Carved and Stacked, Grise Fjord, Canada, 23 March 1989 by Andy Goldsworthy, 1989
"I'm Dorothy Gale from Kansas"

★
sheepfilms
taylor price
Monterey Bay Aquarium
hello vonnie

JVL
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ
Three Goblin Art
trying on a metaphor

oozey mess
let's talk about Bridgerton tea, my ask is open
dirt enthusiast
we're not kids anymore.
DEAR READER

Kiana Khansmith
Misplaced Lens Cap

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@speckledturquoise
Carved and Stacked, Grise Fjord, Canada, 23 March 1989 by Andy Goldsworthy, 1989

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Andy Goldsworthy
Line to follow colour in stones, St. Abbs, Scotland, 31 May 1985
found stones
Juan Sanchez | Puerto Rican | NYC
La Lucha Continua from Guariquen, Images and Words. Rican/Structed series |1986 | Lithograph with collage | Prints and Photographs Division, Library of Congress (39)
Toshiko Takaezu

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Ruth Asawa
Memories of a Lost Culture, Part II:
National Identity, Artistic Praxis, and Neo-Colonial Transformation in the Art of Puerto Rico’s Division of Community Education (1952-68)
Poppy Okotcha backstage Marques Almeida AW15
ALEXANDER LIBERMAN
Beat, 1952
Enamel on aluminum, 42 x 42 in. (106.7 x 106.7 cm)
Constantin Brancusi - The Sleeping Muse

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Maria Ines Gul
Gobelin (F.A.S.) - Matthias van Arkel
More Matthias van Arkel here, here, and here.
Mangiatori di cuori (Heart Eaters) - Fortunato Depero
studiopepe - kora vase

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Palm by Studiopepe.
Bownik’s “Disassembly” is an artist’s book in which a photographic project has been brought to the form of a non-standard picture album. The main role here is played by flowers, which the authors disassembles into parts using DIY tools and then reassembles in possibly unchanged form.
For deconstruction purposes Bownik uses glues, adhesive tapes, ropes, precisely measuring the distances between the leaves, noting them in pencil on the leaves themselves and photographing them. The resulting images, informed by the still-life tradition, perfectly imitate and evoke that which has been subjected to a destructive process. Hypnotizing the viewer with their deformed charm, they also create an uncomfortable sense of participating in a strange experiment. Beginning with the cover image and progressing through a series of collages and drawings, the book’s narrative culminates in the middle part and comes to a conclusion with a series of sketches.