emotionsTest03
Cosimo Galluzzi

izzy's playlists!
Jules of Nature

★
untitled
trying on a metaphor
I'd rather be in outer space 🛸
art blog(derogatory)


oozey mess

Discoholic 🪩
noise dept.

❣ Chile in a Photography ❣
Sweet Seals For You, Always
will byers stan first human second

d e v o n

if i look back, i am lost

@theartofmadeline
seen from United States
seen from Bangladesh

seen from Türkiye

seen from Serbia
seen from South Korea
seen from Italy
seen from Laos

seen from Iraq

seen from United States
seen from United States

seen from United States
seen from Türkiye
seen from Russia
seen from United States

seen from Brazil

seen from Mexico
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seen from Vietnam

seen from Dominican Republic
@tadashi-builds-stuff
emotionsTest03

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Plen Robot Walking with Basketball
IMG 1872 Plen Lifting
Monkey Bar Climbing Robot
Reaction Wheel Design

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Robotic Arm for Writing
Matt Tries iPhone (or “iOS is Trying to Murder Me”) I tried being quiet about this. I didn’t want to make this confession. But I feel like if I don’t write something about this people might never know my full story. I recently switched from using an Android to an iPhone. I’ve been an Android user for eight years with my last phone was Google’s flagship Pixel 2 running stock Android Pie and I absolutely loved it. I’ve never owned an iPhone, only ever used an iPod Touch and a first gen iPad, but that was years ago. And I remember saying to myself “Matt, you’ve tried the best experience Android has to offer, but you’ve never tried exploring outside it. What’s the competition like?” So two weeks ago, I bought an iPhone 12 Pro with the desire as hopefully being as fluent a user on iOS as I was on Android. First off, my fellow Android fans will never admit this, but from the instant you hold one the iPhone feels amazing. Everything from the beautifully polished metallic bezels, the ultra flat pristine ceramic shielding and 2 mm buttons, your hand melts while holding one. Upon starting the phone, you’re instantly greeted with a friendly “Hello” with apps dancing with aerial acrobats across the screen. And using iOS 14 feels like running your finger across polished stained glass. Nothing in the cellular world feels just as satisfying as these initial moments, no matter how badly Samsung may try. But just like the Hellraiser’s Puzzle Box, Sauron’s Ring, the Ark of the Covenant or that ****ing Conjuring doll, outside this playful beauty belies a sinister convictions. My first suspicion came when I realized I couldn’t buy an Amazon book through the Kindle App. “We’re sorry, iOS does not allow for In-App purchases through the Kindle Store”. Huh, that’s weird, but I shrugged it off no big deal. My second one was when I watched a Youtube Video and tried opening a Twitter link only for it to open up in Safari. “Why wouldn’t it just open up in the Twitter App?” I asked. But what finally led me down this path of investigation was when I tried saving a photo to a different location. On Android, you’re allowed to save photos in separate locations from your camera folder just like you would on your desktop. But on iPhone, there’s no prompt to choose where to save a photo. It just saves and is gone. “Huh, that’s really weird”, I said “where’d my photo go”. So I tried searching for my photo using the new iOS 14 “Files” App. And it’s the most BIZARRE attempt at a filesystem I’ve ever seen. Instead of a traditional and easy to follow boot-system-recovery-data-cache-misc hierarchical structure I’ve grown accustomed, the Files app only has two directories: “On iCloud” and ‘On my iPhone”. And from the second, I only get folders for six apps. That’s it. I have over 36 apps on my iPhone but only six are categorized or listed in the Files directory, and that doesn’t include Photos or Movies. You can’t even tell how big a folder is, it just…..exists. You know where I finally found my photo? In the iPhone Photos App- not a pictures folder, but in the giant Photos APP itself. No information on what its named, no indication on how large the photo itself is, just there alongside all my recent camera images, grinning back. The App contains the file, yet there’s no evidence of its location. You have absolutely no choice on where the picture goes. Suddenly nothing computationally makes sense anymore. If I can’t save a file to a different location or even rename a file, then what is the file doing? Why can’t I access it from a Files app? Does it even exist? DO I EXIST??” Every app is for itself, there is no hierarchy, everything is complete chaos. Nothing is searchable. How do you know which app has what thing? There’s no visible way to search for files or documents within programs, how do you find anything? The beautiful facade falls. Its a horror show. I can’t access my audio recording files unless I’m in the Audio Recorder app. Lightroom photos are only findable on the Lightroom App. In desperation, I try to offload my recently downloaded PDFs documents onto a flashdrive through the files app and the $15 Apple dongle, only to discover I can only DUPLICATE them. You can’t even download sounds and save them as ringtones without going through Apple’s Garageband. You don’t even know where the ARE. Everything I know about computational structure has been a lie. I’ve been haunted by this phone for the past 13 days. I thought I could just ignore it and pretend like it doesn’t bother me. But every time I open my phone now, I feel like there’s a demon behind the screen laughing a mocking at my pitiful human attempts to learn anything. I imagine there’s a sign at the edge of the picket fence that is the iOS clearing: “Do not cross beyond this path for your own good”. What will I find beyond? The system doesn’t want me to know what I can’t see and I can’t tell if I can ask or keep quiet and be good little user. Everything is happy and cheerful and everyone’s black inside. I tried being quiet about this. I have a lot of friends that use iPhones daily for everything. And the camera is phenomenal and takes cinematic quality video. But this system is going to eat me alive if I don’t do something. 13 days ago I was secure with my Pixel 2. Now I don’t know what is. My iPhone alarm is going off right now. It’s playing the Ducktales theme. But I deleted that mp3/ garage band file two days ago. What Is Happening Here??
