Virgin and Child, French or German, 1220-30
From the Met Museum
seen from Russia
seen from United States
seen from United States
seen from United States

seen from Italy
seen from United States

seen from Venezuela
seen from United States

seen from United States
seen from United States

seen from TĂŒrkiye

seen from Australia
seen from United States

seen from United States
seen from United States
seen from Netherlands
seen from United States

seen from United States
seen from United States
seen from Vietnam
Virgin and Child, French or German, 1220-30
From the Met Museum

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
æäžèłæą ć (Viewing plum blossoms by moonlight) (c. 1200-1225) - 銏é (Ma Yuan)
Pyxis, 1225-50, France.
Tabernacle of Cherves
French
ca. 1220â1230
"This tabernacle is the most celebrated object from the Treasure of Cherves, found in 1896 near the site of a ruined priory of the Grandmont order of monks in Gandory. The accomplished openwork medallions depict events following the Crucifixion, including the Holy Women at the Sepulchre on Easter Sunday (center left) and Doubting Thomas (upper right). With their strong emphasis on the physical presence of Christ after his death, these images were most appropriate for a cupboard intended for storing of the bread consecrated as Christâs body during the mass."
The illumination in the Bible moralisée, (c. 1220, Paris) illustrates a 'sin of the mouth' with two pairs of same-sex lovers kissing. The female couple, on the left side, are assisted by devils.
"Normal Women: 900 Years of Making History" - Philippa Gregory

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
A miniature from the Spassky Gospels, Yaroslavl, made in the 1220s.
(Kievan-Rus. Modern day Kyiv, Ukraine).
Credit to @medievalfantasyqueen for finding this and the citation.
Fresco by Bertalan Székely in the ceremonial hall of the city hall of Kecskemét, Hungary. Created between 1895 and 1897, the painting features a depiction of the bull's head bowl, from the treasure of Nagyszentmiklós
The blood oath (Hungarian: vĂ©rszerzĆdĂ©s, lit. "blood contract") was, according to tradition, a pact among the leaders of the seven Hungarian tribes, traditionally held to be the first, unwritten constitution of the Hungarian nation. Its story, along with the terms agreed upon in it, is mostly known from the somewhat unreliable Gesta Hungarorum, a chronicle written between 1196â1203 and is thus possibly influenced by 12th century laws and customs. The oath was sealed by the seven leaders â Ălmos, ElĆd, Ond, Kond, Tas, Huba and Töhötöm â by cutting their arms and letting their blood into a chalice. Becoming blood brothers is likely to have been used traditionally to seal exceptionally strong oaths, and there must have been several similar oaths, but the phrase "blood oath" usually refers to the one by the seven leaders.
A bull's head bowl from the treasure; this piece is known in Hungary as "Attila's Cup".Â
The description of the oath taking ceremony mirrors the political and societal changes during Anonymus' lifetime. The increasing power of the nobles and their need for the codification of their rights culminated in the issuing of the Golden Bull of 1222. Several historians concluded that Anonymus' intentions in writing down this agreement were to express the societal changes during his own period, and support the fight for the rights of the nobility, as a kind of historical justification.Â
According to historian IstvĂĄn NemeskĂŒrty, "The aim of Magister P. (Anonymus) is to justify the rights and claims of 13th century Hungarian nobility and create a lineage going back to the Conquest for all of his friends and family. Also, although Anonymus stresses that his works are based on written sources, he wanted to create a literary work in the style of his own time period."[4]
"Number 8 Bow inscription" from the Treasure of Nagy Szent Miklos; runiform script
Portraits of English Queens and King from the cartulary and Customs of Abingdon Abbey, made in 1220
Ealhswith, wife of King Alfred the Great (817-918)
ĂthelflĂŠd, Lady of the Mercians (c. 870 â 12 June 918), ruled Mercia in the English Midlands from 911 until 918
Ethelred the Unready King of the English from 978-1016