Supernaturallyliterate

PUMPKIN ANON + SPEAK NOW REFERENCES

All of the pumpkin anon messages are riddled (pun intended) with Speak Now references: ballgowns, sparks fly(ing), masquerades, enchanted.

Plus, the 6th message describes the I Can See You MV / Speak Now heist perfectly. I won’t go into that analysis because others have covered it in depth.  I do want to expand, though, since we got a Behind The Scenes video about the making of the MV where Taylor talked about being broken out of the Speak Now Vault, where she’d been frozen in time:

“We are in the middle of my museum prison cell where I’ve been held captive for roughly 12 to 13 years in the Speak Now Era  […] And basically the idea is that I was just frozen in time *laughs* and that, basically, this heist is happening to bust me loose.”

Taylor has so much cage imagery throughout her music, and many have made the connections between cages and closets. She’s been stuck in the closet, stuck in the circus/high school that is the entertainment/music industry. She’s frozen in time, still at the restaurant. But calling back to the Speak Now Era with the cage/vault imagery is interesting. I think this may have been the first failed coming out (forgive me if I’m late to the party; there’s so much lore to keep up with). It was her first fully self-written album. It’s purple (lavender). And so much is coming back around to that period of time.

Speak Now came out on October 10th, 2010. Speak Now TV came out July 7th, 2023. The behind the scenes video for the I Can See You MV was released December 13, 2024. That’s 14 years between the original Speak Now and the BTS video—not 12 or 13. (Though it was recorded in 2023, I think–we got the pap of Taylor with the Speak Now portrait but I can’t find it to confirm the exact date we think she recorded the MV). If we take it literally, she’s saying she’s been stuck for 12-13 years in the entertainment industry, stuck in the closet. And while that could be all, it’s Taylor, and she loves double meanings and things referring to multiple different Easter eggs. I suspect that 12-13 is a reference to TS12 and TS13, potentially, and that TS12 and TS13 are her busting out of the vault/cage/closet. We’ve already seen so many hints at TLOAS being the “Official Release of a Showgirl”, hinting (yelling, screaming) that she is going to come out and draw the curtain back (again, trying to limit my scope, so I won’t delve into those).  

In the ICSY behind the scenes MV, Taylor goes on to say:

As you can see from the amount of tally marks on the walls I’ve been here for… ages. It’s been stressful… I imagine.

This to me is a reference to how long she’s been counting the days, likely counting down the days, until she could come out (of the closet/cage/vault). At first, she thought it would be Speak Now (when she got shoved into the closet), then TS6, then Lover, and it’s gotten pushed all the way back to TS12. Like she said in the New Heights podcast announcement, TLOAS is “an album [she’s] been wanting to make for a long time.”

“I’ve been here for… ages.” This could be a casual way to say “a long time.” But what else is referred to as ages? Eras. I think this refers to her being stuck in the closet/vault for multiple ages/eras, going through different iterations of herself (the mirrorball, the poet, the showgirl, etc). And it could also refer to how she’s grown up, aged (and thus gone through different numerical ages, literally) in the closet as well.

Except… she’s also been frozen in time. I don’t remember who originally came up with the idea now, but there’s a theory that Taylor has been metaphorically time traveling, going back to where everything went wrong and retelling the story the way it was supposed to happen. Even Taylor explicitly says in this behind the scenes video that “I was just frozen in time”. So, now, she’s changing the prophecy. Changing the ending to one that she likes this time. (I’ve seen this film before and I didn’t like the ending.) And basically, it’s her going back to when she first met Karlie. Which was in the Speak Now Era.

Also, I want to highlight the performance art aspect of this BTS video. She’s talking about how stressful it’s been for Speak Now Taylor to be locked up in a cage. And to most people she’s talking about/as the character in the music video; it’s a performance. So she adds “I imagine.” Even though we know she’s lived it, and this is just a representation of it all. (Am I sounding crazy yet?)

Next: The Behind The Scenes video of the I Can See You MV is exactly 3:21. Exile ends in 3, 2, 1… fuck. She’s a mastermind. Breaking out of the vault, coming out, it’s all the same thing.

