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I know you have faith and believe in the Process, but not everyone thinks the same way. Not everyone accepts it.

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i hope this makes sense but i always get kinda uncomfortable when people talk about colonization and put a huge emphasis on the accomplishments of the people who were colonized as if thatâs the reason they shouldnât have been subject to colonization. like when talking about sustainable farming practices or gender equality some folks still have this gross mindset, kind of like âthese people shouldnât have been colonized because they meet MY standard of a progressive societyâ. there are always people who wonât meet that standard and while it is important to talk about the history and culture of precolonial societies its so uncomfortable to see us to zero in on the ways these societies are âbetterâ. like maybe my ancestors werenât kings, maybe they werenât agriculturally savvy, maybe their accomplishments wouldnât impress an outside audience but no matter what they did not deserve to be enslaved and have their nations and land decimated. yall get me??

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i turned on the light in the dining room but Tubby had been sleeping in a chair and it woke her up and she was Not Pleased
the face of a new man
Five Hargreeves be like âI know a placeâ then leaves you stranded in the timeline
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the way her name is just âzukoâs sisterâ đđ

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New York Tribune, August 21, 1907
The Tampa Times, Florida, August 15, 1917
And the angel said, âDO NOT BE AFRAID.â
Sauk County Standard, Baraboo, Wisconsin, May 16, 1855
The fact that this is from 1855 and Iâm only reading this for the first time amazes me.

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Divergent is a bad book, but its accidental brilliance is that it completely mauled the YA dystopian genre by stripping it down to its barest bones for maximum marketability, utterly destroying the chances of YA dystopian literatureâs long-term survivalÂ
please elaborate
Sure. Imagine that you need to make a book, and this book needs to be successful. This book needs to be the perfect Marketable YA Dystopian.
So you build your protagonist. She has no personality traits beyond being decently strong-willed, so that her quirks and interesting traits absolutely canât get in the way of the audienceâs projection onto her. She is dainty, birdlike, beautiful despite her protestations that she is uglyâyet she can still hold her own against significantly taller and stronger combatants. She is the perfect mask for the bashful, insecure tweens you are marketing to to wear while they read.
You think, as you draft your novel, that you need to add something that appeals to the basest nature of teenagers, something this government does that will be perversely appealing to them. The Hunger Gamesâ titular games were the main draw of the books, despite the hatred its characters hold for the event. So the government forces everyone into Harry Potter houses.Â
So the government makes everyone choose their faction, their single personality trait. Teenagers and tweens are basicâthey likely identify by one distinct personality trait or career aspiration, and theyâll thus be enchanted by this system. For years, Tumblr and Twitter bios will include Erudite or Dauntless alongside Aquarius and Ravenclaw and INTJ. Congratulations, you just made having more than one personality trait anathema to your worldbuilding.Â
Your readers and thus your protagonist are naturally drawn to the faction that you have made RIDICULOUSLY cooler and better than the others: Dauntless. The faction where they play dangerous games of Capture the Flag and donât work and act remarkably like teenagers with a budget. You add an attractive, tall man to help and hinder the protagonist. He is brooding and handsome; he doesnât need to be anything else.Â
The villains appear soon afterward. They are your tried and true dystopian government: polished, sleek, intelligent, headed by a woman for some reason. They fight the protagonists, they carry out their evil, Machiavellian, stupid plan. You finish the novel with duct tape and fanservice, action sequences and skin and just enough glue and spit to seal the terrible, hollow world you have made shut just long enough to put it on the shelf.Â
And you have just destroyed YA dystopian literature. Because you have boiled it down to its bare essentials. A sleek, futuristic government borrowing its aesthetic from modern minimalism and wealth forces the population to participate in a perversely cool-to-read-about system like the Hunger Games or the factions, and one brave, slender, pretty, hollow main character is the only one braveâno, special enough to stand against it.Â
And by making this bare-bones world, crafted for maximum marketability, you expose yourself and every other YA dystopian writer as a lazy worldbuilder driven too far by the ârule of coolâ and the formulas of other, better dystopian books before yours. In the following five years, you watch in real time as the dystopian genre crumbles under your feet, as the movies made based on your successful (but later widely-panned and mocked) books slowly regress to video-only releases, as fewer and fewer releases try to do what you did. And maybe you realize what youâve done.
I absolutely despise what Divergent did to the reputation of The Hunger Games. All of the failings of Divergent and other similar books were projected onto The Hunger Games despite the fact that it does it well. The Hunger Games is clever and memorable, it has simple parts and worldbuilding but it works to its advantage. The characters are fleshed out and have their own motivations and struggles, but it just gets lumped into the other books that try to replicate its success. Plus, the movies and marketing didnât help out too. The Hunger Games is an amazing series, not perfect at all, but it works very well. There are clear messages and intentions with Collinsâ words beyond cash grabs, but itâs been hit hard by those that came after it.
Suzanne Collins wrote The Hunger Games because she had something to say about our own world. People are hating on the prequel she wrote, but Iâd say itâs a perfect indictment of our times. Most YA Dystopia writers wrote their books to replicate the success of The Hunger Games, but they failed because their worlds are too different from ours. They tried to turn YA Dystopia into escapist literature, but The Hunger Games was never about escapism because it actually forces you to draw connections to our own society.
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that is so adorable omgs
Hyah hyah hyah *stomp stomp stomp*
A Machoke teaches a smol baby Machop!đđ¤Ł