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Strength & Death commissioned art by the brilliant @drathe
For Passage Through the Lichgate âš

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speechless đ
Strength & Death commissioned art by the brilliant @drathe
For Passage Through the Lichgate âš

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Olivia Hye â Paint the town line.
Hasnât jloâs look been on drag race? Or something very similar to it? I know iâve seen it before but canât remember where or who it was.
i mean i know iâve seen it before too but i think it might just be that the general concept isnât that original rather than having seen it on someone specific. the headpiece is very 1920s inspired and the beaded dripping dress has been done multiple times although i like the sequin addition that gradually gradiate into large paillettes (that are v naomi smalls) and the oversized belt buckle on the back is a nice addition
jloâs look for reference
for me itâs reminiscent of rihannaâs 2014 cfda awards look
but okay, drag race looks itâs similar to:
it reminds me a little of roxxxyâs as2 final look
delaâs redemption look had that beaded dripping detail
honey mahogany had that beaded headdress concept s5 ep1
trinity k bonetâs queen amidala goes to the met gala had a silver concept and a draped necklace and a silver headpiece that went into her hair
also if you combined all three of the looks below youâd probably get something resembling jloâs met look
several s11 queens have also done the dripping beaded look, some with a matching headpiece (the fringe runway was especially ripe with these)
so there hasnât been a look thatâs quite like it to my recollection but several people have skirted along the edges of the same concept
âMy word, Rook, you are as relentless on the board as you are in the field. Wherever did you learn?â Vesper bristled at this, recalling her peersâ condescending tones whenever they asked how she had gained some skill without parents to guide her, money for lessons, instruments or boards or more than a closet full of robes and as much parchment as she could scrounge. âIn the orphanage, when I was young. Then Professor Hezenkoss gave me a set in my first year of Vigilia. A hand-me-down. I used to play against myself.â She gave a dark smile, more for the memory than for him. âI was an excellent opponent.â Emmrich returned the smile, warmly, like a spelled mirror that reflected only light. He mirrored her at the board too, placing his bishop at g5, the perfect inverse of her actions two moves back. âWho won?â âOh, professor.â She kept her voice light, ignoring the bishopâs threat to her knight to push a pawn two spaces forward. âThere can be no victory when there are no stakes.â He moved his queensguard pawn forward one space, then paused, as if assessing that second square. Bolder, riskier. He lifted his fingers without further motion and settled back. âItâs moments like these that remind me why you are the rook, and I the mere pawn.â He chuckled at his own joke, and she found herself shaking her head with a smile at the ill fit of the metaphor. She nudged her own pawn forward, knowing his queen would dart out at the easy lure and allow her knight to threaten his most precious piece. âDonât sell yourself short. Youâre a bishop at least.â âAnd why is that?â Queen to d4, predictable as an artificerâs clock. Her knight charged, and he retreated a single space to defend. âYouâre ambitious,â she said, pushing forward the pawn on the kingside edge. âPoint you in a direction and itâs all youâll focus on. Youâre bold enough to cross half the board in a single play.â His knight claimed a black pawn, her knight claimed a white. His rook leapt out to take her queen, but she wouldnât need it; he was overly confident now, and would choose to press the advantage rather than castle in time. His king needed a rook to protect it, but he had yet to come to the realization himself. âBut you see the world as black and white. Good and evil. Moral and immoral.â Her rook came out to join her knight on the hunt, his bishop retreating one square to make room for the kingâs eastward flight. âWith that mindset, youâre like the bishop - you only have access to half the board.â Rook back, knight forward, black bishop jumping four squares diagonal to check the white king where it huddled exposed at the edge of the fourth rank. âTrapped forever on a square of a single color.â
Chapter 9: in which Rook plays a game, but the outcome remains uncertain.
âIâve met grazing cattle with more brains than this lot, Volkarin,â said Johanna by way of greeting. She was sitting cross-legged atop her disaster of a desk, long skirted trousers pooling over her legs and off the edges, her eyes staring distantly up at the greenish verdigris of the ironwork that decorated every corner of the Necropolis Halls. âHave you?â said Emmrich, restraining a smile at the thought of Johanna Hezenkoss tramping about the Fields of Ghislain in waxweather boots amidst a herd of lowing cattle. âObviously not!â she snapped. âUgh. For a lover of poetry youâre so literal-minded.â âForgive me, Johanna,â he laughed, the wisp chittering from behind him as he crossed the room to stand beside the desk. âI didnât realize you had developed an interest in the poetic arts!â âPah,â she grumbled. âAny interest I had was crushed like a carpet beetle after that blighted reading you dragged me to last month.â She hopped off the desk and strode to the corner of the room, bending over a trunk brimming with bones and crystals and scattered miniature figurines from her beloved Paths of Glory. The wisp pulsed with curiosity, dancing close and bobbing about Johannaâs head as if it were a glowmoth and she the torchlight. âCanât you control that thing?â she complained, emerging with a filigreed wooden box in both hands. âControl it?â Emmrich leaned forward, peering eagerly down at the box atop the desk where she had begun to unlatch it. âQuite the opposite. Iâd like to teach it.â âYou just canât help yourself. These doting dunderheads arenât enough for you?â âNot as a student, Johanna; as an apprentice.â
apparently ao3 was down for half the night lol so here have some Johanna x Emmrich banter 4 free (from Passage Through the Lichgate)

