Storage Highlights At NAB 2016
If I were to summarize the state of storage in Media from this yearâs NAB show, it would be "Faster, Cheaper, Denser"
We are all aware that the usage patterns of the media industry vary vastly from that of IT. While the hottest storage trend in IT is SSD replacing traditional HDD storage arrays, the media verticalsâ needs are different. While IT has an IOPS problem (due to virtual machine based workloads), media has a streaming bandwidth and capacity challenges. Read the difference between IOPS and BW here.Â
Media companies are faced with overwhelming streams of data that need to be offloaded, edited, archived and re-purposed. Customers are in turn looking for storage solutions that will help them manage these vast quantities of data.Â
Here are some of the key storage highlights from NAB:
Lower Cost Shared StorageÂ
Image: GTechnology GRack-12Â
At one time, a shared storage solution was an expensive proposition that only a few organizations could afford. However, open source technologies like NFS, SMB, ZFS, BTRFS etc. have reached production grade capability. This has resulted in a slew of new shared storage offerings from the likes of Studio Network Solutions and Promax. To combat these, Avid has also released the Avid ISIS 1000. One of the most interesting announcements at NAB was that from GTechnology with the GRack 12 NAS. A NAS offering from GTechnology based on NFS/SMB and the open source BTRFS file system is a clear sign that shared storage is becoming a commodity offering. This is good news for numerous small and mid-sized productions that want the added efficiency of a shared storage solution at a highly cost effective price.Â
Denser, Faster Field Storage
High resolution, HDR, high FPS camera recording with multi-camera setups (Virtual Reality, Reality TV) is now typical for even the smallest productions. For example, VR setups (e.g. GoPro Omni) records 6 camera streams simultaneously. Most productions today are generating a phenomenal amount of data. Offloading this data in the field is becoming a major pain point. Vendors such as Lacie and GTechnology have created faster and smarter field storage to address the problem of fast offloads. Lacie offers the 12Big Thunderbolt with 96 TB of capacity and 2600 MB/s of performance. GTechnology also offers the GSpeed ShuttleXL with up to 1200 MB/s of performance 48TB of performance. These solutions provide the bandwidth needed to offload multiple high-resolution camera streams in the field or in post.
Image: Avid Nexis Software Defined Storage PlatformÂ
Software-defined storage (SDS) is a relatively new technology that has emerged from the world of IT. SDS can be considered the major reason behind why the big storage vendors (e.g. HP, IBM, EMC) are losing revenue year after year (more here). This is because most IT workloads now run on Virtual Machines (VM). VM workloads are essentially comprised of multiple operating systems running on the same machine. This can be disastrous for traditional storage arrays with legacy controller architectures. Instead, VMs work better with localized SSD storage with local interconnects like PCIE. SDS builds on this concept by allowing VMs to use local SSD storage while clustering multiple commodity servers together to present a global file system.
However, we are seeing SDS based terminology now being applied to offerings in the media vertical. Avid released Avid Nexis this NAB 2016 and called it the "worldâs first software-defined storage platform that enables true storage virtualization for any media application" (Quoted from http://www.avid.com/products/avid-nexis). However, I have to be honest that I am not really sure how the term "software-defined" applies to the Avid Nexis, given that it is built on closed hardware and a traditional controller-based architecture. On the other hand, Isilon also announced the Isilon SD Edge which is more of a true "software-defined" platform (https://www.emc.com/en-us/storage/isilon/isilonsd/edge.htm).Â
Object storage from the likes of Quantum, Cleversafe, DDN were all present at NAB 2016. While Object Storage is not new to the media vertical, it is finding a niche. With the growing amounts of camera content, distributed/cloud workflows, and re-purposing requirements, Object Storage is starting to replace some Nearline NAS based deployments.
Smarter, Faster Long Term StorageÂ
Image: LTO-7 tape being 6 TB capacity @ 300 MB/s performance
 Image: Sony Optical Disc Archive Gen 2 @ 3.3 TB and 2Gb/s Read with 1 Gb/s WriteÂ
Long-term storage is also making amazing leaps. Announced shortly before NAB, LTO-7 now delivers over 6TB capacity and a whopping 300 MB/s - that is 2.4 Gb/s of throughput from a single piece of media, and it is delivering this performance at $137/cartridge (*pricing from https://www.tapeandmedia.com/lto-7-tape-media-tapes.asp). It is surprising to see that tape technology (not HDDs, not SSDs) offers the best combination of cost, reliability and performance. With the amount of 4K, high frame rate and VR based workflows, LTO-7 will play a major role in both field, post and archival workflows in the near future.
Sony also announced Generation 2 of their Optical Disc Archive technology. Optical Disc Archive is positioned as a long-term archive technology (similar to LTO), but is based on optical media rather than tape media. Since it based on optical media, it has random access advantages. With Gen 2 delivering 2 Gb/s read performance and 1 Gb/s write performance and 3.3TB raw capacity, Sony Optical Disc Archive has the advantage of serving as a long-term archive medium as well as a directly accessible, hard drive like storage platform.
The media industry continues to generate massive quantities of data. Furthermore, this data has to be managed right from the field, through post and for final archive. On the bright side, we are seeing storage technologies emerge that are offering answers to the growing challenges of media data management.