The Aftermath of the "To Be Free" Scene (The Brick)
Mildly implied Valjean/Thenardier, followed by them killing each other (LM1948)
Voting ended onNov 7, 2024
The To Be Free scene can be found in the Brick, at: 3.4.5
Valjean/Thenardier can be found in LM1948
PROPAGANDA:
(Full submission for the aftermath of the To Be Free scene, since it wouldn't fit in the poll box)
that moment in the brick after "to be free"' where everyone just gets up and leaves the room immediately except for enjolras who stands there ominously for a few moments and then puts his hand on marius's shoulder and goes Hey. my mom is the republic. just such a bizarre and funny mental image to me
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
From across the room, Marius overhears Bahorel say, âJune 18th, 1815, Waterloo.â to Combeferre. Enjolras says something about crime.
Marius walks over to the map, points, and says:Â âCorsica, a little island which has rendered France very great.â
He has the roomâs attention now. Enjolras tells him that France is great independent of Corsica.
Marius starts ranting about how great Napoleon is. He asks what could be greater than the victories that the Empire achieved.
ââTo be free,â said Combeferre.â
Then everyone except Enjolras and Marius gets up and walks out. Marius is about to continue his argument for his new audience of one, but from outside, they overhear Combeferre singing a song about prefering his motherâs love to the glories of war.
ââCitizen,â said Enjolras to him, âmy mother is the Republic.ââ
I love the idea of puns and word play actually moving ideas forward. It not only gives a wonderful picture and such a contrast from the royalist salon, those people were depicted as dead, this room is alive and electrically so, from Courfeyracâs charged speech about the Charter before to a discussion about Napoleon and Waterloo. These young people are creating new ideas, engaging in dialogue to move the conversation forward. I also love how the dialogue is described as crossing swords with each other. I love that they are treating things without too much reverence. Also, I really love the idea that Bahorel has a favourite pose that he interrupted to listen to the speech. Â
They are even using newer slang words, they are keeping up with the world instead of refusing to engage with it. I love that Courfeyrac also gets a sly hit to Louis Napoleon Bonaparte in here.
Marius is truly shaken to have his beliefs of Napoleon be associated with crime. Marius is still focused on greatness, he talks about Napoleon both as a man and as a Great Man who conquered Empires for France. And with one sentence, Combeferre leaves Marius speechless.
The mother allusion is very interesting, Marius thinks of France in terms of his fatherland. He was introduced to a love of Napoleon and by extension France through the research he did on his father. For him, fatherland and great conquests go together, especially because his father was part of so many battles and was denied the glory/title that came with it in the latter half of his life.
But both Combeferre and Enjolras shift Mariusâ point of view towards considering the city and the Republic as a mother. The concept of France or Paris as a mother is interesting, especially since we have seen that progress has been associated with a softer side as well with Combeferre and Prouvaire and what they bring to Enjolrasâ soldier and priest. The Republic being thought of as a mother is also interesting because the violence can then be associated with the birth pangs needed to create that Republic. With Enjolras also not interested in violence for the sake of violence, it makes some sense. The violence is necessary to birth a Republic but not good in and of itself, according to Hugo.Â
The mother analogy is also very interesting and I have been increasingly wondering about this for some time. If we count the fact that gamin are essentially the children of the Patrie. If any of the Patrieâs children is in pain/darkness then progress cannot come, just as any part of the body feeling pain makes the whole body feel terrible, this is really great meta about cities as bodies and I think this motif comes up time and again. Cities are connected and function as centres of exchange and rely on different people supporting each other. Progress cannot come unless everyone can enjoy the benefits and people help each other. The Patrie as a mother/as a symbolical body is interesting, especially as it ties to the sewer chapters as well. Of course, Patrie/Republic also gets represented as a woman in revolutionary art therefore it is also very symbolic that the Republic is the nurturing mother who takes care of all her children. Marius who has not had a nurturing/loving relationship in his life has difficulty coming to terms with this concept. Â
3.4.6
Mariusâ horizons are being broadened, I love the idea of him being shaken compared to the earth being cut to plant a seed. Marius is confronted with needing to shift his entire world view after only having discovered it. And to be fair, he is pretty young at this point- in his late teens, but the impression has been made. He has been forced to consider a different viewpoint, the seed has been planted, Hugo wants us to know that Marius is capable of changing. Change however will take more time in coming, Marius because he is Marius, stops showing up at Musain. If it had been anyone else, they would have joined in with the singing and laughter. For now, he does not want to give up the idea of Bonapartism, which would mean becoming a traitor to his fatherâs memory. This is Mariusâ defining trait to be consumed by a single idea and to be loyal to a fault. Itâs why he deals with Thenardier the way he does.Â
And we are introduced to another of his quirks, not wanting to run into debt and not accepting his auntâs money. Donougher informs me that the title is to a Juvenal poem, but also the title is important not only in as much as it refers to Marius but also as much as it refers to the people, specifically âthe shame of grinding povertyâ. People under the grinding poverty will find it very hard to rise and that seems to be a very direct statement. As long as you keep people under crushing poverty and ignorance, it is very difficult to bring about meaningful change (oh no, is this foreshadowing of 1832 barricades? It feels like it, I am suddenly struck by too many feels).
