Hi everyone 👋🏽
🩵 avery cochrane 🩵

if i look back, i am lost
Cookie Run:Kingdom Official!
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hello vonnie
YOU ARE THE REASON
The Bowery Presents
Not today Justin

roma★
Game of Thrones Daily

#extradirty
Fai_Ryy
Show & Tell
Aqua Utopia|海の底で記憶を紡ぐ
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Game Changer & Make Some Noise

Jimmy Eat World

oozey mess

izzy's playlists!

seen from Türkiye

seen from Germany

seen from Argentina

seen from Ireland

seen from Malaysia

seen from Norway

seen from Vietnam
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seen from Netherlands
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seen from United States

seen from Netherlands

seen from Austria

seen from Netherlands

seen from United States
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seen from United States
seen from United States
@smutmouth
Hi everyone 👋🏽

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Ryan Donato, Untitled (Orange on white), 2016. Oil, gessso, watercolor on canvas. 36″ x 48″.
Christean Kareem
🌃🎆💙
Konrad Klapheck (German, b. 1935), Zwei Kameraden [Two Comrades], 1966. Oil on canvas, 100 x 80 cm. Museum Kunstpalast, Düsseldorf.

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It's been so long
Yayoi Kusama, Infinity Nets, 1960′s
Marlies Plank
Foam
Milk
Marie Hudelot
Sea Nymphs ~ Norman Lindsay

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Ernst Nepo (Czech, 1895-1971), Norwegian Langfjord, 1943. Watercolour on paper on board, 57 x 79 cm.
Ive been working since 9am and I'm still working and it's been almost 12 hours wow kill me 🔫🔫🔫
I Left My Heart In Tokyo
In the words of the artist Audun Grimstad:
I’m a Norwegian painter and illustrator living in Brooklyn, New York. My work is primarily focused on traditional media like oil painting and graphite drawings, but I do digital work as well.
Images and text via
Alex Goh Chun Seong
Andreas Levers

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Christian Schmidt
The Unseen: An Atlas of Infrared Plates
In his book The Unseen: An Atlas of Infrared Plates Ed Thompson has set out to explore the boundaries of perception, whether they are things outside our visual spectrum or events that go unnoticed or unreported.
A respected British photographer, his work has focused on various subjects over the years – from covering environmental issues, socio-political movements, subcultures and the consequences of war. In his work he often tries to be as intimate with a group as possible, to empathize with them and try to see what they saw in themselves. But there are limits to our sight; a documentary photographer can only photograph what they can see.
Images and text via