I've had this scene in my head for a while, and got the ~spontaneous inspiration~ to jot it down this morning. Chester, despite not knowing what the fuck he was doing, really tried to give Lyra as normal and happy a childhood as possible, given the environment they were in. Even though living with Sarah Jean (his mom) again was miserable for Chester, he and Lyra still have a lot of good memories together.
--
âPapa?â Lyra asks from the kitchen table.
âMm?â Youâre trying to juggle helping her with her homework and washing the dishes from her after-school snack.
âHow many years old are you?â
Well, if that ainât a loaded question. You know sheâs too young to understand that youâre too young, even with the way your mama harps on you about it right in front of her.
Placing Lyraâs plate on the rack to dry, you ask, âHow come you wanna know?â
âIn my homework, it says: âAdd your age to the age your parents were when you were born.ââ She reads a little slow and a little loud, but her voice is steady, and she never trips up once. Youâre so damn proud of her, even if you know she sure as shit didnât get her brains from you.
Itâs not often that you allow yourself to indulge in what-ifs about still being with Naoki. You try not to think about him at all, if you can help it (you usually canât). Itâs times like these that remind you sheâs his baby, too, and you can imagine the three of you in your old apartment in Goldenrod, or back with his family in Ecruteak. You know heâd be over the moon that Lyra loves to read as much as he doesâheâd probably read with her every night. Not that you donât do that yourself (you do it all yourself), but the fantasy is so easy to picture.
You shake your head a little to clear it, glad that Lyraâs back is turned towards you.
âLetâs take a look, mkay?â
Lyra obligingly scoots her chair over so you can drag another one next to it. The sheet has a couple other questions, stuff like âHow old are you?â and âWhen is your birthday?â. Beneath that, thereâs a grid with spaces labeled âMommyâ and âDaddyâ. The fact that those are the only two options makes you wonder what century this worksheet was written in.
âCan I see your pencil, sweet pea?â
âYes, please,â she says as she hands it over. It doesnât make a whole lot of sense, but sheâs got the spirit of being polite.
Gingerly, you put an X over the box labeled âMommyâ.
âCongrats, baby, you only gotta do half the homework the other kids do.â
âI told my teacher I donât have a mama,â Lyra agrees. Considering her teacher is the same one you had in first grade, you cringe at what the woman mustâve been thinking about you, about Lyra herself.
âYup, just you ân me.â
âAnd Meemaw!â
Yeah, you arenât gonna touch that one.
âAlright,â you say, glad that Lyraâs still little enough to get distracted easily. âDâyou know how old Papa was when you were born?â
âTwenty-seven?â Lyra guesses immediately. You try not to laughâyou were twenty-seven just last year.
âNope. I was just shy of twenty-two, since our birthdaysâre only ten days apart. Letâs just put the number 22 up on top.â
Taking the pencil back from you, Lyra writes a slightly squashed â22â in the âDaddyâ box.
âNow we gotta add six to twenty-two,â she announces. Her little face scrunches in concentration, but you notice sheâs not counting on her fingers. She just jots down â+ 6â on her paper, then draws a line below it for the answer.
âSix plus two is eight, plus twenty is twenty-eight!â Lyra looks up at you for confirmation, even though you can tell from her mischievous smile that she knows sheâs right.
âYou got it, sweet pea,â you tell her, wrapping her in a hug and planting a loud kiss on her cheek. She squeals in mock-indignation, even as she hugs you back. âPapaâs an old man, huh?â For a kid her age, you assume thatâs what sheâd think. Someday, sheâs gonna look back at this moment and realize how young you really were when you had her, how completely clueless you were. Your only parenting philosophy was âWhatever Mama would do, do the oppositeâ. Which, granted, is an idea thatâs served you well so far.
To your surprise, Lyra protests, âNo, Papa, you ainât old! Twenty-eight isnât that old.â
âOh, yeah? Am I gonna be old when Iâm thirty?â
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I'm tagging this R-18 just to be safe--there's nothing explicit, but the whole scene is pretty obviously post-coital. To quote myself on the subject of Naoki and Chester getting back together ~12 years post-accidental baby-induced breakup any% speedrun:
Anyways, actual writing below the cut. This is just the beginning of a long-running number of conversations on the topic lmao
--
You canât even guess what time it is at this point. It feels like a whole ocean of sweatâs been dumped directly onto your body, making your t-shirt stick to you in unflattering places. The blanketâs been kicked just far enough away that you canât grab a corner with your toes to drag it over your freezing feet. An acheâs started up in your hips and jaw.
You lay there, on your stomach in his futon, and find yourself missing him something fierce.
Itâs unbearable, all of a sudden, enough to make you flop yourself over on your side. You need to see him, make sure this isnât the worldâs worst-slash-best wet dream. Naokiâs taken his glasses off. Those stupid pretty eyelashes frame a look in his eyes that says heâs not all in there.
âShit, man,â you sigh. Naoki blinks rapidly, trying to drag himself back out of his own head. He makes a little âmmh?â noise.
