Maison Hermes Tokyo, Japan (2001) Architecture: Renzo Piano
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occasionally subtle

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PUT YOUR BEARD IN MY MOUTH

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Maison Hermes Tokyo, Japan (2001) Architecture: Renzo Piano

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— rhythmicrhinoceros
— C.T. Salazar; Headless John The Baptist Hitchhiking
— Georgia O'Keeffe
Andrea Gibson, "DEPRESSION [VERB]", Lord of the Butterflies
"إنّي مرساةٌ لا ترسو. جُرحٌ بملامحِ إنسانِ."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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summer solstice by Stacie Cassarino
Who will come into my kitchen and be hungry for me?
you say you don’t want a boyfriend, but you know that’s not true - Charlotte Green/the voice - Anaïs Nin/the unabridged journals of Sylvia Plath - Sylvia Plath/tolerate it - Taylor Swift/the unabridged journals of sylvia plath - Sylvia Plath/the unexpurgated diary of anaïs nin - Anaïs Nin/ @treebloods/@lovebeing-a-girl/@ sanwtch on instagram/ @onlyanothermundane/@tullispink/I am an observer, but not by choice - @fatimaamerbilal/the prophecy - Taylor Swift/criss cross - Lynne Rae Perkins/Vladimir Mayakovsky in a letter to Lili Brik/what I could never confess without some bravado - Emily Palermo/little weirds - Jenny Slate
requested here
Nicole W. Lee, from "Even the Dust"
[ Text ID: I just want to be loved without being shredded into pieces. ]
could u do a web weave about "the right person, wrong time"???
? // the song of achilles, madeline miller // normal people, sally rooney // our hearts synchronize // bright star: love letters and poems of john keats to fanny brawne, john keats // eurydice & orpheus

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nobuyoshi Araki: Flower Rondeau (1997)
SATC S1 E01 🍸
May Sarton, from Journal of a Solitude [ID in alt text]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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It was a long time ago. It doesn’t matter anymore. And yet I cannot let it go. I cannot let it go.
Sylvia Plath, from a letter to Ruth Tiffanny Beuscher written c. July 1962
Maja Bajevic, ‘Women at Work - Under Construction’ 1999