Marius is stuck in the same position, he has not yet adopted the principles of the amis, to rise metaphorically and maybe literally in society, but he is also rejecting the help from home from his aunt. Marius has to learn to live in poverty and alter his entire lifestyle from living like a bourgeois student to one of considerable poverty because he is reluctant to become indebted to anyone. While I understand some of his sentiments, I really wish that he could have taken more help from the amis, maybe ask Feuilly or Bossuet for guidance and was not so reluctant to accept help, but that might also tie to his own political feelings. He is not yet converted to the idea of a socialist Republic like the amis but cannot ideologically accept help from his aunt because of him rejecting royalist values.
Marius stop talking about Napoleon, Les Amis are republicans! Oh god, he has airpods in he canât hear us, oh god!
Well, I thought it was funny. Anyways, I enjoyed digging into the weird coincidences of the number 18. I didnât know the event was referred to as the Coup of 18 Brumaire and I liked learning that nugget. Not that this is particularly relevant, but 18 is a very lucky number in Judaism, corresponding to the word for life, âchaiâ. All money gifts from my extended family come in multiples of 18. This is almost certainly of no import.
Iâm wincing so bad. âWhere is your enthusiasm then? and what do you do with it? whom do you admire, if you do not admire the emperor? and what more must you have? If you do not like that great man, what great men would you have?â All I can say is:
Everyone is struck mute by the audacity of how bad a take this is. Marius still has a little man inside him that needs an authoritative figure to look up to. I donât believe it was ever fully about the politics for him; itâs about his father, his alienation in Gillenormandâs household, his crippling inability to process his own feelings.
Combeferre owns him for sure, âetre libreâ and all that and then, agonizingly, starts singing about his mother. When I thought about it, this is a weird and interesting moment where Enjolras and Combeferre almost switch roles. First, important to note, Marius doesnât have a mother. Indeed, his lack of parental figures is a large part of what led him to putting Napoleon on such a pedestal. This bit from Combeferre cuts him to the core on a much more personal level than âto be free.â But Enjolras appears to be more understanding, or at least he feels the need to recontextualize Combeferreâs point for Mariusâs sake. However, I think this actually makes all the difference when it comes to getting through to Marius.
Combeferre makes an appeal to the care one has for their family, their fellow man. Enjolras makes an appeal to the morality of society, the social contract. They are both staying in their respective character lanes. But which one might be more convincing to Marius, a man who has no family to speak of? Combeferre leaves and leaves his argument behind. Enjolras stays and offers Marius another perspective, one that is more relatable to him. I donât how meaningful this small exchange ultimately is to our big themes, but I think thereâs some interesting subversions of expectation between the two of them here.
This may just be because I just wrote about how Combeferre typically convinces while Enjolras vanquishes, and someone could reasonably disagree with my take. And, since neither Enjolras nor Combeferre knows Mariusâs context, I canât say this was intentional on either of their parts. But the fact that it wasnât Combeferreâs mic drop that truly pierces Mariusâs convictions, but invoking a mother figure...Marius replaced his father with Napoleon, Enjolras tells him instead to replace his mother with the Republic.
