Marina Apollonio, Piccola Opera.
Used as the cover illustration for The Survival of God in the Scientific Age, by Alan Isaacs, 1966
thanks to @benruhe for additional info

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Marina Apollonio, Piccola Opera.
Used as the cover illustration for The Survival of God in the Scientific Age, by Alan Isaacs, 1966
thanks to @benruhe for additional info

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the eyes of sridevi in patthar ke insaan (1990)
Clarice Lispector, from The Passion According to G.H.
Giulio Aristide Sartorio, Allegorie della Storia d'Italia (detail).
1908-1913.
Young Lady at Tsarskoe Selo, 1903-04 by Alexander Leontovsky (Russian, 1865–1928)

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C.G. Jung, from Memories, Dreams, Reflections
“Stop thinking about saving your fragile face. Tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp. We will not blame you if your words go down in flames and nothing is left but the raw-scald. We will not blame you if, with the reticence of a surgeon’s hands, your words suture only the red places where blood might flow. We will not blame you because we know you can never do it properly: once and for all. Passion is never enough. Talent is never enough. Skill is never enough. But try. For our sake and yours. So. Forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don’t tell us what to believe, what to fear. Show us belief’s wide skirt and the stitch that unravels fear’s caul. You, so blessed with occasional blindness, can speak the language that tells us what only language can: how to see without pictures. We tell ourselves stories in order to live.”
— Toni Morrison, The Nobel Lecture In Literature, 1993
free my girl she did all that and that’s what makes her such a compellingly complex character. that’s her essence
Carnarvon Gorge Aboriginal Rock Art
Our first Dyke Day together 💕

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Shalom Harlow @ Christian Dior Spr/Sum 1998
A knitted belt from the Byzantine Empire, c.420-600 CE.
Secretary fell asleep at her desk again. Photo from my collection, no date/info.
Georgian Memento Mori Ring of 18k Gold
Venetian Carnivale Poison Ring
c. 1760
gold, enamel, garnets, rose diamonds
maker unknown, Vienna, Austria
Powerhouse Collection

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Alchemica (German MS 1), 15th Century, The John Rylands Library
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Edward Gorey (1925–2000)
frontispiece from “The Curse of the Blue Figurine” by John Bellairs, 1983
source