Claire Keane
I'd rather be in outer space 🛸

Janaina Medeiros
he wasn't even looking at me and he found me
KIROKAZE
YOU ARE THE REASON
sheepfilms
art blog(derogatory)

we're not kids anymore.
Three Goblin Art

izzy's playlists!
tumblr dot com

Cosimo Galluzzi
Cosmic Funnies
styofa doing anything

oozey mess

pixel skylines

seen from Italy
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@styrofoamshampoo-blog

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Alex GROSS…
big bangÂ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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trying my mediocre hand at paneling
I WORKED HARD ON THIS OK so I want you all to read it
Love this.
Andy Curlowe.
Website
Skarphéðinn Þráinsson
Eyjafjallajökull Volcano Eruptions

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Matthew Rode
‘Orangerie’, assemblage
‘A Perfect Friend’, printmaking
‘12:05’, mixed media
Victo Ngai
“Die in Despair / Live in Ecstasy" by Eugenia Loli.
Inspired by the collage "Mindblown" by A.T. Velazco & Jesse Treece.
Follow the artist: Tumblr | Flickr | Facebook | Cargo | Society6
In a warehouse at the Oregon State Hospital (originally called the Oregon State Insane Asylum) contains an unusual library, one comprised not of books, but of copper canisters of unclaimed human remains. Photographer David Maisel has photographed what is left of the deteriorating portions of the asylum, as well as the people whose cremated bodies were left behind.
Maisel’s Library of Dust series focuses on this human component of the decaying hospital. Approximately 3,500 canisters still sit on shelves  on the hospital grounds (The hospital is still open, although portions of it have been abandoned and have deteriorated), holding the remains of patients who died from 1883 through the 1970s. The oxidation of the canisters has created something unexpectedly colorful in this otherwise grim scene. To Maisel, they speak to the transformative quality of death, asking us to meditate on the matter within the containers.
At Maisel’s site, you can see more photographs of the canisters, as well as the Library of Dust itself and a few other parts of the asylum.Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Herbert Baglione
Ryan Humphrey