Jul 2, 2018
[ from here with @1touchk0 ]
   âAlmost as impressive as how you wonât give up no matter how many times we push you and your little gang back. There comes a time when you just need to give it a rest, you know.â
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[ from here with @1touchk0 ]
   âAlmost as impressive as how you wonât give up no matter how many times we push you and your little gang back. There comes a time when you just need to give it a rest, you know.â
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â You're playing a game. The question isâŚwho are you playing against? â
INTERESTDELUGES GOLDEN HUES, latex-lined fingers intertwining and resting just belowthe chin in manmade support. His guest is not necessarily one of which heâs everfavored; simply put, Shigaraki Tomura holds use to Overhaul for the sole reason of numbers:Numbers of subordinates he has, numbers of bodies he can provide towards hiscause. A momentâs hesitation musters a gentle hum that rolls from his throat ( coaxed out smoothly, yetwith curt precision, devoid of commonplace hospitality ), finding himself unable to restrict the upward tug of his brow, arched with scrutiny.
âAllthings considered, I wouldnât classify my endeavors as a game,â he respondswith precision, half-lidded eyes studying the figure sitting before him up and down, an air of condescension lurking in his tongue; âthis isnât actually a game of shogi,merely a parallel. I do hope you donât consider all of your ventures akin to recreation.â
His head slowly cocks to the side, attention ever fixed upon the young man before him as if his gaze is a glue, tirelessly remaining attached to whomever it sets upon. âForgive me if Iâm presuming too much saying this, Shigaraki.â His voice isstill level, a slow sigh rolling from behind an infamously-beaked mask, once-twined hands now liberated to gesture towards his company â âBut you speak as if youâre second guessing my intentions.â
âDonâttell me youâve grown nervous, now.â
â ( ͥ° ÍĘ ÍĄÂ°)
hold aizawaâs hand | @1touchk0
   oh shit oh fuck oh shit oh fuck  â he immediately tries to pull away, thinking of what shigaraki did to his elbow. âno â !!âÂ
1touchk0 replied to your post: So in turn you just start acting immature and...
who pissed in this anonâs cereal
Me
@1touchk0 from x
He only keeps his grip tight for a second, then just letting Aizawa jerk away with a shit-eating grin sneaking out from behind the hand on his face.
âNow that wasnât cool at all, Eraser. Donât have any time for your fans?â
he didnât even see shigaraki in the crowd; is he losing his grip? shĹta shakes his hand, activating his quirk. god. that had been terrifying -- and he hates to admit even THAT. âyou came alone? FOOLISH.â brush it off, brush it off --
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@1touchk0 liked for a starter!
             He can feel his heart beat, not in the manner akin to when someone was still. Not when you were startled by something loud or quick moving, but rather a kind of beat that made his chest ache.Â
 It throbbed, the sound ringing in his ears as his gaze met Tomuraâs. Out of all the ways for them to meet, to come face to face once more it had to be like this? Izuku didnât have back up, he didnât have All Might, all he had was One for All. Would that be enough?
      They werenât suppose to keep meeting.Â
                         Villains shouldnât be free to roam as they please!
What was his agenda? Â Â Â Â Â Â Â Â Â Â Â Â Â Did he have one? Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Would he simply bare his teeth and leave?Â
                                         Or would this result in a fight?
            âWhat do you want?â
The German Expressionist movement was initially confined to Germany due to the isolation the country experienced during World War I. In 1916, the government had banned foreign films. The demand from theaters to generate films led to an increase in domestic film production from 24 films in 1914 to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their money's value was constantly diminishing. Besides the films' popularity within G
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cont. @1touchk0
a lot of things in his reception are deliberate. true and prominent is resignation, the rest is his to harbor. none of it is known to the league successor, nor should be. but the prospect does, however, rise as a concern ; one more secret hid under his supine exterior. because he might be apt at guarding these things, but his home? how reflective is the white paint on these walls, how many details can be read like a journal?Â
he eyes the gaunt, dripping man in his genkan. heâs got to roll with it now--- but thatâs what heâs best at. a thumb is pointed to the side, a clear direction spoken; â straight to the washroom, mop. â then, with a cock of his chin, he addresses the soaked cloth clinging to his skeletal frame. â hang those there nâ change. iâll borrow. wait a sec. â
his place is tiny but uncluttered. it doesnât take long to fetch everything--- a few barefoot steps on laminate, sliding of a cabinet, shuffles, rewind--- and a stack is held out, belt on top.Â
â no whininâ about them not fitting. and if you ash anythinâ iâll roast you black. otherwise, welcome. be my guest, mops. â
his hands retract into the loose pockets of his jeans, and he stands back ( he has questions, but they can wait ) to watch the other, fish for any visible trails of thoughts--- is this anything you expected? everything is tidy, organized ( heâs used to it. he couldnât live with less ) with an eye to small comforts--- finished tea and comic books next to his futon. telling details like his reading glasses on the counter. black dye on the edge of his small bathtub, bleach to keep it clean. medical supplies stacked there in the cabinet. mechanical guidebooks for different vehicles stacked away. an acoustic guitar in one corner.
waiting for tomura, he leaves water to heat on the stove. he then snatches the lone instrument, flops down on his futon and starts playing.Â