Dawn on contact mic and slinky. Another brilliant session with @intoart_uk during their visit to Teesside, looking at different ways to incorporate sound into their arts practice.

blake kathryn

shark vs the universe
$LAYYYTER
One Nice Bug Per Day

Janaina Medeiros
Monterey Bay Aquarium
i don't do bad sauce passes
AnasAbdin
hello vonnie

Product Placement
wallacepolsom
Alisa U Zemlji Chuda
Keni
Not today Justin
art blog(derogatory)
Peter Solarz
KIROKAZE

Kaledo Art
Cosmic Funnies

Origami Around
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@steranko
Dawn on contact mic and slinky. Another brilliant session with @intoart_uk during their visit to Teesside, looking at different ways to incorporate sound into their arts practice.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Gathering up the 20 mini speakers after the HaPenny Soundwalk in Saltburn-by-the-Sea
A lot of nervous energy presenting my research into headphonics at https://jim2023.sciencesconf.org/
Photo by Atau Tanaka
They are the chillout masters famed for their blissful, sun-dappled sound. So why have the dance duo made an album inspired by the abandoned
Another side to my music practice, as one half of A Man Called Adam.
It’s taken a while, but the Sorbonne University’s Publication MusiqueS & Interdisciplinarité is finally out. A huge resource, my article on the mobile musician is page 345.
Cela a pris du temps, mais la publication MusiqueS & Interdisciplinarité de l'Université de la Sorbonne est enfin sortie. Mon article sur le musicien mobile se trouve à la page 345.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My research article – Vers un Modèle Praticien de la Musique Mobile (Towards a Practitioner Model of Mobile Music) – is to be published as a follow up to the conference 'Actes des Rencontres Nationales sur les Recherches en Musique', Sorbonne University, Paris.
Last day of a summer’s nomad sessions. Listening back to some of the recordings and a chiffchaff begins to join in.
J'ai le plaisir d'avoir Steve Jones de A Man Called Adam en DJ guest pour une Disco Symphony 18h/19h Patrick Vidal ...Tribute to Glenn Rivera ReStructure Mix19h/20H Steve Jones... Disco Symphony
A rough recording on my phone, processing the sound on the sea through a group of apps on my trusty old iPad #seatechno
Testing the old Carry Principle system and it still works. Using the sound of the sea to make #seatechno https://www.instagram.com/p/CP-uD--qkcT/?utm_medium=tumblr

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I found this early attempt at electro-acoustic composition, clang clack buzz, to play along with the hawk hovering video.
Hawk, hovering. An iphone slowmo study.
Presenting the Carry Principle at Rencontres Nationales sur les Recherches en Musique: https://recenmus.sciencesconf.org/
My thesis is now available on DMU’s Open Research Archive: https://www.dora.dmu.ac.uk/handle/2086/19540
The Forest: iPhone slo-mo study.
16 Aug 2020
Another repost, February 2015. Navigating the warren of passageways and stairs between Châtelet and Les Halles.

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Repost from summer 2014, Paris.
This video marks the beginning of a period of sustained investigations to develop a workable and repeatable technique for headphonic performance. Paris at the best of times is a noisy, sometimes chaotic place, and this video captures some of the sense of bewilderment felt as I gave myself up to the movement of the streets. I was using a GoPro 3+ camera for post-performance analysis, but reflecting on the recorded material it seemed that the least interesting aspect was the iPad screen interaction. What was more fascinating was observing people in the streets, how they negotiate shared spaces, sitting, standing or walking.
Almost six years to the day that I began using a GoPro to document mobile SoundWalking on the metro, dated 17/07/14. Already I was asking: “Is this a covert performance? Doesn’t anyone notice?”
Watching back the video today, in the midst of the COVID-19 pandemic, it seems like another world.