Jul 9, 2025
Parts of an Armour for the Tilt, French, 1550-60
From the Philadelphia Museum of Art
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Parts of an Armour for the Tilt, French, 1550-60
From the Philadelphia Museum of Art
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ab. 1555 After Jakob Seisenegger - Archduchess Maria, Duchess of Jülich, Cleves and Berg with her eldest daughter Maria Eleonore
(Kunsthistorisches Museum, Vienna)
Frontispiece, Orlando Furioso by Lodovico Ariosto, 1556 ed., Venice
Title: Mary, Queen of Scots Artist: François Clouet (French, 1510-1572) Date: between 1558 and 1560 Genre: portraiture Movement: French Renaissance Medium: watercolor and bodycolor on vellum, re-backed with card Dimensions: 8.3 cm (3.2 in) high x 5.7 cm (2.2 in) wide Location: Royal Collection, United Kingdom
This exquisite miniature portrait of Mary was painted when she was about seventeen, during her marriage to Francis, Dauphin of France, who became Francis II in 1559 and died in 1560. The portrait is first attested in the personal collection of Charles I of England.
François Clouet, son of Burgundian artist Jean Clouet, was the most celebrated French portraitist of his day, known for his depictions of members of the royal family and of other nobles throughout Europe. His portrait of Elisabeth of Austria, now in the Louvre, inspired Claude Levi-Strauss in developing his anthropological theories of art.
Detail of the Hercules armor of the Emperor Maximilian II of Austria. Made in 1555, currently now on display at the Kunsthistorisches museum in Vienna.
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Esther before Ahasuerus (detail) circa 1555 Paolo Veronese
Ladislaus von Fraunberg Count of Haag, 1557 - Hans Mielich
Sofonisba Anguissola (c. 1532-1625), Self-Portrait Painting the Madonna, 1556, oil on canvas, Muzeum Zamek w Lancucie, Lancut, Poland (JSTOR)