âUs. We made it, what, two weeks?â The ridiculousness of it all makes you snort lightly.
âIâm surprised you let me.â His voice is small, murmured out the side of his mouth and into the pillow. You remember what heâd said, when youâd asked him if heâd moved on to someone new: You really think Iâd inflict myself on someone else?
âGet your head outta your ass,â you say, and oh, it comes out so tender. You reach over to unstick a sweat-straightened curl plastered over his temple. Naoki flinches away like heâs expecting you to just sock him in the face, like heâd rather you do that instead. He reminds you, absurdly, of how Lyra used to fuss when you wiped her face off with a washcloth in the mornings.
âIt takes two to tango, baby,â and wow, you havenât called him that in a hot minute. You decide you like the way it rolls off your tongue nice and easy. Not quite how it used to be, no, but still good.
Naoki starts at the word, too, like he was expecting something different a couple minutes after reducing your vocabulary down to his name.
âYouâre being too nice to me,â he protests weakly. âItâdâI donât know. I always imagined you being pissed at me, notââ gesturing at the two of you laying side by side, just left of the way it used to be, ââwhatever the fuck Iâve dragged you into this time.â
âDonât you go actinâ like I canât think for myselfââ you cut yourself off the second you register the snap in your voice. No, no, thatâs not how you want it to go.
More careful this time, âI ainât even mad at you, yâknow? Shit, I sure was for the first coupla months, butâŠâ you shrug with one shoulder, shifting the blanket even further towards Naokiâs side.
âIt canât be that simple,â Naoki rasps out.
ââM not sayinâ it isâ, you soothe, hand in his hair again. This time, he doesnât shy away.
[friend ocs] honey it's time for your 4pm necromantic tune-up
@princessbias has been sharing stuff about FE OCs, and the image of the necromancer/dark mage tuning up the mercenary's resurrection has been living rent-free in my head. Apologies if this isn't Quite the dynamic--I tried to incorporate a lot of stuff you said about each character! I also don't know if laptops-as-tomes really fits the techno-religion theme, but it was too fun of an idea to pass up.
---
Before the bells have even finished ringing the hour, youâre walking back to the church where you died. One foot in front of the other, you idly consider what would happen if you resisted. Probably nothing. Equally probably, your body that is no longer entirely your body would just keep marching.
Itâs a pointless thought exercise. You cross the threshold that still smells of smoke. If you made more effort than was strictly necessary to keep tabs on her before your death, after it, you donât even have to try. Itâs as if one of the strange metal coils of her craft connects the two of you. Youâve never tested how far the tie goes, whether youâd drop dead again if you got too far from her. Itâs not something youâd want to do, anyways. You want her where you can see her, feel her.
The light from one of her glowing tomes casts her face in sickly, bloodless-corpse blue. Her fingers go still on the keys.
âRight on time,â she remarks. She sounds satisfied, in a warm way that youâre entirely unequipped to handle. In lieu of a response, you begin to strip off your tunic, followed by the gambeson beneath, then the band over your breasts. Thereâs a thin, pale scar over the left one, the only visible evidence that you died and were resurrected. Sheâs turned her head away from you to give some facsimile of modesty, as if she wonât have to look in a moment anyways.
You lower yourself onto her workstation like itâs your second graveâor maybe your first? You have no idea if theyâd even buried you before she brought the entire church gasping back to life. Sheâs put a thin cheesecloth over the metal slab, which does nothing to stop your skin from immediately pebbling.
âLimbs doing alright?â You obligingly wiggle each one, then your fingers and toes. She smiles at you the way a hunter might when their hound performs a particularly well-done point. From one of her countless pockets, she produces a jar of something or other. You at least can tell itâs not bloodâthe stuff is bright green, and glows softly as she traces runes over your bare torso. Next comes the cord, linked from her tome to your heart. In the privacy of your own mind, this is your least favorite part. Her ritual knife parts your flesh so smoothly that it may as well be water. You feel no pain.
âLovely,â breathed out with a reverence that is surely for her craft, not for you. Your literal heart still tight from when sheâd held it to insert the cord, she returns to her tome and clicks at the keys. The runes on your chest flare to life, and you feel a distinct tugging sensation, as if something inside you is being pulled back into alignment. You can imagine her hands inside your body, tugging and straightening your soul like an ill-fitting sheet over a bed.
you're on the bed in motoha's room and kissing like you're in a competition to see who can hold their breath the longest. it's kissing in the way a manga panel is--the suggestion of movement. really, you're sitting there with your mouths and hearts pressed together.Â
"mwah," motoha announces as she pulls away. you feel the phantom weight of her lips on yours. you're blushing, blotchy and raw-meat red. her cheeks are cherry-bright and glowing by contrast.Â
"can we... again?" the request falls gracelessly in the scant space between you. it would hurt to look at her brilliant smile if you weren't so hungry to see it, to taste it.
