the mice needed to be pretty simple shapes so i knew i would be able to replicate them over and over. all the mice are going to have the same basic head shape (circle+triangle), eye shape, and tail style with variations in the body shape and hair. bc they don't really have mouths or large eyes most of their emotive energy comes from the tails and eyebrows.

while i reserve the right to change the way i draw the mice at any moment (more on that later) i decided pretty early on that i didn't want to erase the pencil sketches after i inked. i think it gives them a cool "in process vibe" that reminds readers of the fact that they are in a literal created state via spell

i also decided there wouldn't be a lot of redraws allowed. part of the deal with me taking on some of the drawing would be i could tap out and have annie help me at the sketching phase if a pose was coming out a little TOO whack but for the most, first drawing is what sticks.

now that the mice are finally in the comic some keen eyed readers might have noticed there are some differences between the first promotional cover we posted and the first page they appeared in and the first page the mice appear in as characters. that's because (trade secret) they were drawn at least a year apart from one another! all that is to say is that there isn't really a way for the mice to ever get too "off-model" if a part of the experiment of this comic is to watch the way i draw evolve.

for a more detailed breakdown, here are the two pages im talking about below:

a big difference can be seen in how i drew the mice's ears and how the clothes became more complex.

first appearance from the mice in story = all white ears with flat black and white colors

promotional poster = hatching give the ears a slightly more 3D/curved look and the clothes have more going on then just being white or black lol

with this close up on the couch from the promotional poster, you can also see some of the "roger rabbit" production approach we have going on. first, me and annie discuss general composition. then, she paints the background in watercolor. then i draw the mice and we throw them in. this gets more difficult when they actually have to interact with the environment! with the two mice on the couch, i drew the mice and couch all together based on measurements of the couch that annie had already painted so they would approximately align when we had to edit them together. here, you can see i left the pencil lines of my sketched couch in the final scanned mice so you can kind of make out its rough outline: