LET ME PUT THIS BODY TO REST!

From Ethnographic festival in Banská Bystrica, Slovakia 1904 (Henrik Alpár)

Close-up on circuitry of a Sequential Circuits Prophet5 Analogue Synthesizer, revealing inscriptions.

'thorn necklace' by ted muehling, 1987 in one of a kind: american art jewelry today - susan grant lewin (1994)

erich fromm, the art of loving

Bruce Fall 2000

Simon Boudvin - Concaves Series, 2005 - 2012

devon aoki + retro edit<3

astral doll, ryo yoshida | my scans

metallic thread textile fragment with birds, japanese c. 1800.

DAIDO MORIYAMA

head ornaments by nilda getty in body jewelry: international perspectives - donald j. willcox (1973)

Artist: Justin Novak 🪡

“It is for its art that Gavrinis is famous. No fewer than twenty-three of it’s twenty-nine upright stones have been carved, not in single or isolated motifs but in a profuse series of compositions so that stone flows into stone or is mirrored by another in patterns engraved in low relief. The art is balanced in panels horizontally and vertically in symbols of which the main elements are concentric arcs and axes. These latter implements have splayed cutting edges like the big, prestige axes from the Carnac Mounds.” - A. Burl The last stone in my photos has 3 horizontal hand sized holes about 10 cm deep similar to kerbstone 52 at Newgrange (which was built supposedly around 300 years later).

Holy Saturday: women sing their pain for the death of Christ, Apula, Italy, Cristina García Rodero, 2000

Memorial to the fallen fighters, veterans and victims of fascist terror which befell this region during the People's Liberation Struggle (1941-1945), Rovinj, Ivan Sabolić, 1956