cool if Kalafina performed Hyakka Ryouran as surprise encore?”. I mean, they were no strangers to performing songs that haven’t been officially released yet, see “Into the World” during the Arena Live. But, you know... I thought that would be unlikely, because why should they?

BUT NOT THEY ACTUALLY DID IT! Keiko was like: “Ah, which song will be the final song... Well, how about our new single?”, and the crowd LOST IT. I lost it too XD Seriously, no one could handle that. Anyway, now that I know the full version by heart, it’s hard to describe how I felt back then. Listening to a song for the first time is always an experience, but it makes it hard to remember when you can’t listen to it again and again. I tried to focus on every aspect of the song, and remember it as being “dark”, due to Keiko’s deep intro, “fast” and “rock-like”, fitting into the samurai setting of the anime with its flute elements. I still couldn’t believe my luck though and afterwards, the crowd cheered and cheered.

Now the concert should have been over, but instead they entered MC#6. They talked about the first sing of the night “Samidare ga sugita koro ni”. Apparently, they pretty much have never performed this one live, except once during a fanclub-only event. For this tour they wanted to sing this song “for everyone”, as it is such a bright and warm piece.

So, for whatever reason, Kalafina decided to perform “Samidare ga sugita koro ni” AGAIN. However, this time they emphazised that bright feeling of connected hearts and unity by making us turn on our One Lights and wave along with the rhythm. Everyone loudly sang with them, especially during the “lalala” part towards the end. It was so much fun to listen to Kalafina, to the audience around me and singing along too, all while watching this amazing light show that we were creating ourselves. It was even better and much more carefree than the first performance. Still can’t believe my luck that of all venues of the 9+ONE tour, I got to attend to most unique one.

After that, the band was introduced again, they all held hands and thanked the audience for coming. But just before they wanted to bow, Wakana suddenly sobbed (so loud that I actually heard it lol), trying to wipe away tears. Being in her home prefecture, I figured she was just so overwhelmed by her emotions. Each of the three said some final words and with that the concert and the domestic 9+ONE tour ended.

I proceeded to take photos of the stage, as we were still able to see the big silhouettes. However, staff members appeared and told everyone to stop taking pictures and get the fuck out, probably to stop people from “spoiling” the concert before the DVD release or copyright or whatever. Well, thankfully I already took like 3 photos and managed to sneakily take another one, in order to have a close shot of each silhouette (which is why the third photo of Wakana’s statue is not a close-up like the other too). I left the building, returned to Fukuoka city and 2 days later back to Kanagawa.

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Despite the sound issues, it was truly a great live experience. 9+ONE would be, along with the 10th Anni, my only “real” Kalafina concert experience, as all the other concerts I attended would either be acoustic or without live band. I am so thankful that I managed to seize the opportunity and attend this live, especially in Wakana’s home. Writing this report again made me remember all those feelings I had back then, now they make me both happy and sad.