First post of 2021: Proof I was a "Maker" before it was Cool Was going through my old high school yearbooks and came across these old personal gems I made. At De Anza Middle College, each student was given their own page to in our yearbook to decorate it anyway we wanted. While most students posted things like scrapbooks of prom photographs, tv shows, friends and social outings, I opted to make something a little more distinct. Equal parts embarrassing, equal parts awesome and 100% M.E., I crafted my pages to cutting-edge technology projects I wanted to work on. 2008 Junior Year was from my current stack of To-Do projects and 2009 Senior Year was a catalog of future tech I wanted to work on. While none of this tech would ever work (that pen would explode in SECONDS), going into 2021, my new year's resolution is a "formulaire de retour" - more insane projects, more ambitious research and development work. Back to Form, let's go. https://www.instagram.com/p/CJzJB2Pjf_Z231zUBna8W3eVKuJK2cx7oH2sjI0/?igshid=1t5yv8xccpp7q
A Few Words On Grant Imahara
As a Chinese Japanese American growing up in the late 90s to early 2000s there were really only three influential asian american male role models on television and film: John Cho, Jackie Chan and Grant Imahara. But if you were also a shy awkward kid that felt out of place except the science of making and building robots, Grant Imahara was your role model.
Watching Grant on the original Mythbusters figure out a physics or engineering problem was like watching a pro-athlete play their best competitive game. As the "Geek" and smartest member of the build team, he would explain how much fulminated mercury it took to destroy an office, or describe how a robotic surfer to catch waves from an explosion. The man was in his element when he was behind a workshop and the joy he had building was infectious. Being a nerd, I couldn't relate to others excitement discussing talks about high school dating, prom dances or getting driver's licenses. But seeing a guy construct insanely dangerous machines and laugh maniacally at others reactions to him- that I understood.
It wasn't until I got older that I realized how far reaching Grant's involvement was with the Maker Community even outside the show. The man absolutely loved animatronics and robotics outside his day job and I would sometimes find him on the pages of the R2 Builders group, BB-8 Builders group and Project 842. The sheer amount of builders that are also showing off photos with him demonstrate not only that Grant was a television icon but also went lengths to get involved with the community, be excited and openly collaborate with them. He was a Maker's Maker.
I only met Grant once during a shoot for Singularity University. They were doing a promo piece on Human Robot Interaction and wanted our lab's Pepper to "interview" Grant during the shoot. I had the enviable task of scripting out the robot's conversational dialogue, accurately programming the triggers and then getting it to work on command. After a week of strenuous tweaking (and an excessive amount of coffee), I got it so Pepper could respond to phrases on command. Day of the shoot, Pepper was literally carted from SJ to SF using Uber Max, and the entire team is ready to go. Grant is on set (much like the image below) and I'm on standby with my coworker Elle. Cameras are rolling, everything is starting, director indicates to Grant to start:
Grant: "Hi I'm Grant Imahara! Many of us have wondered what the future of robotics might be like. Will the be the scary AI oppressors from the Terminator movies? Or will they be friendly and sociable, like my friend Pepper. Hello, Pepper!"
Pepper:"........"
Grant:"......Hello, Pepper!"
Pepper:"........."
Grant:"....mm, You see, Pepper is a four foot humanoid ro-"
Pepper:"HELLO GRANT, IT IS NICE TO MEET YOU!"
Grant and Pepper (before realizing what he stepped into)
See what had happened was, Pepper's conversational dialogue relies on a Nuance, a cloud based API, to trigger all voice recognition and in order to sift through so many dialects the program had to pull a lot of data. This worked fine in the lab where internet speed was fast, but On Set during the shoot, the robot had around 7 seconds of delay from listening and responding. Grant would try to talk to Pepper, Pepper kept missing it's cues, and Grant would keep his cool and keep going.
This shit went on. For twenty agonizing minutes.
After the shoot was done, I was horribly embarrassed went up to Grant and apologized profusely. "Don't worry about!" Grant laughs "These things happen all the time. I've had so many problems with Geoff before we started filming!" We start riffing more and droid presentations, he talks about his experience with R2 building and I discuss BB8 building and within seconds my embarrassment is gone and I'm just talking to a regular maker fair visitor.
From Right to Left: Elle, Myself, Pepper and Grant
When I think back on that day now several years later, I don't think of the embarrassment or frustration at myself but instead of the friendliness and professionalism that was Grant. Before the shoot I had mentioned to him he was my favorite Mythbuster and I always looked up to him as a kid. He grinned and said he did miss it but had moved onto other exciting projects (White Rabbit). He then said the world needs more Asian representation on media and arts- and he was right.
Grant Imahara's young passing isn't just another celebrity death. He was the redefinition of the Hollywood Asian Nerd stereotype and seeing him on screen helped inspire many others to pursue careers in engineering, special effects or acting. He loved his work and was passionate about sharing it with others and his absence has left a void that won't soon be filled.
BB-8 Panel signed by Grant Imahara, 2016
Oh hey! Wanted to share this: one of my projects from almost a decade ago, my parabolic directional sound Umbrella, got discovered and featured on a new 2019 @hackspacemagazine article. I was even asked to provide a small updated blurb about the project- cool! Can't stop thinking about newer improvements since then. Technology for audio has gotten so good since 2011 (bluetooth and wifi are now pennies to the dollar, multicoil field speakers allow for significantly crisper volume at a reduced fraction of the diameter, and microcontrollers could provide even more persistent sound tracking). I may have to revisit this in the future- so many projects! #speakers #soundtherapy #creativeengineering #musicislife https://www.instagram.com/p/B1z8nvKgFoVg7vor_hUpF5jHOiZeI9JDOIWIpM0/?igshid=g2f0ahvhia50