Moderate liberal, thy name is Marius. âTo be between two religions, one which you have not yet abandoned, and another which is not yet adopted, is insupportable; and twilight is pleasant only to bat-like soulsâ (*cough* Grantaire *cough*). Neutrality canât be maintained when the revolution comes, if I may take liberties and consider the Bonapartists centrists.
(Thinking ahead, I donât know that we ever get real satisfaction re: Mariusâs politics, which tempers my interest in breaking them down even as Hugo goes on and on about the subject).
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
New Post has been published on https://www.allmoddedapk.com/teppen-mod-apk/
TEPPEN Mod 3.4.5 Apk [God Mod]
TEPPEN 3.4.5 Mod Apk [God Mod] â Popular & Interesting
Card Game Android + Mod Apk + Data
TEPPEN 3.4.5 Mod Apk as an exciting game in the style of card games. It is released by the game studio GungHoOnlineEntertainment for Android devices. TEPPEN is a mobile gaming surprise. Most digital card games today are just a copy of the previous games and have become a boring stereotype for gamers. But with a completely different and innovative gameplay, TEPPEN has managed to change the definition of digital card games and end expectations. At first glance you might compare this game to Clash Royale, but itâs not the same, and the two land-to-sky games are different! This game is a digital card game but like most other games this style has no turn mechanism and is fought in real time. It may seem a bit difficult at first, but if you are patient you can easily learn all of the gameâs functions in the same initial campaign. Players can choose one champion and fight other champions. گا٠The slots are given to each player and players must place their cards in these three slots to start the fight. If a card is placed on a competitorâs card, it attacks the competitorâs card, and the competitorâs card can also attack itself. But if the card slot is empty, the attacks hit the rival champion directly. Playing any card means using magical powers. The magical power is charged at low speed and players must be able to manage their magical powers. Attacks must continue until the rival card is destroyed and the rival hero is harmed. The heroesâ lives are marked with number 1, and if the rival heroâs life reaches number 1, that stage ends successfully. گا٠The slots are given to each player and players must place their cards in these three slots to start the fight. If a card is placed on a competitorâs card, it attacks the competitorâs card, and the competitorâs card can also attack itself. But if the card slot is empty, the attacks hit the rival champion directly. Playing any card means using magical powers. The magical power is charged at low speed and players must be able to manage their magical powers. Attacks must continue until the rival card is destroyed and the rival hero is harmed. The heroesâ lives are marked with number 1, and if the rival heroâs life reaches number 1, that stage ends successfully. گا٠The slots are given to each player and players must place their cards in these three slots to start the fight. If a card is placed on a competitorâs card, it attacks the competitorâs card, and the competitorâs card can also attack itself. But if the card slot is empty, the attacks hit the rival champion directly. Playing any card means using magical powers. Magical power is charged at a low speed and players must be able to manage their magical powers. Attacks must continue until the rival card is destroyed and the opponentâs champion is harmed. The heroesâ lives are marked by the number 1, and if the rival heroâs life reaches the number 1, that stage ends successfully. If a card is placed on a competitorâs card, it attacks the competitorâs card, and the competitorâs card can also attack itself. But if the card slot is empty, the attacks hit the rival champion directly. Playing any card means using magical powers. Magical power is charged at a low speed and players must be able to manage their magical powers. Attacks must continue until the rival card is destroyed and the opponentâs champion is harmed. The heroesâ lives are marked by the number 1, and if the rival heroâs life reaches the number 1, that stage ends successfully. If a card is placed on a competitorâs card, it attacks the competitorâs card, and the competitorâs card can also attack itself. But if the card slot is empty, the attacks hit the rival champion directly. Playing any card means using magical powers. Magical power is charged at a low speed and players must be able to manage their magical powers. Attacks must continue until the rival card is destroyed and the opponentâs champion is harmed. The heroesâ lives are marked by the number 1, and if the rival heroâs life reaches the number 1, that stage ends successfully. Attacks must continue until the rival card is destroyed and the opponentâs champion is harmed. The heroesâ lives are marked by the number 1, and if the rival heroâs life reaches the number 1, that stage ends successfully. Attacks must continue until the rival card is destroyed and the opponentâs champion is harmed. The heroesâ lives are marked by the number 1, and if the rival heroâs life reaches the number 1, that stage ends successfully.
