Defining Digital Citizenship (week 6)
Digital citizenship can be used to describe the complex and intricate ways in which people participate in society through digital technologies, such as social media platforms. According to the Australian eSafety Commissioner, Julie Inman-Grant (2020), a model example of a digital citizen is someone with āthe skills and knowledge to effectively use digital technologies in a positive way to participate in society, communicate with others, and create and consume digital contentā. Therefore, digital citizenship can be described as the process through which digital communities are formed, which is discussed in further detail in the previous blog post. Platform studies is the study of how platforms dictate userās online presence and activity, through constraining and enabling particular kinds of behaviours and interactions on their platforms. For instance, some social media platforms afford users the opportunity to remain anonymous, whilst others require formal identification when joining.
This leads onto the concept of platformisation, and the deconstruction of the term āplatformā itself, which Principle Research at Microsoft Research, Tarleton Gillespie defines as something ācomputationalā (Gillespie 2010, p. 349). Gillespie contends that platforms are āsomething to build upon and innovate fromā, in both a political and architectural sense (Gillespie 2010, p. 352). This means that platforms are a place where people can freely voice their opinions and be heard, and in a design sense, these social media platforms are ultimately, an āopen-armed, egalitarian facilitation of expressionā (Gillespie 2010, p. 352). At its core, platformisation is the connectivity between platforms, which is facilitated through their shared language, including coding and other technical features. Furthermore, Professor of New Media and Digital Culture, Anne Helmond defines platformisation as the ātransformation of social network sites into social media publicsā (Helmond 2015, p. 1).
The idea of social media platforms operating as digital spaces for public discussion and debate, is highlighted through the strategic ways Hilary Clinton and Donald Trump controlled their messages during the 2016 US Presidential Election, carefully constructing digital personal brands to emphasise their character and personality, with the intent of creating ātrustworthiness as political leadersā (Enli 2017, p. 59). Both candidates placed significant emphasis on their social media presence and image during the election period, because they were aware that social media platforms are āincreasingly used as direct sources of news, bypassing the editorial mediaā (Enli 2017, p. 50). Another prime example of social media platforms facilitating political discourse is #auspol, short for Australian politics, one of Australiaās most popular Twitter hashtags. Anyone with a Twitter account can use this hashtag to initiate political discussion, although the hashtag is primarily used for ācommentary and rumour spreading about the machinations of the federal governmentā (Bogle 2016).
Another key component of digital citizenship and online communities is hashtag publics, which enable further connectivity through a range of stylistic features, including themes, keyword markers and trending online movements. Hashtag publics are enabled through the search bar function on the explore page on social media platforms, where users can narrow their search for particular online movements, specific topics, celebrities, politics and everything in between, through hashtags. Some famous examples include #AusPol, #MeToo, #athomeworkouts and #COVID_19. Therefore, hashtag publics provide a virtual space for people with similar (or opposing) opinions and interests to congregate and partake in discussion and debate. This can lead to hashtag activism, briefly outlined above, and cancel culture, the complete opposite, also known as shaming culture.
Cancel culture, also commonly referred to as online shaming, and call-out culture, is a form of online public shaming, typically involving āleakedā or private information on the Internet. The ethics and regulation surrounding this virtual form of public humiliation are blurred and are a constant source of debate amongst media scholars. Cultural commentator, writer and fashion stylist, Ayishat Akanbi, has also raised some interesting points about the issues with cancel culture, particularly the speed at which people can change their ideas and opinions (Double Down News 2020). Therefore, Akanbi encourages people to consider this perspective when controversial tweets and comments resurface from famous celebrities and actors that they posted many years ago. This is reflection of their past self, and perhaps they have a more nuanced understanding and standpoint of these topics now. Furthermore, former President of the United States, Barack Obama made an interesting point about cancel culture, stating that many young people have adopted the mindset that we way they can āmake change, is to be as judgmental as possible as other peopleā, which he believes is accelerated by social media platforms (Guardian News 2019). Therefore, it is clear that you canāt bring about change by simply casting stones.
Bogle, A 2016, ā#auspol: the Twitter hashtag Australia canāt live withoutā, Mashable Australia, 21 March, viewed 25 April 2020, <https://mashable.com/ 2016/03/21/twitter-australia-auspol/>.Ā
Double Down News 2020, The problem with cancel culture, 21 January, viewed 25 April 2020, <https://www.youtube.com/watch?v=N3ZjTg1OpIE>.Ā
Enli, G 2017, āTwitter as an arena for the authentic outsider: Exploring the social media campaigns of Trump and Clinton in the 2016 presidential electionā, European Journal of Communication, vol. 32, no. 1, pp. 50-61.Ā
eSaftey Commissioner 2020, eSaftey Commissioner, Australian Government, viewed 25 April 2020, <https://www.esafety.gov.au/>.Ā
Gillespie, T 2010, āThe politics of āplatformsāā, New Media & Society, vol. 12, no. 3, pp. 347-364.Ā
Guardian News 2019, Barack Obama takes on āwokeā call-out culture: āThatās not activismā, 30 October, viewed 25 April 2020, <https://www.youtube.com/ watch?v=qaHLd8de6nM>.Ā
Helmond, A 2015, āThe platformization of the web: Making web data platform readyā, Social Media + Society, vol. 1, no. 2, pp. 1-11.