And the behind the scenes video was released on her birthday, December 13th, 2024. Why release the BTS video for a music video a year and a half after the MV came out (July 8th, 2023) and why on your birthday? Unless it was to specifically foreshadow something you had planned for the future.  

I highly suspect that Debutation is coming on December 13th, 2025. And it will be the burning it down, burning the Lover House down.  Why?

PUMPKIN ANON + FLORENCE

Let’s circle back to the pumpkin anon. And, of course, I promised Florence.

The 14th pumpkin anon message is riddled with references to Florence + The Machine and her upcoming album, Everybody Scream. This message was posted by @spade-riddles on October 17th, 2024, so it was foreshadowing, just like the I Can See You MV description.

What are those references? Let’s take a look.

Imagine this. The stage doors slide open with the rumble of machinery.

Machinery = Florence + The Machine.

The bright lights and even brighter roar of the crowd overwhelms you for a moment. Your body is already moving, possessed by the coregraphy you could do in your sleep like a manufactured-to-be-sexy robot.

This reminds me of Florence’s album Dance Fever, which drew inspiration from women who danced themselves to death. There’s ties to witchcraft, which connects to possession. It also reminds me of the performance taking over everything else around you, getting lost in the act of performing.

Lyrics and melodies are pouring from your smiling lips, faster than your brain can keep up with. It's all so big. So loud. So dazzling.

What’s been the recurring word for TLOAS? Dazzling. We got “the future’s bright… dazzling” in Clara Bow. The post for The Official Release Party of a Showgirl, it’s called dazzling. TLOAS era is all about the glitz and the glam… and what’s underneath it all/behind the curtain.

I really wish I could go line by line but I gotta speed this up somehow. The next few sentences are about Taylor performing on stage, how she would see Kaylors with “a hand painted sign with an inside joke” and see lesbian couples enjoying the concert, how she was drawn to them and wanted to break character to engage with them:

for the thirteen millionth time, want to break character. To floor it through the fences. To rip the seams of the constricting ballgown and scream at the top of your lungs. "Look at them instead!" You want to insist. "I wish I could be more like them! They are the truly great ones!"

So many Taylor references—13, being in character/performance art, floor it through the fences (But Daddy I Love HER), the Speak Now ballgown. What started out as beautiful dresses turned into strangling expectation, masquerading (as straight) turned into being caged.

And there’s Florence! “The Great Ones” is a single on her album coming out on October 31st, 2025, on Halloween. Pumpkin anon has always been a Halloween reference. Anon even mentioned it explicitly in their 13th message (posted October 31st, 2023):

You didn’t think I’d forget to drop by on Halloween, did you?

In this context, it seems like Taylor (and potentially the New Romantics/ people involved in the mass coming out) is saying “the great ones” aren’t the ones who perform (because they’re fake/lying), but the people who live authentically (in this case, out and proud lesbians). I’m sure Taylor can’t relate to that all… (sarcasm).

But the timing of Florence’s single release is also significant. Taylor released The Crowd is Your King variant of TLOAS on September 24th, 2025 at exactly 3 PM.

30 minutes later, Florence released her second single, “One of the Greats.” That’s a WEIRD time to drop a single. It can’t be a coincidence. PLUS, WHAT ALBUM IS SPEAK NOW? The THIRD ALBUM. 3 PM.

You know what else is being released at 3 PM? The Official Release Party of a Showgirl. Almost like Taylor is going back to her 3rd album and resetting the timeline, reclaiming the narrative.

FLORENCE’S ONE OF THE GREATS + TAYLOR PARALLELS

Okay, now let’s look at the lyrics of One of The Greats. It’s a performer reflecting on what it takes to be “one of the greats”; it’s implied they mean one of the greatest musicians / performers of all time. And so much of it seems to speak to Taylor’s experience and callback to the reputation era and karma, but also to showgirl / performance as an act. Like, performing your life, the way Taylor has been doing. And more and more women in the music and entertainment industries keep reiterating these themes of the pain and truth beneath the glitzy showgirl with their own stories, albums, and imagery, they are all revealing what is expected of women in show business—and it isn’t pretty.

