Will #PETA come after me for this?
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@stopthattopthat
Will #PETA come after me for this?

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Hello to all the mutual fourth wave emo fans that havenât posted in 6 years
Canât go out tonight, got lots of studying to do https://youtu.be/F0jH7rZm7wc

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my beautiful boy archie
La Culte de Baiser Sans Fin
âAs with La Culte du Prochain Train, the Cult Of The Endless Kiss of the iron mining regions surrounding the Gulf Of St. Lawrence, coalesced around a periodic, tournament style competition, this one comprised of 64 adolescent Canadian participants, of whom one half were female. Thus, the first round pitted 32 couples, each of which consisted of one male and one female Quebecker.â [ ⌠] 'Of each pair, one half, designated by lot, filled his or her lungs to capacity with inhaled air, while the other exhaled maximally to empty his or hers. Their mouths were fitted together and quickly sealed by an organizing cultist with occlusive tape, who then expertly employed the thumb and forefinger of both hands to seal the combatantsâ nostrils. Thus, the battle of The Endless Kiss had been joined. The entire lung contents of the designatedly inhaled player was then exhaled orally into the emptied lungs of his or her opponent, who in turn exhaled the inhalation back to itâs original owner, and so forth, back and forth, the same air being traded back and forth, with oxygen and carbon dioxide ratios becoming progressively more Spartan, until the organizer holding their nostrils closed officially declared one combatant or the other to be âevanouiâ or, âswooned,â either fallen to the ground or out on his or her feet. [ ⌠] The figurative object of the âBaisserâ competition appears - according to Phelps and Phelps - to involve using what one is given with maximally exhaustive levels of efficiency and endurance before excreting it back whence it came [ ⌠]â
- Infinte Jest / David Foster Wallace
Yeah, so there you go ⌠in case you missed the reference ⌠the origin of this blogs title.

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JAMES O. INCANDENZA MOVIES by Kurt McRobert
âThe Joke.â B.S. Latrodectus Mactans Productions. Audience as reflexive cast; 35 mm. x 2 cameras; variable length; black and white; silent. Parody of Hollis Framptonâs âaudience-specific events,â two Ikegami EC-35 video cameras in theater record the âfilmâs audience and project the resultant raster onto screen â the theater audience watching itself watch itself get the obvious âjokeâ and become increasingly self-conscious and uncomfortable and hostile supposedly comprises the filmâs involuted âantinarrativeâ flow. Incandenzaâs first truly controversial project, âFilm & Kartridge Kultcherâsâ Sperber credited it with âunwittingly sounding the death-knell of post-poststructuralist film in terms of sheer annoyance.â NONRECORDED MAGNETIC VIDEO SCREENABLE IN THEATER VENUE ONLY, NOW UNRELEASED
From âJames O. Incandenza: A Filmography,â Infinite Jest, David Foster Wallace, page 988-989 (via self-employedtwinkboss)

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