Federal courthouse, Miami, 1982
Architects: Ferendino, Grafton, Spillis & Candela
Lint Roller? I Barely Know Her

JVL
PUT YOUR BEARD IN MY MOUTH
Claire Keane
will byers stan first human second
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Monterey Bay Aquarium

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Misplaced Lens Cap
trying on a metaphor

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祝日 / Permanent Vacation

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@tacvbana
Federal courthouse, Miami, 1982
Architects: Ferendino, Grafton, Spillis & Candela

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Two young women on a Florida Vacation, October 1968.
my grandmas house in 1974

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Aertgen Claesz van Leyden (attributed to), The Raising of Lazarus (detail), 1530 - 1535. Oil on panel, 69.7 × 28cm. Rijksmuseum, Amsterdam.
Mujer arreglándose el pelo / Woman fixing her hair by César Fernández Ardavín, c. 1920-1929
Candy cane snail, Liguus virgineus, Orthalicidae
This arboreal species is found in Haiti and the Dominican Republic
by Luzanov Vyacheslav
Greek cosmetic vase with a ram's head
6th century BCE
Metropolitan Museum of Art 1977.11.3

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Marina Apollonio, Piccola Opera.
Used as the cover illustration for The Survival of God in the Scientific Age, by Alan Isaacs, 1966
thanks to @benruhe for additional info
the eyes of sridevi in patthar ke insaan (1990)
Clarice Lispector, from The Passion According to G.H.
Giulio Aristide Sartorio, Allegorie della Storia d'Italia (detail).
1908-1913.
Young Lady at Tsarskoe Selo, 1903-04 by Alexander Leontovsky (Russian, 1865–1928)

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C.G. Jung, from Memories, Dreams, Reflections
“Stop thinking about saving your fragile face. Tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp. We will not blame you if your words go down in flames and nothing is left but the raw-scald. We will not blame you if, with the reticence of a surgeon’s hands, your words suture only the red places where blood might flow. We will not blame you because we know you can never do it properly: once and for all. Passion is never enough. Talent is never enough. Skill is never enough. But try. For our sake and yours. So. Forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don’t tell us what to believe, what to fear. Show us belief’s wide skirt and the stitch that unravels fear’s caul. You, so blessed with occasional blindness, can speak the language that tells us what only language can: how to see without pictures. We tell ourselves stories in order to live.”
— Toni Morrison, The Nobel Lecture In Literature, 1993