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Architectural Relief Depicting the Gigantomachy. 3rd - 2nd century B.C., terracotta and pigment. The Art Institute of Chicago. (x)
[image description: photo of the sculpture described above, which depicts three headless figures: a god and goddess in flowing robes stand behind a kneeling giant with wings and serpent-like legs. end id.]
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Applique with the head of Medusa. Vulci. Late 3rd - first half of 2nd century B.C.; gold. Gregorian Etruscan Museum. [id: photo of a small gold plaque in the form of the head of Medusa in relief. she looks up and to her left, with lips slightly parted. a pair of small wings sit atop her head among her hair. serpents intertwine in her hair and under her chin. end id.]
Graziani Putto. Sanguineto, near Lake Trasimeno. Early 2nd century B.C., bronze. Gregorian Etruscan Museum.
“The statue represents a naked youth seated on the ground, with his body tipped backwards and his left leg bent under his right one. On the latter is an Etruscan inscription "to the god Tec Sans as a gift". His arms are outstretched and he holds a bird in the right hand and a ball in the left. From his neck hangs a large seal, while he has two rings around his ankle and right wrist and a spiral armilla on his left wrist. His face, smiling and chubby, and the vivacity of his movements refer the bronze to a Hellenistic matrix, a period that saw in Etruria a great diffusion of ex votos of this type, both clay and bronze [cf. Carrara putto]. The "Graziani putto", destined for the divinity Tec Sans, protectress of children, is one of the various attestations of indigenous cults in the area north-east of Lake Trasimeno.” (x)
[id: photo of the bronze statue described above, which depicts a smiling, seated child holding a bird in one hand and a ball in the other. end id.]
Head of a youth. 3rd - 2nd c. BC; terracotta. The Metropolitan Museum of Art.