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Emmrich cursed himself a fool twice over, for all the good it did him. He ought to have listened to Rook, to have discerned the difference between lyrium-driven paranoia and reasonable doubts and fears. Ought to have known how ill-advised a camping trip with Harding would be at such a time. But he was desperate to clear his head, to restore his focus on the path of lichdom and spend a night in simple company beneath the stars, and he thought it an act of his growing bravery to traipse through the darkspawn-infested forests of Ferelden to do so. Fool, accursed fool.
âYou look like a cow whoâs just noticed the moon. The Lucidarium isnât that thrilling,â scoffed Hezenkoss, and Vesper laughed. â... Thereâs a boy,â she said finally. Hezenkoss cocked an eyebrow. âI like him. And⊠I think he likes me.â She suddenly felt unbearably foolish. Why would Johanna Hezenkoss care about her teenage crush? The woman who had invented the beamlight lantern, who had written Enfolding the Fade, who had single-handedly fought off a spirit of destruction that killed seven junior necromancers in its rampage through the Lower Mortuary? Besides, Hezenkoss didnât even like boys. âNevermind,â she hurried on. âItâs silly.â To her surprise, Hezenkoss tilted her head noncommittally, as if she would weigh the alleged silliness of Vesperâs feelings herself. The professor set her pen down and gazed at her for a moment. âIâm hardly a model of successful relationships! In case you hadnât noticed,â Hezenkoss said wryly, folding her arms so that the dark ink of her tattoo was hidden. Vesper noticed that Hezenkoss was pale, like herself, with fine dark hairs and the slender but muscular forearms of someone who did a great deal of work with their hands. It occurred to Vesper that while the professor could never be considered a beautiful woman there were things about her that were beautiful, and that this must be true of all people; that the closer you grew to someone the more those precious features came into focus. âNone of us are. And do you know why?â Vesper could hazard a few guesses, but decided it was more diplomatic to shake her head. âThere are more important things in life,â said Hezenkoss. For once she did not sound cynical and dismissive, only a plain assuredness in her tone. âCompanionship is fleeting, and lasts only so long as one lives. But art, the written word, wisdom shared - those things last forever. Immortality, of a kind!â Hezenkossâs eyes drifted to the painting of Nevarra City, the Boulevard of Kings cutting a wide statute-studded swath down the center of the city, the turreted towers of the Castrum Draconis soaring like something out of a fairy fable over the magnificent sprawl. âThen thereâs actual immortality, of course, in which case youâve got all the time in the world to enjoy the company of others!â Hezenkoss laughed. âSo do what you must, but donât lose focus.â She rapped the table, and the spell was broken, the shell that guarded any softness in her closing back over. âNow, back to the Lucidarium, or Iâll sniff out this fellow and turn him into a toad to keep your head on straight.â Vesper stifled a giggle at the image, and nodded her head. She bent over the book and continued reading with Johanna until the eighth bell tolled, and went home with a heart as light as the wisps that danced in the air all around.
Chapters 16 & 17 are up! In which Hezenkoss and Volkarin confront a gathering of pride spirits and a growing resistance to Nevarran rule in the town of Perendale, and Hezenkoss and Vesper grow closer.
âI came to ask if you had any advice before we set out for Tearstone Island.â Rook crossed her arms, feeling frail and bared in the godâs presence without the comforting weight of the sword at her side. Solas smiled, a brittle thing. âYou seem quite expert at stopping our rituals, Rook. Perhaps you might consider knocking over a statue at an opportune moment?â âHa, ha. Have you been practicing your jokes aloud in here, or has isolation just naturally made you funnier?â One corner of his mouth ticked downwards. âI see months of camaraderie with your team have not naturally made you more amiable.â âYou got me there.â She sighed. âSo no advice, then.â
editing chapter 30-something this morning and giggling đ„