"of course!" and then, "ooooogh, you're so cute, i just wanna--" motoha cups your face in her hands and squishes. not enough to hurt, just enough to distort your image like a funhouse mirror.
enjoy this, gentileschi coaxes from behind your eyes. drink deep of your life.
so you do, your own hands on motoha's cheeks, kissing her deeper like you know what you're doing. she makes a muffled squeak, delight and surprise all in one. her lips are chapped, and you're consumed by the notion of peeling off the loose skin with your teeth. you feel a little evil at the thought, a little in love.Â
Another one that's been sitting in my files for eons. Consider this the opening to my thesis on butch Dazai, filtered through two fifteen year-olds who have absolutely none of the language or patience to discuss this stuff lmao For the record, I really do think eyelash curlers look scary, and I had no idea what they were until well into adulthood.
---
You narrow your eyes at your opponent. Tilt your chin back a little, trying to give off the vibe that this shitâs all beneath you.
The makeup case is unimpressed with you. Youâre unimpressed with you.
âOh, put that thing away already,â Dazai drawls from over your shoulder. You donât flinch away (much), but thereâs an undercurrent in her voice that gives you pause. Now, there are always enough undercurrents in Dazai to put the nastiest riptide to shame, but thisâshe almost sounds angry, and not in her pouty, put-upon, fake-ass way. When she grabs the box, itâs with a vicious disdain.
âFuckingâchill! Give it back!â You snap, reaching up over your head. You donât even want the thing, honestly. If Dazaiâs going to get up all pissy about it for no reason, though, youâre going to bite back. âAne-san gave that to me!â
âOh?â Dazai says, like she somehow couldnât figure that out on her own. Youâve turned around on your chair so that youâre facing her, and you swear you can see the temperature in her one visible eye plummet. âOf course she did. She must be desperate if she thinks she can turn my Chuuya into a proper little lady.â
âOkay, first of allââ swiping for the makeup case and just barely missing when Dazai holds it up higher, one long, grubby finger pressed against your forehead, â--Iâm not your anything, so letâs get that straight.â
âYes, you are! Youâre my dog, not Ane-sanâs. Only Iâm allowed to train Chuuya, and I donât remember signing her up for obedience school.â Dazai pauses, making a show of reconsidering her statement. You grab the box and drop back into the chair with a huff, tucking it between your legs. Knowing that she definitely let you get away with it rankles you to no end. âActually, maybe I should send Chuuya toââ
âCan it,â you snap. âIf youâre not gonna help me with this, then scram.â
Dazai flops into the chair opposite yours. Sheâs still looking at the makeup case like itâs doneâŠsomething that would really piss her off. Like itâs stopped her mid-suicide attempt, or told her she has to get off her bony ass and do her own work for once.
âLook, Iâm not thrilled about it, either, but Ane-san told meââ
âSo get rid of it.â
âDid your smart-ass brain finally fall out your ears? I said, Ane-san wants me to, you know. Try using it and stuff. Sheâs my actual superior, so Iâm gonna listen to her, thanks.â
âNo, Ane-san wants you to be her perfect little dress-up doll. I think sheâs still salty that her last attempt wentâŠÂ Well,â Dazai gestures broadly at herself, a gaggle of long, spindly limbs stuffed into ill-fitting menâs clothes, all shrouded in that huge coat sheâs probably never washed in her life. Â
And the thing isâyou get it. Youâve always (at least, as far back as you can remember) worn pants and t-shirts. If people back in Suribachi thought the infamous King of the Sheep was a dude, you werenât about to go correcting them. Not on the âdudeâ part, nor on the âKingâ part. The thought of suddenly pivoting to a face full of makeup and a closet full of dresses sets an uncomfortable buzz off beneath your skin. You still feel compelled to defend Kouyou for meeting the low, low bar of âat least sheâs not Dazaiâ.
âNo wonder she gave up on your ass. Youâre a frigging pile of toothpicks in a trenchcoat. You look like you cut your hair with a weed whacker.â
âHey, now, donât take your insecurities about your femininity out on me, Chuuya-kun!â Dazai sniffs in mock-offense, placing a hand over her heart.
âDude, you have a guyâs name, too?â
âYeah, that would be on purpose.â Â
Youâre picking up what sheâs putting down, you think. Plenty of other girls in Suribachi, especially younger ones, had guysâ names, or at least ones that sounded kind of ambiguous. It was flimsy armor, doomed to fall apart once a girlâs body betrayed her, but you wouldnât judge anyone for choosing to wear it. Your own name is more a security blanket than a shield, your first gift from the Sheep. You wonder what Dazaiâs is to her. She seems to have reforged that armor into something tougher, longer-lasting. Not that youâve ever heard anyone call her âOsamuâ--not even the Boss. Â
Dazaiâs still smiling. Itâs a smug, self-satisfied little thing, sitting pretty on her face like sheâs in on a joke that you donât get. You hate that look.
âDonât act like you know me, weirdo.â
Her smile slips. Itâs not as satisfying as it should be.
