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I'd rather be in outer space šø
Phantogram Three
"I'm Dorothy Gale from Kansas"
untitled
noise dept.
$LAYYYTER
official daine visual archive
cherry valley forever
EXPECTATIONS
NASA
Fai_Ryy
KIROKAZE
occasionally subtle
Not today Justin
Cosimo Galluzzi

Origami Around

ellievsbear
Lint Roller? I Barely Know Her

tannertan36
Game of Thrones Daily

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@smutmouth
Hi everyone šš½

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Ryan Donato, Untitled (Orange on white), 2016. Oil, gessso, watercolor on canvas. 36ā³ x 48ā³.
Christean Kareem
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Konrad Klapheck (German, b. 1935), Zwei Kameraden [Two Comrades], 1966. Oil on canvas, 100 x 80 cm. Museum Kunstpalast, Düsseldorf.

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It's been so long
Yayoi Kusama, Infinity Nets, 1960ā²s
Marlies Plank
Foam
Milk
Marie Hudelot
Sea Nymphs ~ Norman Lindsay

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Ernst Nepo (Czech, 1895-1971), Norwegian Langfjord, 1943. Watercolour on paper on board, 57 x 79 cm.
Ive been working since 9am and I'm still working and it's been almost 12 hours wow kill me š«š«š«
I Left My Heart In Tokyo
In the words of the artist Audun Grimstad:
Iām a Norwegian painter and illustrator living in Brooklyn, New York. My work is primarily focused on traditional media like oil painting and graphite drawings, but I do digital work as well.
Images and text via
Alex Goh Chun Seong
Andreas Levers

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Christian Schmidt
The Unseen: An Atlas of Infrared Plates
In his book The Unseen: An Atlas of Infrared Plates Ed Thompson has set out to explore the boundaries of perception, whether they are things outside our visual spectrum or events that go unnoticed or unreported.
A respected British photographer, his work has focused on various subjects over the years ā from covering environmental issues, socio-political movements, subcultures and the consequences of war. In his work he often tries to be as intimate with a group as possible, to empathize with them and try to see what they saw in themselves. But there are limits to our sight; a documentary photographer can only photograph what they can see.
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