Egyptian/Phoenician Glass Dog Head Bead, 6th-4th Century BC
https://bit.ly/artifactsmuseum
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Egyptian/Phoenician Glass Dog Head Bead, 6th-4th Century BC
https://bit.ly/artifactsmuseum

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Flowers, Odilon Redon
Medium: pastel,paper
Pass Tangla, 1927, Nicholas Roerich
Medium: canvas,tempera
Quarries at Pontoise II, 1882, Paul Gauguin
Medium: oil,canvas
https://www.wikiart.org/en/paul-gauguin/quarries-at-pontoise-ii-1882
Bowl, Metropolitan Museum of Art: Arts of Africa, Oceania, and the Americas
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979 Metropolitan Museum of Art, New York, NY Medium: Ceramic, post-fired paint
http://www.metmuseum.org/art/collection/search/312936

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Emerald Pool 2, 1895, John Henry Twachtman
Medium: oil,canvas
Flutist on the cliffs, 1889, Paul Gauguin
Medium: oil,canvas
Dining Room in the Country, Pierre Bonnard, 1913, Minneapolis Institute of Art: Paintings
Interior of the house In 1912, Pierre Bonnard bought a country house called Ma Roulotte (“My Caravan”) at Vernonnet, a small town on the Seine. This painting shows the dining room there, with cats perching on the chairs and Marthe de Méligny, the artist’s wife, leaning on the windowsill. Bonnard, who considered himself “the last of the Impressionists,” emphasized the expressive qualities of bright colors and loose brushstrokes in this picture. He united the interior with the exterior through the open window and door, and linked the forms by bathing them in related hues. Unlike the Impressionists, however, Bonnard painted entirely from memory. And like the Symbolists, he wanted his works to reflect his subjective response to the subject. Size: 64 ¾ x 81 in. (164.47 x 205.74 cm) (canvas) 63 ½ x 80 1/8 in. (161.29 x 203.52 cm) (sight) 73 ½ x 91 ½ x 4 ½ in. (186.69 x 232.41 x 11.43 cm) (outer frame) Medium: Oil on canvas
https://collections.artsmia.org/art/1240/
Bather, 1906, Frantisek Kupka
Medium: charcoal,pastel,paper
https://www.wikiart.org/en/frantisek-kupka/bather-1906
Guardian King of the North (Bishamonten), Kamakura Period (1185-1333), Cleveland Museum of Art: Japanese Art
In Buddhism, Bishamonten is one of four kings who protect the cardinal directions. He stands with a stupa symbolizing the Buddhist teachings and relics of the Buddha in the palm of his left hand, and a spear to foil the enemies of Buddhism in his right. He crushes a demon beneath his feet. Size: Overall: 76.8 x 28.6 cm (30 ¼ x 11 ¼ in.); Base: 5.2 cm (2 1/16 in.) Medium: wood with gold polychromy
https://clevelandart.org/art/1959.135

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The Isle of the Dead, 1883, Arnold Bocklin
Medium: oil,panel
HG. 106 - Genocyber (1994)
From Jugend, 1918.
Always cool: vintage Old Man Winter imagery.
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The Distributer of Crowns, 1882, Odilon Redon
Medium: oil,panel

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Sanyu, Kitten Drinking Milk, 1930s