âI think I do, though? At least, I think youâre more like me than you are like her.â Again with the unexplained venom directed towards Kouyou. Or maybe itâs more than that, and Kouyou is just the face Dazaiâs assigned to something larger that haunts her.  Â
âWhat the hell are we even arguing about, anyways?â
âChuuya wants to be a little frou-frou princess. I object on moral and aesthetic grounds.â Â
âWhat, so youâre admitting you actually like how I look now?â Youâre pretty sure thatâs what âaestheticâ means. The way Dazai talks like sheâs trying to catch you out for not knowing obscure words is another thing you hate about herâadd it to the list.
She takes your taunt like water off a duckâs back.
âI mean, yeah, in the way where a pile of doggy doo-doo looks just a teensy bit better than intestines splattered all over the floor.â You decide that you really donât want to know why Dazai knows what loose intestines look like. Coming from her, itâs probably not just a figure of speech.
âFine. If you donât care that much, you wonât mind if I use all this junk,â you declare, wrenching the box in your lap open with much more bravado than you feel.
âChuuuuuuuuuuyaaaaaaa,â Dazai whines. âBad dog, bad! Down, girl! Makeup is poisonous for dumb puppies like you!â
You flip her the bird.
Some of the things in the box, you recognize. For every girl like you, there was a girl like Yuan, playing her femininity to the cheap seats. It was another way to surviveâjust not your way. Â
You prod through mascara, lipstick, and what you think might be that powder stuff that keeps the other makeup on. Maybe Ane-san left you an instruction manual or something? Or did she expect you to look up tutorials on the sleek, standard-issue laptop sitting uncharged on your desk? The deeper into the little box you go, the more you wish youâd paid attention to the stuff the other Sheep girls asked you to grab for them. Some of it doesnât look like it should go anywhere near anyoneâs face.
For example, the metal device you pull out looks more like it should be used for cooking than makeup. Thereâs no powder or liquid attached to it, so you have no clue what itâs supposed to do. You hold it up to Dazai and give a little âwhat the hell, am I rightâ shrug.
To your surprise, she stops sulking and sits up.
âOooh, thatâs devious. Leave it to Ane-san to throw in something like that.â
âWhat is it?â Â
A wicked grin breaks out on Dazaiâs face.
âItâs a torture device.â
âWhy the hell would there be a torture device in a makeup case, huh?â Surely, sheâs just bullshitting you, or winding up to another gripe about seeing you in makeup. Â
âBecause thatâs Ane-sanâs whole thing?â She says it like youâre the single stupidest moron on the planet. âLooking pretty and being dangerous? Here, gimme, gimme.â Dazai makes a little grabbing gesture with her hands.
âYou think Iâm gonna give you a torture device? Get real, Dazai.â
âCâmon, Chuuya! Iâm an old hand in the interrogation room. You can trust me!â
You really donât have time to process everything that statement implies.
âNot if you were the last person left on Earth. Just tell me what it does.â
âFiiiine,â Dazai says, like she wasnât the one who brought the topic up in the first place. âSo, you put the clamp part right over the joint of someoneâs finger, and thenââ She mimics pressing down hard, cracking something. Â
âDamn,â you hiss, wincing.
âYep! You go down each joint, finger by finger. Thatâs the soft way to use it, though.â Dazai leans in towards you, waggling her eyebrows conspiratorially.
âOh yeah?â If youâre mirroring her movement, itâs just out of bile fascination. One of your knees bumps against hers. She doesnât move away.
âYeah. If you wanna go yakuza-style, you grab their fingernail, and thenâyoink!â As she speaks, she plucks the torture device out from between your fingers and brandishes it at you. You jolt back, stuffing your hands under your thighs ASAP. âAww, Chuuya doesnât wanna try it?â Dazai coos. âCâmon, Iâll be gentle.â
âPiss off! You seriously think Iâm gonna let you anywhere near me with that thing?â
âHow else am I supposed to trim my naughty doggyâs nails?â
Dazaiâs all up in your personal space now, snipping the torture device at random placesâyour shirt, your nose, your cheeks. Irritation and inspiration hit you in twin waves of heat. She wants to fuck around? Sheâs about to find out. While Dazaiâs still running her big, stupid mouth, you headbutt her right in the face.
If you never end up getting around to trying the makeup, wellâŠÂ You have a good excuse.
---
âI hadnât expected you to use it, child. I merely wanted you to have it at the ready.â
So, all of that hullabaloo with Dazai was for nothing. Now you just have to tell Kouyou to her face that youâd rather willingly spend time with said waste of bandages than put on the makeup she chose for you. Right. Easy.
One of the things sheâs trying to teach you about business dealings is how to make people feel like youâre complimenting them, even when youâre really telling them no or insulting them. You scramble for something even remotely positive to say.
âI thought Iâd check it out, you know? The torture device was cool, at least.â Nailed it.
âTheâŠtorture device?â Kouyou repeats. One perfect brow lifts up in an arch. Youâve never noticed before that theyâre drawn onto her face. Does that mean she doesnât have eyebrows when sheâs not wearing makeup?