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The death of Anki, Cozmo and Vector is extremely upsetting for me. For one, they were considered one of the last remaining social robotics companies that operated out of the United States. They also had a wildly popular product with a price point that was genuinely attractive and appealing for the mass market.
But even moreso than that, they were the inspiration for my robotics to animation research. When I saw their trailer back in 2016 and saw the potential that good, driven character CGI had to the medium of robotics I got really excited. Finally, here is the next evolution to what visionaries like Walt Disney, Winsor McKay, Ed Catmull had been thinking about for years. Applied, emotional animation that can breathe literal life into inanimate creations. And whenever I would describe the inspiration for what I was imagining- character storytelling with robotics, that trailer was immediately what I'd point to.
I am still going to take some time to process this. Jibo, Kuri and finally Cozmo. I sincerely hope their team manages to use some of their creative talent for projects. I'm going to have to give a full write up on this but for now I'm still taking the time to process this.
RIP little buddy
#Anki #Cozmo #Vector #Overdrive #Social Robotics #Animation
Fffff yes
New print commission! Into the Spider-Verse Miles Morales. https://www.instagram.com/p/Btcr_oGl3WVUDB7gAvrKGsH6_D_wXbgwDQWzIw0/?utm_source=ig_tumblr_share&igshid=mbescce9rgyk
So my 50 watt laser cutter is actually really decent at engraving full color images. Good to know, good to know. https://www.instagram.com/p/BqiDgg8h4EoUX-yL1-6eOFX1ED5MtAfGkmmz1c0/?utm_source=ig_tumblr_share&igshid=oda08ctn0lrr

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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More character animation to robot tests: soft cloth interaction by a servo controlled lamp. All keyfram animation done by @succulent_ledge good job! #animationservo #luxo #animation #3dprinting #robots https://www.instagram.com/p/BoctC-mnFdfMyODmAP2421fq0DM5ZgP0SjMV1A0/?utm_source=ig_tumblr_share&igshid=1a6geb8s7uh4i
Been working with @garrickatures using Maya and #ServoTools to control a variety of animatronic designs. Today our quadruped makes it's first balanced stand. https://www.instagram.com/p/BmxB5m4noDxVhDTude8Klbg8R6bYpGInogV1b80/?utm_source=ig_tumblr_share&igshid=9470diy3954b