Marijo FraniΔ ββOββ kontakt: [email protected] Β English O, interactive installation which establishes parameters for co-creation of formas of sound as a bio-synthetic bridge. The author uses frequency of a person and its "given framework" for the subject of transfiguration and evolution through perception - using ourselves as patterns in the representation of the sound itself. Using the inner "flexibilities", answers to different questions are being posed and parametes of the forms of the sound are given, sending out the current record of the subject acting as a mediator for the realization of the composition. Coordination of this system involves all that is accumulated in the consciousness of the subject Β and beyond, as an algorithm of sound events and its representation - aa print of the individual will in an encrypted recording, which lives through the perception of physics and colour of the tone. The created vibrational font of the cyclic system is followed by and in continious creation of an array of pshysical-acoustic phenomena. A tone generated by this raster of an entity being translated Β into an interactive reflex is reproduced and stimulated, depending on the position and state od the visitor in the exhibition space. Music is made by two musicians - a conscious and an unconscious half of the matrix of every present individual. Music, just like a camera, records and transmits co-existence of the two apparently separated concurrencies that now, just as some old-new vocabulary, emphasize and define the perceived reality. We become aware and a part od many layers of diverse frequencies, which connect and build the form of a new body as the single truly authentic instrument and a compound of the musical composition. A complete psychological presence is being used as an introspective extension of the sound material, in order to define architecture of sound. The basis is in the most direct and close "collaboration" between the bios and the visitor, which creates the clear emotional response to the matrix of music in reflecion with its given charge. Text: Miro Ε½upa
Hrvatski
O, interaktivna instalacija koja uspostavlja parametre za su-nastajanje oblika zβvuka kao bio-sinteβtiΔkog mosta. Autor koristi frekvenciju osobe i njenog βzadanog okviraβ za motiv transfiguracije i evoluciju kroz percepciju β koristi nas same kaoβ obrasce u prikazu samog zvuka. Putem unutarnjih βfleksibilnostiβ pokreΔu se i odgovori na razliΔita pitanja i daju parametri oblicima zvuka koji ispostavljaju trenutni zapis subjekta posredstvom kojeg se ovo komponiranje ostvaruje. Koordinacija ovog sustava ukljuΔuje sve akumulirano u svijesti subjekta i iza nje kao algoritma zbivanja nastalog zvuka i njegove pojave β otiska osobne volje u kriptiranom zapisu koji sad ΕΎivi kroz percepciju fizike i boje tona. Tako kreiranom vibracijskom fontu ovaj cikliΔki sustav prati i nastavlja stvarati Δitav niz fizikalno-akustiΔkih fenomena. Reproducira se i stimulira vlastiti ton generiran ovim rasterom samog biΔa prenesenog u interaktivni refleks ovisan o poziciji i stanju posjetitelja u izloΕΎbenom prostoru. Glazbu koja nastaje stvaraju dva glazbenika β svjesni i nesvjesni pol matrice svakog ovdje prisutnog. Glazba poput kamere ovdje zapisuje i prenosi supostojanje ovih dviju naizgled odvojenih istovremenosti koje sad, poput nekog novog-starog vokabulara, naglaΕ‘avaju i definiraju ovakvo percipiranu realnost. Postajemo svjesni i postajemo dijelom mnogih slojeva razliΔitih frekvencija koje povezuju i grade oblik novog tijela kao jedinog stvarno autentiΔnog instrumenta i sastavnice u komponiranju ovog zvuka. Koristi se kompletna psiholoΕ‘ka prisutnost kao introspektivna ''ekstenzija'' za zvuΔni materijal, u cilju definiranja i stvaranja arhitekture zvuka. Temelj je u najneposrednijoj i najprisnijoj βkolaboracijiβ izmeΔu biosa posjetitelja koji svojim veΔ zadanim nabojem stvara jasan emocionalni odjek na ovoj matrici glazbe u odrazu. Tekst: Miro Ε½upa