âYeah, theâthe clamp thing. The one you can break a guyâs fingers with.â
âThe eyelash curler?â
The realization hits you like a piece of rotten fruit, sliding down your face and leaving a slimy trail of embarrassment and anger in its wake. Â
âThat piece of shit Dazaiââ
Kouyouâs eyebrow lifts even higher. The other one remains perfectly still.
âI mean. I am realizing that I have been, uh, led astray and given misinformation by my colleague, Dazai-san, and I will have to reprimand her at a later date?â
The steely facade breaks when Kouyouâs painted lips twitch towards a smile. She lets out a genteel little exhale that could probably be called a laugh at the expense of your mangled formality.
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This one makes more sense in the context of Chester and Naoki's first meeting. Again, CWs for discussion of Sarah Jean's abusive/isolating behavior towards Chester, as well as a pre-transition character referring to himself as a girl.
---
Youâre sitting in your windowsill with the lights off, and every rustling noise is getting your hopes up. Naoki said heâd show up late at night, but never which night. Waiting up for him has gotten easier. The first night, you were so scared Mama would catch you that you near about puked. Your hair sits heavy under the most boyish hat you own, and your heart sits heavy in your chest. You have to cling to the knowledge that Mama doesnât treat you right, or else, youâll start doubting yourself all over again.
Itâs best to just disappear and make it a clean cut. Itâll even be good for her, you bet. She needs a life outside of smothering yours.
A bush shakesâjust a Ratatta, scurrying across the yard. Youâre surprised itâs brave enough to come here. Mama can and will take a broom to anyone and anything that might take a teeny piece of your love.
âPlease tell me youâre not your mom,â a voice stage-whispers from that same bush. You near about fall out the window in shock, and you have to bite back a yelp of pain when you hit your head on the top of the sill.
Sure enough, a flashlight beam reveals a slice of Naoki and Suzu, looking stupid as can be, all hunched to the ground. He doesnât even need the light, not with the full moon shining clear through the trees. City boy, you think fondly to yourself.
âYou look ridiculous down there. Now câmon, before I start losinâ my nerve again.â The second floor of you and Mamaâs house is more like a glorified loft, easy to jump from. Naoki comes to stand beneath your window, his long curls pulled back into a ponytail dotted with forest junk. Just the sight of him in the flesh, for the first time in almost a year, is enough to convince you youâre doing the right thing.
Suzu lets out a quiet trill as you toss your cruddy old backpack down, catching the whole thing with her ribbons. You figured itâd be best to travel real light, and your old clothes wonât matter for your plan.
You donât think about a thing when you follow your bag out the window. You donât think about Mama one bit.
There the three of you are in the early fall night. You and Naoki size each other up for the barest second before youâre hugging, his face pressed into your ugly white hat.
âWhat are you wearing?â Naoki whispers against you. His scrawny frame feels like a wall between you and Mama, a door to something better.
âItâs my plan,â you whisper back. âMamaâs gonna be looking for one girl all by herself, yeah? So what if I dressed up as a boy, like you dressed up as your sister when we met? She wonât suspect a thing!â
âThatâs...actually such a good idea? Just donât take any cues from me on how to be manly.â
Since it's Pokemon day, I figured I'd finally post Chester and Naoki's first meeting, which has been sitting in my files for like a year and a half. CW for pretty frequent discussion of Sarah Jean's (Chester's mom) abusive and possessive behavior towards him. Chester also refers to himself as a girl here, since this is a couple of years prior to him being 1) cognizant he's a guy, and 2) out.
---
You donât know if you got lost on purpose or not this time. Which one would be worse? You weigh your options as you squeeze through the crowds, mumbling ââScuse meâ as you go. No one says it back to you.
Option one is that you really did get lost. Violetâs the biggest place youâve ever been, the furthest from home youâve ever gone. You know Mama wouldnâtâve even considered coming if someone hadnât made some snide remark about how she couldnât afford the trip to the festival. For all she griped about it, she never said whoâd told her that. You wish she had, âcause youâd like to shake that personâs hand, maybe ask them if theyâd insult her more often. Not for realâjust to get her hackles up enough that sheâd take you somewhere new every once in a while. You tell yourself you can live with the way Mama always reacts if it means you can get lost in places youâve never been.
Option two is that you did it on purpose. It turns your stomach to think about it too clearly. Youâve gotta come at it from the side, out of the corner of your mindâs eye. You werenât trying to be disrespectful, ungrateful, any of the other words that find their way into Mamaâs mouth faster than they used to. Sheâd finally let go of you after the Kimono Girlsâ performance, and, wellâŠÂ Neither of you are all that big. Itâs easy to get separated when an audience is breaking up. Sheâll find you. She always does.