New Post has been published on https://www.allmoddedapk.com/rpg-toram-online-mod-apk/
RPG Toram Online - MMORPG Mod 3.4.5 Apk [God Mod]
RPG Toram Online â MMORPG 3.4.5 Mod Apk [God Mod]
â Popular MMORPG hitting 11 million downloads worldwide!
â Unrestricted character creations!
With more than 500 billion combinations available, feel free to create your own character to your liking!
â Sword? Magic? Anything you like!
âProfessionâ, which is often the case with MMORPG, does not exist in Toram. Sword? (Magic) Staff? Bow? Halberd? Feel free to decide your own fighting style!
â Build & Train your character to your heartâs content!
Equipped with a âSkill Treeâ system enabling players to enhance and strengthen their characters as they wish.
Create combos and discover your own battle style!
â Changeable weapons and equipment color!
You can color your favorite weapon with the color you like when you obtain equipment with a âColor Infoâ!
Moreover, you can freely create the abilities of your equipment as you proceed further with the gameâŚ!
â Go on an adventure with your friends across the country!
RPG (MMORPG) that can be played and connects you with your friends online across the country!
The powerful monster that you fail to beat on your own could possibly be knocked down by forming a party with your friends! Letâs explore the vast and beautiful 3D world with many friends!
â Party play even by yourself!
You can even enjoy party play when you are playing alone by borrowing and battling together with other playerâs character known as âmercenaryâ or by summoning a âpartnerâ from your own sub-characters!
ăStory Settingă
Decades ago, the world was hit by a devastating catastrophe, crumbling the ground into pieces. The gods quickly gathered the pieces scattered in all directions and hurriedly put them together. The result, a bizarre looking world resembling a mosaic.
The nation that was originally there had ceased to exist. As a result of repeated clashes of principles and interests among the 4 tribes, the people split into 4 factions.
At such times, an adventurer (you) came to this peculiar world.
The adventurer (you) goes through a series of adventures while meeting various people belonging to the 4 factions in the world to confront the secretly proliferating mysteries behind itâŚâŚ
ăGame Outlineă
Title: Toram Online â Departure from Iruna â
Genre: MMORPG with complete freedom
*MMORPG: Massively Multiplayer Online Role-Playing Game
Call Recorder - SKVALEX (Trial) Mod 3.4.5 Apk [Unlocked]
New Post has been published on https://www.allmoddedapk.com/call-recorder-skvalex-trial-mod-apk/
Call Recorder - SKVALEX (Trial) Mod 3.4.5 Apk [Unlocked]
Call Recorder Skvalex 3.4.5 Mod Apk â Android call recording and quality
application The original version of the program with a paid key presented to you Farsroid users
If you are one of the most popular users and receive various calls during the day depending on your job position, you definitely need a reliable tool to record calls so that in addition to storing all the information and preventing it from being forgotten in sensitive situations of danger. Avoid various options. There are various tools for recording calls in the Android Market, and in this post, as always, we are going to introduce one of the best ones. Call Recorder Skvalex is a smart application for automatic call recording Developed by SKVALEX Apps and published on Google Play. By installing this startup, all incoming and outgoing calls will be automatically saved in the smartphone memory and you will be able to access them at any other time. There are several formats for recording calls in the list of features, which you can choose according to your needs. As mentioned, there are various programs with the same performance in the Android Market, one of the biggest weaknesses of which is the low quality of sound; But in Skvalex Call Recorder, everything is recorded with the highest quality! If you are looking for one of the best call recording software, Skvalex Call Recorder will definitely attract your attention.
Some features and capabilities of Skvalex Android Call Recorder app:
Save all incoming and outgoing calls with the highest possible quality
Ability to search among the list of recorded antics
Access to a variety of formats for recording calls
Fully intelligent and automatic recording without the need for any commands
