My first steps as an artist. Traditional and digital art. Original art and occasional fanart.
Hey I finally made an art blog! đ€
I'd really appreciate it if you could follow it and/or share this post. Thank you đ§Ą

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@sous-le-saule
My first steps as an artist. Traditional and digital art. Original art and occasional fanart.
Hey I finally made an art blog! đ€
I'd really appreciate it if you could follow it and/or share this post. Thank you đ§Ą

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Lotus - Caroline Ji , 2017.
Chinese-Canadian , b. 1988 -
Oil on panel , 12 x 12 in.
Crossings by Alex Landragin
On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings. It has three narratives, each as unlikely as the next. And the narratives can be read one of two ways: either straight through or according to an alternate chapter sequence.
The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl. Next is a noir romance about an exiled man, modeled on Walter Benjamin, whose recurring nightmares are cured when he falls in love with a storyteller who draws him into a dangerous intrigue of rare manuscripts, police corruption, and literary societies. Finally, there are the fantastical memoirs of a woman-turned-monarch whose singular life has spanned seven generations.
With each new chapter, the stunning connections between these seemingly disparate people grow clearer and more extraordinary. Crossings is an unforgettable adventure full of love, longing and empathy.
The post Crossings by Alex Landragin appeared first on Jewish Book World.
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Finally got around to reading the familiar by Leigh bardugo and my queen has done it again. She has been my favorite author since I read six of crows and her writing has only gotten better. I love how she writes women, they are so hungry and ambitious in ways women rarely get to be in most media. The atmosphere alone had me hooked. Iâve never read a historical fantasy like it and while I think it worked very well as a standalone I will be missing the world and characters.
as a woman you're always too young or too old for things because the perfect age is when you're a man