I crawled up from under the earth Broken nails and coughing dirt Spitting out my songs so You could sing along oh And with each bedraggled breath I knew I came back from the dead To show you how it's done

Sounds a lot like reputation era Taylor who can’t come to the phone right now (why? ‘cuz she’s dead! (couldn’t help myself!)). Taylor was dead, gone, and buried. But she crawled back out of her grave. It was gruesome, it almost really did kill her (coughing dirt). Spitting out songs doesn’t sound very pleasant. It sounds like a machine—a printer spits out paper, a computer spits out code. It’s dehumanizing, and it’s supposed to be. “So you could sing along” is oh so diabolical. She did this for the fans, for “you”. But did she want to?  

Not likely. It’s implied that someone brought her back to life, revived her against her will (like the Frankenstein’s monster allusions in Fortnight MV), forced her to get back up, to keep singing, to keep entertaining… Spoiler alert: she’s going to make them regret it. Here comes Zombie Taylor (who literally crawls out of her grave in the LWYMMD MV).

I did my best, tried to impress, my childhood dream made flesh And my dresses and my flowering sadness, so like a woman to profit from her madness I was only beautiful under the lights Only powerful there

Taylor’s childhood dream was to become a popstar. The flesh and reference to madness remind me of Clara Bow. Remember that Clara Bow was admitted to a psych hospital on October 3rd.

But the next line seems to be the culmination of the song: [KR1] 

Burned down at 36.

Why did you dig me up for this?

This is the Lover house, burning down when Taylor turns 36. On her birthday. Which is this year. I’m both excited and terrified, and I’m sure she feels similarly, as many easy eggs and anons have all pointed to. But it’s coming back around to KARMA. Once more:

Do you regret bringing me back to life?

Not yet, but they will.

BACK TO PUMPKIN ANON + SPEAK NOW

You stay the course. You remind yourself that every scratch on the prison walls is one step closer to freedom

Sounds a lot like the prison wall in the Speak Now Vault. Where she was trapped. For a lot longer than she anticipated. But what is freedom?

Closer to lying in the sunlight of your lover.

Like… Daylight? Lover album, where she tried, fought tooth and nail to make this her coming out album, finally. But the masters heist and everything else prevented that.

Closer to that final time you will duck under the edge of the pedestal

Like… leaving the stage, stepping down, dropping the curtain? This is TLOAS.   

and drown in the waves of grief and relief in equal measure.

Sounds a lot like The Fate of Ophelia.

Your guilt is only placated by the fact that you tried to warn them. So. Many. Times.

I gave so many signs. It still gives me chills that she got the eras tour crowd to sing her part whenever she performed exile as a surprise song. Literally having the fans who will likely leave when the curtain is pulled be the ones to sing “I gave so many signs” when they didn’t see (or refused to acknowledge and accept) the signs that Taylor gave about her queerness.

You told them that you were a monster. A traitorous beast. A godzilla smashing your way through their town. You grit your teeth. You hold your microphone like a matchstick.

Reputation. Anti-Hero. The showgirl, forcing a dazzling smile. She knows she going to be exiled.

You try to enjoy what you can, while you can. Because once that curtain draws, things will never be the same again.

Taylor knows she’s going to lose fans. But she also knows that she is going to shake up the industry, (hopefully) break the Hollywood blender. The curtain is being drawn. We have TLOAS, and we have some behind the curtain teases like The Official Release Party of a Showgirl.  Behind the performance, behind the mask/masquerade is the true Taylor, not showgirl Taylor. Not brand Taylor.  

They will finally be as they should have been all along. And that's the best and worst part of it all.

Resetting the timeline! Reclaiming the narrative! It’s noteworthy that it’s written as “they will finally be” not “things will finally be.” Emphasis on people, on the couple and the family.

