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Rei Xiao (Chinese/Turkish, 2000) - It Was Dark Inside the Wolf (2022)
amethyst sage agate
Miffy 1955
Rosemarie Trockel

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Plate from George Frederick Kunz & Charles Hugh Stevenson’s The Book of the Pearl, 1908.
“If we interrogate the promises of Land Back, we are brought back to an ancestral perspective that the land belongs to no-one but itself. Land Back then becomes a question of unmapping “legal" terrain, tearing down walls, and cutting through fences. It becomes an undoing of the forceful imposition of the capitalist idea of private property and the colonial/capitalist impulse to declare dominion or domination over Mother Earth and existence. To realize Land Back means to end the ways humans have profaned all of existence and imposed their will upon the land and reasserting that the land belongs to no one.”
—Klee Benally, “Profaned Existence,” No Spiritual Surrender (2023)
Benjamin Degen: Acre Watercolor, graphite, and charcoal on paper 24 x 16 inches 2012, found at americancontemporary
What’s ripe will rot, Justin Cole (because)

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Zsuzsi Ujj
Martin Wong (Chinese-American, 1946-1999) - Prison Bunk Beds (1988-1992)
Shyama Golden (Sri Lankan-American, 1983) - Close to Home (2024)
Berndt Friberg holding his handmade vessels. Sweden, 1960.
a pro-palestine group has vandalised parts of donald trump's turnberry golf resort in scotland.

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“Speechless City” (1975) by Gulam Mohammed Sheikh
Alfred Kubin - The Rat House (1902)