The feeling of each of her fingertips, pressed bruise-hard into the meat of your upper arm, lingers. Thereâs a sign for a police box, just far off enough that you canât read the rest of what it says. A lump forms in your throat. The chatter and the music twist and stretch into Mamaâs voice, so vivid that you almost think sheâs actually there. I am so sorry about my fool daughter, Officer, sheâd say once she found you at the police box. Sheâs justâŠÂ Sheâs always been like this. Canât take my eyes off her for a minute. Like sheâs inviting the imaginary cop in on a joke. Like everyone (especially you) has to know that thereâs something not quite right with you, and thatâs why she has to keep you so close that itâs hard to tell where she stops and you start. Â
You decide then and there that you did get lost on purpose.
From where youâre facing, you can see Sprout Tower, impossibly big even from such a distance. Your gut instinct tells you to go in the opposite direction, as far away from any landmarks as you can get. This time, you let the crowd move you along until youâre at a wall of stalls. They go down a switch-back road, a glowing zig-zag cut through the night. To your right, thereâs a gap between the first stall in the line and the shoulder of the road. You squeeze through, offering a silent apology to the stall owner for what probably counts as trespassing. Â
Past the piles of supplies and a couple of small trucks, a girl is sitting against the guardrail, feet dangling past the edge. It takes you a sec to place why she looks familiar. Sheâs one of the Kimono Girls that was performingâshe just took her hair out of its pins. It curls all the way down her back in loose waves. With the all the colors of the lights from the festival shining on it, you canât tell if itâs black, or just a real, real dark brown.
You should probably leave. She got this spot first, after all. Â
âYâall wereâUh, I really liked your performance,â is what you blurt out instead. She looks back over her shoulder towards the sound of your voice. Her makeupâs been scrubbed off. She missed a spot, right near her temple.
âOh? Thanks,â the girl replies. âFull disclosure, everything I did was a load of Tauros.â
It takes you an embarrassingly long beat to realize she means it was shitty. Â
âI was just filling in for my sister.â A wicked grin turns up the corner of her mouth. âShe got food poisoning, so.â
âIâm sorry to hear that,â you say. You mean it, because you mind your manners more honestly than Mama taught you to. The girl huffs a little laugh out of her nose, so quiet you barely hear it.
âIâm not. She deserved itâI told her that konbini sandwich looked like it was growing a new species of fungus.â
âYou sure that wasnât the lettuce or somethinâ?âÂ
She laughs again, louder this time. A weird mix of shame and pride stirs itself in your chest. You shouldnât be poking fun at this girlâs poor sister, but you must be doing something right, if your stupid wise-cracks are getting a positive reaction. Â
âIâll be sure to tell her that when we get back to the inn. Itâll go over great.â The girl shuffles around to face you fully. She rests her shoulders against the guardrail, stretching her long legs out in front of her. Patting the asphalt next to herâis she seriously asking you to come and sit there?--she continues. âShe hasnât even started formal training yet, and I knew the routine she was gonna do, but,â and here, a âyou-know-how-it-isâ kind of shrug. You nod along even though you donât know squat about how it is. âIâm not exactly Kimono Girl material.â
Sheâs still waiting for you to sit. You inch towards her, afraid sheâs gonna tell you she was just kidding any moment now. When she doesnât say anything, you drop down to the ground, just barely remembering to tuck your ugly blue dress under you as you go. Even this late at night, the gritty heat of the road burns into the backs of your thighs.
âI dunno, you look like the real deal to me.â You wave your hand in her general direction. Everything about her is crazy elegant, even when sheâs parked on her butt on the side of a street. Usually, you feel grubby and small and not-quite-right around other girls, like an undersized sweater from a charity shop that youâd throw away if you could afford a better replacement. The way this girl talks, you wonder if she feels the same. Maybe her sisterâs way better than her at dancing or something?
She must pick up on your train of thought, shaking her head.
âOh, no, I donât meanâIâm not getting down on myself or anything. I meant that Iâm not Kimono Girl material because Iâm a guy.â She says it cool and casual as you please, like he didnât just turn your whole word on its head.
âYou can do that?â you ask. Your voice cracks on the way out. He raises his perfect eyebrows at you like a challenge, and oh, shit, does he think youâre judging him? Youâre not judging him, you justâyou donât knowâyou wantâ âThatâs allowed?â
It must be the right thing to say. Kimono Boyâs expression relaxes.
âFor fun, sure. My sister who got food poisoning is my twin. We did the whole âtwin-switchâ prank a lot when we were little kids.â He rolls his eyes. âNot so much, these daysâthis is all too much of a pain in the ass to put on.â
âThatâsââ youâre nodding along like one of those tacky bobble-head Miltank souvenirs you absolutely woudâve bought earlier today if you had a lick of money to your name. âThatâs cool. That, uh, folks donât give you guff. For wearinâ somethinâ different.â  Â
âItâs not that deep,â he demurs. âIâm stuck tagging along whenever we travel, so at least I got to do something besides sit around at the inn tonight. Motherâs allowed to work me to the bone as an errand boy, but Iâm not allowed to go out and die in the wilderness for some reason. Canât imagine why.â His tone is all woe-is-me, too over the top to be sincere. Under that is a tiny hint of something real, something hungry. You understand the shape of it, if not the name.