 I hope your Halloween is enchanted. 🎃

Obviously a reference to Enchanted. I was enchanted to meet you. This song is about the night Taylor met Karlie Kloss. We’re going back to the beginning. (I watch it begin again.)

But what’s happening this Halloween? Florence is releasing Everybody Scream. I don’t think this title nor the themes of dealing with fame and performance are a coincidence. I think she’s in on it. And I think she has been for awhile. Taylor, Karlie, and Florence have been friends since at least 2015, if not earlier.

One more Florence line analysis cuz I CANT STOP.

I kept a scream inside my chest Killed everyone I'd ever kissed Hung them on the wall like trophies Each name a stain upon my lips I told the truth but could never see it through You see yourself hung on the wall but that song is not about you I wrote down all my fumbling visions transmitted by a television Got everything I thought I wanted and cried hungover in a hotel closet

The scream inside her chest is the secret she’s hoping, dreaming, dying to keep (or at least, she was). That she’s queer. She laid the groundwork to come out so many times, but she changed her mind, got scared, backed out, or was forced back into the closet each time. She thought she wanted fame, but it wasn’t as glamorous as she always envisioned it to be. It wasn’t all princess, Disney magic, beautiful ballgowns.

WAIT A MINUTE. If the scream Taylor kept in her chest is her queer identity… and the album Everybody Scream comes out October 31st… and it seems to be tied to the mass coming out and performance art of it all, and calling back specifically to SPEAK NOW… what if all of the celebrities that Taylor has gathered in the New Romantics start SCREAMING.

Everybody scream = everybody come out. That’s their cue. Everyone starts to come out.

Holy shit. And it’s tied to Speak Now because it’s exactly what Taylor wanted to do then—Speak Now, speak her truth, be authentic. In the original Speak Now era. Where she’s been trapped.

We’ve been getting so many cracks in the door, a little bit of light shines through, because the door is opening. I think one of the older pumpkin anon messages even ends with Taylor putting her hand on the door handle.

SPEAK NOW + PUMPKIN ANON

But we gotta circle back to the behind the scenes video of I Can See You MV for a minute, because Taylor makes an explicit Sparks Fly reference

“My favorite moment was when Joey was perched on top of the door of the vault with a buzzsaw and sparks are flying out everywhere and she just looked like an assassin but also an angel?”

I think this connects to the idea that the person breaking Taylor out of the vault could have been either friend or foe: an assassin, there to kill her and bring her down (the sharks, the businessmen in earlier pumpkin anon messages) or an angel, there to save her. The angel imagery connects to the religious themes of TTPD. Plus, Karlie was a Victoria’s Secret angel. And we know Karlie was the one who was always ready to come out, and Taylor who hesitated. So it could also be Karlie encouraging her to come out.  

This sparks fly image and Taylor commentary connects to two pumpkin anon messages:

(message 1, posted May 13th, 2023):

[While driving the getaway bike and facing an unforeseen obstacle] In a panic, you drag your foot on the ground to stop, stop, stop. You hardly slow, and now your shoe is ruined, foot scraped. A HEEL damaged, as the sparks fly from speeding tires.

(message 3, posted May 14th, 2023):

Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision. But your hesitation was a decision all its own. This person may try to beat you to the punch by revealing your true face to the world. Or perhaps your best laid plans will still fall into place like dominos after all. However, that’s a risk you no longer have the luxury of taking. And so, it’s a good thing you always keep a pack of matches on you.

The sparks have been flying for awhile, but this time she’s prepared to burn it down.

And the most recent pumpkin anon we got was posted in June 8th, 2025. One day after the 2 year anniversary of Speak Now TV (though it could have been sent on July 7th, 2025). What does that message say?

🎃 Home free. 🎃

We’re in the final stretch. It’s happening this year. Taylor coming out. The New Romantics / mass coming out. Halloween, 10/31/25. And Taylor’s birthday, 12/13/25 (12+13 = 25, maybe TS12+TS13, debutation drop in the form of Karma). I’ve got my pins on those dates.

I feel like I have to end on these Florence lyrics:

Did I get it right?