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The flood and all the dead fish and rotten stench that came with it to my hometown sparked some Innsmouth-like mood, and this dark snakestone with a light patch reminded me of Malevolent's lighthouse, so. Something in the darkđ
Available as a pendant
Balcony - Hillary Mishcon , 2007 .
American , b. 1980s
Oil on stretched canvas , 14 x 18 in.
Jacob's Ladder, Peak District, England
peaklass
Mstislav Dobuzhinsky (1875 - 1957)
30 jours pour écrire - Facettes et fragments
Solata, le 3 août 1909,
Douce Amélie,
Je voudrais aujourdâhui vous entretenir dâune amertume qui est mienne depuis longtemps mais plus encore depuis que je suis ici, Ă laisser mon esprit divaguer.
Si jâen appelle Ă votre douceur, câest que je suis frustrĂ©e des nouvelles questions qui sâimposent Ă moi. Jâaurais souhaitĂ© quâelles sâinstallent dĂ©licatement, sâouvrent les unes aprĂšs les autres, frĂ©missent çà et lĂ au grĂ© dâun souffle frais mais au lieu de ça, câest un tourment dâinterrogations qui sâempare de moi, remue mon ciel et ma raison. Et alors que je sens poindre un dĂ©nouement, alors que mes rĂ©flexions trouvent enfin le salut, câest dix nouvelles questions qui colorent de doute dâanciennes certitudes. Vous devez me trouver dramatique mais je vous promets que je nâexagĂšre point. Si je vous Ă©cris, câest Ă©galement pour mâimprĂ©gner de votre sagesse et trouver lâapaisement.
Il me semble que la nature humaine est ainsi faite, avide de totalitĂ© et de lignes continues et nous sommes nĂ©anmoins confinĂ©s dans un Ă peu prĂšs, dans un presque rien, dans un poste dâobservation Ă©triquĂ© par lequel la vie nous parvient par fragments. OĂč trouver de lâintĂ©rĂȘt Ă lire des strophes Ă©parpillĂ©es? Comment se satisfaire de ne percevoir que les dĂ©tails dâune Ćuvre?
Dites-moi, AmĂ©lie trĂšs chĂšre, car jâen viens Ă douter : cette frustration viscĂ©rale vous concerne-t-elle autant que moi ou suis-je seule, lĂ Ă©galement, comme dans cet exil que je mâimpose ? Je ne puis me rĂ©soudre Ă vous laisser vous contenter de quelques pauvres facettes de la Vie. Et maintenant il me vient une image de vous. Je vous vois comme dans les dĂ©bris dâun miroir cassĂ© et il me faut me rendre Ă lâĂ©vidence : je ne connais de vous que ces facettes. Je ne peux quâimaginer vos rĂ©actions, fantasmer vos rĂ©ponses, songer Ă vos mots. Et mĂȘme en vous connaissant parfaitement comme je me plais parfois Ă lâimaginer, des jardins entiers de votre Ăąme me resteront inconnus comme une terre que je ne foulerai jamais. Et mĂȘme, mĂȘme si votre Ăąme mâĂ©tait toute entiĂšre dĂ©voilĂ©e, je ne saurais rien du fonctionnement de vos organes, du sang qui inonde votre cĆur, de comment palpite votre cerveau lorsque vous assistez Ă un spectacle qui vous enchante ou vous Ă©meut.
AmĂ©lie, il nous faut accepter cette Ă©vidence, et cela est si douloureux. Les personnes qui nous sont les plus chĂšres ne nous parviennent non seulement que par ces bribes, mais Ă©galement par le filtre de notre perception. La Vie elle-mĂȘme nâoffre-t-elle que des instants fugaces, le prĂ©sent sâefface et se mue constamment en fragments de souvenirs. Rien nâest certitude, rien nâest fiable, rien.
Dans votre douceur, AmĂ©lie, vous me direz probablement de ne pas chercher Ă soulever le dĂ©cor ni Ă faire tomber le rideau, vous me soutiendrez que la beautĂ© se cache dans le mystĂšre, que la Vie perdrait en profondeur et en texture si tout nous Ă©tait immĂ©diatement transparent, si les fragments sâemboĂźtaient sans rĂ©sistance. Peut-ĂȘtre mĂȘme trouveriez-vous une image pour mâaider Ă chĂ©rir lâopacitĂ©, comparant la clartĂ© totale Ă un dĂ©sert stĂ©rile. Enfin vous ferez appel Ă mon imagination et Ă ma soif dâapprendre, qui seraient lâune et lâautre vaines devant un monde trop limpide.
Et si au lieu de pleurer ce qui me manque, je mâextasiais de la grĂące singuliĂšre de chaque fragment ? Mon esprit pourrait dĂšs lors sâemparer de chaque facette, une par une, et les prolonger pour les parer dâune beautĂ© que la rĂ©alitĂ© elle-mĂȘme aurait eu du mal Ă maintenir. Nâest ce pas lĂ la puissance crĂ©ative Ă laquelle jâaspire? Vous avez raison, AmĂ©lie, chaque Ă©clat est un monde en soi, dâautant plus brillant quâil est cernĂ© dâombre.
Je dois vous quitter, apaisée que je suis par les mots que vous auriez pu déposer. Prenez soin de vous, douce Amélie.
Votre,
Ernestine.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"Je vais voir ce que je peux faire", parfum poussiÚre & héritage
[FAQ
Ca va ĂȘtre long, ce machin ? Probablement. Ca en prend le chemin, en tout cas. Enfin, rassurez-vous, je ne vise pas le roman, quand mĂȘme.
Mais tu sais oĂč tu vas, au moins ? Pas le moins du monde. Mais câest ça qui est drĂŽle, non ?
Câest bien Ă©crit ? Câest tout Ă fait sans prĂ©tention littĂ©raire, soyons francs.
Et tu espĂšres des lecteurs avec un tel avant-propos ? Vous faites bien ce que vous voulez, maintenant que vous ĂȘtes prĂ©venus. Mais ce serait sympa, Ă©videmment.]
***
Incroyable. Le catalogue nâest toujours pas numĂ©risĂ©. P⊠pa-ph⊠ah⊠pi-pr. Je tire Ă moi le long tiroir Ă©troit et passe en revue les fiches impeccablement calligraphiĂ©es. Lâinvention de la machine Ă Ă©crire a dĂ» ĂȘtre jugĂ©e diabolique par lâantique bibliothĂ©caire Ă double rangĂ©e de perles qui tricote derriĂšre son tout aussi antique comptoir en chĂȘne. VoilĂ la fiche. Le grimoire est donc bien ici, quoiquâintrouvable dans les rayons. Tiens, et le relevĂ© botanique aussi. Bon. Il va falloir passer par le dragon.
I stood in the library, shelves of books all around, and I wept.
Every book, written by a person or people.
Good.
Bad.
Original.
Shamefully plagiarized.
There was effort there, within hardcovers and softcovers, an essential humanity. Someone, somewhere put in the work.
Generative AI means we can no longer trust the work.
So I stood in the library, shelves of books all around, and I wept.
âOne of the strongest feelings I remember from my childhood is, precisely, of being humiliated; of being knocked about by words, acts, or situations. Isnât it a fact that children are always feeling deeply humiliated in their relations with grown-ups and each other? I have a feeling children spend a good deal of their time humiliating one another. Our whole education is just one long humiliation, and it was even more so when I was a child. One of the wounds Iâve found hardest to bear in my adult life has been the fear of humiliation, and the sense of being humiliated. Every time I read a review, for instance â whether laudatory or not â this feeling awakes. To humiliate and be humiliated, I think, is a crucial element in our whole social structure.â
â Ingmar Bergman; Interviews with Ingmar Bergman by Stig Bjorkman

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Tom KillionïŒAmerican, b.1953ïŒ
Big Sur Spring Sunset woodcut print 18.5x13.75 via more
Tom Killion
Mendocino Coast North of Elk