âYou wanna be a trainer? Youâve gotta be old enough already. Itâs, whatâten?â
âWeâre turning thirteen inâŠâ He counts under his breath, long fingers coming up one by one. âA week and a half?â
âNo shot youâre younger than me! What the hellâre they feeding you?â The swear just slips out of the privacy of your head before you can even think to hold it back. You donât linger on it when Kimono Boy doesnât, too busy nursing a liquid-hot flare of envy. Even sitting down, heâs gotta be at least a full head taller than you.
âDid you see my mother and older sister up there? Weâre all just built like that.â Heâs not talking polite to you at all, now he knows youâre older. You canât bring yourself to mind.
âLucky bastard,â you grumble, all bark and no bite. He ruffles the top of your head, casual as you please. Â
âYouâve got time, little buddy,â he assures you, all fake-sympathetic. Â
âPiss off!â You give him a little shove with your shoulder, like you know each other, like youâre friends. You suddenly want to be his friend so damn bad. You kinda hope you already are.
The sounds of the festival fill in the lull before it can get too awkward. The two of you watch flickers of movement at the stalls, mostly hidden by crates and trucks. Food is burning somewhere, the smoke-thick smell draped over the humid night air. You bounce your foot idly to the distant beat of drums.
âWhatâs your deal?â Kimono Boy eventually asks. âAre you still in school, or working already, orâŠ?âÂ
ââM not that old, sheesh. Turninâ fourteen next month. Iâm just kinda posted right now, I guess. Same as you.â Itâs not the same at all. He has a future, and you have Mama. âNot a lotta stuff out where Iâm from.â
âYouâre not from Violet?â
âNah, some podunk town no one knows. Itâs kinda near the border? With Kanto?â Kimono Boy actually perks up with interest, a reaction nobody in the history of everything has ever had to New Bark. Â
âNo shit? Near the Indigo Plateau?â His dark eyes gleam, and you notice for the first time the faint ring of contact lenses around them. You make an âehhhâ kind of gesture with your hand to hide the fact that you couldnât find the Indigo Plateau on a map if your life depended on it. âDo you guys get a lot of trainers coming through on the Johto side?â
Do you? Probably, but you see them as little as you see the neighbors Mama also hoards you away from. Sheâs real equal-opportunity like that.
âDâyou?â It feels a little bad, leading him by the nose like this, but he puffs right up with pride at your question. Â
âIâve got two, though the other oneâs back at the inn where weâre staying. You know, for the family brand integrity?â You have absolutely no clue what half the words he just said are supposed to mean. âTechnically, Iâm not supposed to have Suzu out, since Iâm playing Tamao tonight, butâŠâ A ball rolls out of his long sleeve and into his waiting palm. Itâs the kind of party trick heâs for sure had to practice to do it so smooth. That doesnât stop it from impressing you, though.
The ball isnât like the ones you see on posters or stacked up behind the register at the grocery store. Instead of red on one half, white on the other, the whole capsule is an orangey-red. The metal ring and clasp around the middle might just be honest-to-goodness gold, flecked with streaks of bright green. It stares at you, unblinking, daring you to fess up to everything you donât know enough about to even begin wanting.
Itâs four-legged, covered in cream-and-pink fur, with big old ears that tilt backwards as it drops into a deep stretch. Each of its paw-toes splay out, which would be real cute if it werenât for the well-maintained claws poking out of the tips. A yawn reveals wicked-sharp little fangs, and its eyes have no whitesâjust big, blue pupils laser-focused on you. It makes a series of whistles that slide all over the place in pitch, before petering out into another yawn. Nothing about it is threatening, but every muscle in your body is suddenly locked up tight.
ââSâfine.â Your voice doesnât come out as shaky as you thought it would. âJust never been this close to one before. My mama, uh. Doesnât like âem much.â So much for avoiding that subject. The can of Weedle is fully open, poured on the ground, and now theyâre everywhere.
âOw, you little beast,â he scolds right back, not sounding particularly mad. Then, to you, âDo you want to let her smell you? Sheâs just miffed that youâre not already obsessed with her. Isnât that right, Miss Suzu?â Â
âMiss Suzuâ sticks her nose up in the air, haughty as can be. Her tail (the actual one, on her butt) starts up a wag that gives her interest away. You suck in a deep lungful of summer-thick air.
âYeah, okay. I can do that. Sorry for beinâ such a freak about it or whatever.â
The quick, one-two puff of her breath fans over your skin. Thereâs a brief touch of something warm and twitching. Itâs her nose-leather, you realize. When you donât scream and/or explode, Suzu nuzzles her chops and cheek against you. The pressure drags her skin taut over her wet gums, and it sounds for all the world like someone blowing a Razz Berry.  Both of you emboldened, Suzu comes closer, until sheâs propping her front paws up on your lap. She purrs at about the same pitch and volume as a tire inflator. Kimono Boy obligingly pats one of her flanks, then starts up a scratch right over the base of her tail.
