C H I L L S
trying on a metaphor
ojovivo
"I'm Dorothy Gale from Kansas"
KIROKAZE
Mike Driver
Sade Olutola

if i look back, i am lost

oozey mess

Discoholic 🪩

Janaina Medeiros
Game of Thrones Daily
Monterey Bay Aquarium
let's talk about Bridgerton tea, my ask is open
Peter Solarz

@theartofmadeline
YOU ARE THE REASON
Stranger Things
d e v o n
dirt enthusiast

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@swanofmischief
C H I L L S

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THE WINNER OF THE 2026 BRITISH GP
I’ve been nothing but sexy to you
A non-writer asked me "but where do you get your ideas" and i genuinely did not know how to explain that it's not a place. it's not a website. it's not a folder. it's that i was on the bus and a woman was holding a paper bag very carefully and something about the way she held it made me need to know what was inside and then i needed to know why she was sad about it and then there was a whole person and then there was a whole story and the bus had already stopped and i missed my stop. that's where.

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feeling guilty over not working on your fic is so silly if you think about like why are you stressing over the hobby you do in your free time for fun lol wip not whip
I like to reframe this for myself if this advice doesn't immediately work to make me feel better (It is good advice, this is my hobby not my jobby).
But here's my second line of mental defence: I'm not NOT working on it. I'm letting it rest, like dough. It must rise in my subconscious. It's still there, doing its thing. I'm just not prodding it with my hot fingers. Let it rest. Let it rise. Its time will come.
the way he is looking at the trophy
TTRPGs (pronounced "Titterpigs") were a popular form of group amusement in the early twenty-first century.
the ruler is hosting festivities in the capital while the nation collapses, and heretics have caused a schism in the catholic church. i love living in the middle ages.
we even have a The Plague
honestly i think we kind of lost the plot on "therapy speak" as a bit of media criticism
i swear it used to refer to a story using a very formal, almost workplace safety-type tone of dialogue that's unintentionally jarring in context and feels like the writer is trying to make extra sure the characters come off as healthy and nice even though the language doesn't make sense contextually, now it seems to frequently refer to characters having any conversation about their feelings at all or even stories that are about therapy/are deliberately evoking that sort of verbage throughout as a stylistic choice. very odd.

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I was raised agnostic and tend to remain ambiguous on theological matters.
-but my house has a porch on the second story that affords me a terrific view of my neighborhood and the Colorado Front Range and I was partaking of some peace before the 4th Of July Finger-Loss Festivities begin, and I have had a
~*Spiritual Experience*~
I just watched my neighbor try to unload an actual wooden pallet that had to have been forklifted into the back of his insecurity pickup worth of fireworks.
Except that he does not have a forklift in his garage.
He does have so much sports memorabilia and cardboard boxes of unsold MLM Merchandise and patriotically themed camping gear and posters of women in bikinis and flags of suspect political organizations in his garage that there is only BARELY enough space for the fireworks and certainly none for his truck.
So he had to unload the individual boxes of recreational explosives from the back of his truck and stack them in the minimal space he had cleared by hand. This is a tedious and time-consuming process as this neighbor has purchased a wide variety of recreational and locally illegal explosives instead of many of just a few types, so the individual boxes are rather small.
He begins, and this is crucial to what happens next, by cutting apart the industrial-grade saran wrap his explosives dealer had so carefully wrapped his merchandise in, and discarded it unsecured on his lawn.
Where Outdoor Conditions sometimes happen.
Manny Jacinto | "Freakier Friday" UK Premiere | July 31, 2025
trying to explain why i like horror to people who don’t: ok so you know how it’s fun to be deeply disturbed and unsettled
rereading dracula after reading carmilla for the first time really makes me appreciate carmilla's efficiency in securing a place. dracula had to deal with all the logistics of the housing market meanwhile carmilla just crashed her car on someone's lawn and she got a cushy guest room and a girlfriend out of it. carmilla the woman you are
My heart is lighter than a feather and my liver is darker than a black coffee because that's what it's marinating in

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GET ABSOLUTELY SHRIMPED!!!
I firmly believe that how feminist a book is is better demonstrated by its background characters rather than its mains
What I mean by this is that a book may have “feminist” female leads who are strong, competent, complex, whatever, but how do they portray women just...existing in the world? Are there women in the background, or is the fantasy novel with its strong independent Action Girl protagonists set on a background of generic male soldiers, guards, councilors, shopkeepers, messengers, and wizard apprentices? Are minor characters ever women when there’s no particular reason for them to be? When women appear in the background of your story, do they have any unique qualities that hint at a complex picture we’re not seeing or do they slide seamlessly into Pampered Noblewoman, Prostitute and Vaguely Maternal Older Woman Who Runs A Tavern Or Something?
If your protagonist is a fighter or magic user, do you show other women in those roles? If your society is more relaxed about sex discrimination, have you built a world that looks like it?
Have you built a world where your female characters don’t all have to be The Best At Everything, or is almost every female character placed where she can be extraordinary next to a bunch of male counterparts? Are you comfortable letting a female wizard or warrior be average or unimportant, or does she have to be one of the most skilled and powerful of them all, able to match or best all the men around her? On the other hand, are you comfortable having a female wizard or warrior be indisputably the most skilled or powerful out of the wizards or warriors, without drawing attention to her gender, placing her in competition with men, or having her be an exception to the rule because she’s female?
Are you letting your female characters be mediocre and un-extraordinary? Your world is full of powerful sorceresses, fierce battle maidens and calculating noblewomen, but do women do things in this world other than be Exemplary and Great and Awesome? If you’ve established that women do business and fight, do you have female soldiers carousing at bars and vaguely dull female Evil Minions Of The Dark Lord bumbling around doing evil bidding and female apprentices slacking on work or is every background woman we see competent and controlled and intelligent and doing whatever it is she’s doing without error, whereas only men are allowed to be foolish, impulsive, mess things up, or just be shown unflatteringly during the couple sentences we know them? In other words, does the world show women being unapologetically human beings or are all your female characters basically making up for being women by not doing anything that would badly represent their gender?
In particular, if you’re trying to show a society with gender equality, that means the dark lord is willing to hire women who are bumbling idiots as guards, and not just that some female wizards climbed their way to the top and became As Good As Men because they’re so badass they can snap god like a bunch of uncooked spaghetti.