sam

blues and purples, version 2

(Collaborating w/ and colored by @uhjamszone :D)

Old art⬇️

INSPIRED: Not 100% historically accurate, not trying to be.

(Plus my takes on the group dynamic)

In Depth Analysis here because I’m a Nerd:

Varian- I didn’t stray too far because his design is dear to me. Plus it just didn’t feel like Varian the more accurate I went. I associate Corona with Germany because Rapunzel is a German name. So Germany and just kind of general European inspiration. I based all these on fashion drawings so there was a lot of mixing and matching. The bottom half is closest to the German inspiration. Though I gave the top half lots of embroidery because, German Embroidery. Ironically he may be my favorite character but I think I gave less thought into his design overall.

Hugo- He 100% stole that jacket. It’s his pride and joy, and the nicest thing he owns. He keeps it in great condition. The rest of his clothes are worn. They used to be nice, he stole those too, but a life on the street is going to naturally wear down clothes. I imagine he doesn’t actually know how to wear all the nice things he owns. That’s why things are untied. I debated giving him shorter hair for historical accuracy but I decided he wouldn’t gaf. I chose French inspiration just because I think it’s funny. Legitimately. French Hugo is just funny. Also I knew I wanted European inspiration. Though I’m open to other interpretations of his ethnicity. I could see him being Scandinavian.

Nuru- The Herero Tribe from Congo in Africa. This kind of style isn’t their traditional wear but it’s a reflection of colonization. When the Victorians came they forced the natives to dress like them. Now they use this style as a way to retake that history. Taking the Victorian style and adding their own patterns, colors, and that head wrap style. I thought this was fitting for Nuru. Her country is facing hardships from the sky. Yet she uses astronomy. Nuru also takes the hardships she faces and retakes it in a way she can use. And yes those are all real constellations and stars on her dress.

Yong- His clothes already had clear Chinese inspiration. Or at least a vague East Asian inspiration. I chose Chinese. Imma be honest here. It’s cause of the red and yellow, plus a fireworks kingdom? Yeah, that’s clearly Chinese inspiration. So not a big change. Longer hair for historical accuracy. Soot stains from explosions. Okay, maybe I put the least thought into Yong. Sorry. I’m open to constructive criticism.

(Obligatory disclaimer about all of these being my opinions and my staunch unwillingness to debate this particular subject, as, again, they are just opinions.)

(Additional disclaimer that different people may perceive color differently. Either suspend your disbelief and try to follow along, or— in the privacy of your thoughts— dismiss me as a lunatic and move on.)

(A third disclaimer that, obviously, the writers did not intend any of this. I am using my imagination to speculate on what we were given, even if the conclusions I can draw were not ones I was intended to draw. That is what analysis is.)

I’m more partial to analyzing dialogue and expressions than clothing, but something about Varian’s (second) season three outfit never sat quite right with me.

It doesn’t look bad at all. To me, though, it feels… jarring.

He’s always been in blue (or a bluish green, depending on how you view it). This reddish burgundy color is a switch-up.

Now, other characters have had color changes in their outfits. Eugene, for example, has worn blue, light green, brown, and even red (which is probably a post for later).

I’m not saying that Varian wouldn’t select this particular outfit. I’m saying that I can’t look at it without thinking about anger.

Which is… weird, right? When have we ever associated the color red with Varian’s anger?

Well, okay, sure, that’s an example, but it’s so in-your-face about it. Surely it has nothing to do with the reddish color of Varian’s second s3 outfit.

Here’s his first s3 outfit:

Now, we know that at this point in time, Varian wasn’t entirely driven by anger anymore. He just wanted everyone to forget what he did.

It’s almost as if he has a red mask over his face… With fangs…

(I posted about this mask before: https://www.tumblr.com/bad-holmes-impression/792784857295142912/you-know-what-pleases-me-about-this-well-very)

Anger is a secondary emotion. It’s always hiding something, whether that’s insecurity, or hurt, or grief.

While piloting his automaton, Varian says as much: “It’s not enough until you endure the same amount of pain and agony I have!”

Let’s look at his post-redemption clothes again:

The only reddish color in his outfit is his vest. It’s nowhere near as bright as the automaton or his Separatist garb. In fact, he almost fades into the background.

Every character will do that in certain environments, but it barely applies to Varian in the first season. Now, he is specifically dressed in browns and dark reds, which happen to be the color of many of the backgrounds. He spends the majority of his screentime doing things like:

-Attempting to bring Rapunzel and her parents’ memories back

-Making Rapunzel a hot air balloon so she can travel more easily

-Going on the kingdom-wide treasure hunt Rapunzel set up

-Traveling with Rapunzel to use the compound that encased his father in order to nullify the red rocks

-Translating the Demanitus Scroll so Rapunzel has an advantage against Cassandra

-Building a portal to send Zhan Tiri back to the netherworld

-Building a helmet that electrocutes his father’s brain and very well should have killed him

With all that effort (either centered around Rapunzel or Corona), Varian simply doesn’t have time to address any remaining anger. Whether that secondary emotion conceals hurt, a twisted mess of lingering grief, a feeling of betrayal, or all of the above… Well, Varian wouldn’t know, would he? He’s too busy. He’s fading into the background. He’s fading into his work.

“But wait! You’re missing the obvious point of what his outfit resembles!”

It’s true:

Varian’s outfit is— at least partially— meant to resemble Quirin’s.

I’d argue, though, that that fact doesn’t negate anything I’ve said.