âSeriously, Iâm real sorry for freakinâ out like that.â Saying it once didnât clear up the leaden weight in your stomach. This guyâs been so nice to you, and you wanna impress him so bad. More than thatâyou wanna feel like you donât have to impress him. You sneak a look up at him through the flyaway mess of your hair. He looks deep in thought, scratching that same spot on Suzuâs butt like itâs got the winning lotto numbers on it.
âItâs fine, seriously. You didnât scream or call me a no-no word when I told you I was a guy running around in family-sanctioned drag.â Thereâs an edge in his voice that speaks to worse experiences. It scrambles your understanding of this boy all over again. He seems more world-wise than any twelve year-old oughta be, even one the size of a Girafarig who talks like he eats books for breakfast, lunch, and dinner. Youâre seized by the urge to land a mean right hook on anyone talking trash to him. (Youâve never landed a right hook on anything in your whole entire life.)
ââCourse I wouldnât do that,â you insist, though you get that he couldnât have known for sure.
On second thought, you donât want to share Kimono Boy with Mama.
âDo you have a landline?â Kimono Boy asks out of nowhere. âWe could trade numbers. I mean, you donât have toâyou can call me collect, I donât care, itâs just if you want to keep in touch. Just an offer. We could be, like, phone pals. If thatâs okay?â His voice squeaks a little at the end. âNot in a flirting way, or a straight way or anything. Just as friends.â Itâs the most awkward youâve seen him all night. Â
âYou serious?â
âOnly if you want,â he repeats. Heâs fidgeting with one of his long curls, twisting it around itself over and over again.
âI do want! Itâs just that my mamaâsâŠÂ She wouldnât take kindly to me talkinâ to a boy. I donât wanna get you in trouble.â Not that you know what Mama could even do to Kimono Boy, just that youâd protect him from it, if you could.Â
âWell, what ifâŠâ he trails off. His other hand leaves Suzu to join the first in his hair, despite her squeak of protest. You give her an apologetic pat on the rump, and one of her haunches starts to jiggle in sheer delight. Kimono Boy, meanwhile, seems to be trying to tie his own hair into the worldâs tightest knot. You elbow him in the side. Itâs a bit of an affair, trying to do that while still petting Suzu with both hands. Â
âWill you stop that? Youâre ruininâ your hair.âÂ
âI am thinking,â he insists in a plummy, pompous voice. âIâm scheming.â
âGonna have to scheme up a trip to the barberâs if youâre not careful.â
âLet me live! I have an idea. Hear me out on this, okay?â
You fix him with the most skeptical face you can muster, for all of five seconds before you start giggling.
âShut up!â
âI didnât say anythinâ yet!â
âNeither did I, so justâjust listen. Okay. Your crazy mother doesnât want you talking to boys because she thinks youâre gonna get teen pregnant or something, right?â
âOr something,â you agree. Heâs pretty much right on the mark. The way Mama tells it, breathing the same air as a man will see you pregnant, kidnapped, dead, broke, and socially disgraced, all at the same time.        Â
âWhat if you told her Iâm my sister? Nothing like having another nice, respectable young lady from a good family as your bosom buddy, right?â He bats his long, long eyelashes, all pretend-innocent. Â
Itâs such a bad idea. There are so many ways Mama could catch you out, so many reasons sheâd say no to you having a girl friend who isnât her. You still want to go along with it more than youâve wanted anything for yourself before. Â
âYou got a pen or somethinâ? I could write our number on your hand.â You do at least know your own phone numberâMama made sure you could recite it out if (when) you got lost, so she could come get you right away. A giddy, awful part of you hopes she never does. Maybe Kimono Boyâs family came in a car, and they could just chuck you in the back and drive off. Mama would get over it. Right?
Youâre only half-surprised that Kimono Boy does, in fact, have a pen hidden somewhere in the layers of his outfit. He passes it over to you with a murmured apology when his arm brushes against one of Suzuâs ears. You have to let go of her to take it. His hand is warm and a bit sweaty in between your own, equally warm and sweaty hands. The ink of the pen traces such bumpy trails over his protruding bones that youâre not even sure the numbers are readable. He returns the favor, writing noticeably more steady.
âI will never wash this hand again,â he declares, placing it over his heart. You shove him again. He shoves back. Suzu lets out a piercing, grumpy whistle. Her seat moving and the pets stopping are a bridge too far, apparently. Â
âI guess if your momâs listening when we talk, call me Tamao. We sound pretty much the same on the phone. I can even introduce myself to your mom as her, since,â he waves a hand over his clothes.
âAwful convenient,â you say. I donât want her anywhere near you, near us, you donât say. This is probably a little obsessive for someone youâve only known a few minutes, a few hours, your whole lifeâhowever long itâs been. Hell, you donât even know his name.
âIâm always thinking ahead,â he replies sagely. Â
âWhat about if itâs just us?â Kimono Boy makes a questioning noise in the back of his throat. âIf Mamaâs not listening. Do I just keep callinâ you Tamao orâŠ?â Â