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A Man Out of Time Chapter 3 Preview
Hey guys! So the next chapter is being pushed back another week cause I’m experiencing ✨Mental Health Issues✨ (nothing to concerning, just my brain doing dumb brain things and I just need a couple days to bounce back) Sooooo here’s a final preview to tide you guys over! Enjoy!
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I'm still in disbelief that The Human Vapor is becoming a big-budget Netflix series. It's one of Ishiro Honda's best non-Godzilla films, to be sure, but it hasn't been released on video in English since the VHS days. (One obscure streaming site lets you watch it for free.) But this isn't its first adaptation in Japan, as there was a stage play version in 2009. Definitively points to something Netflix has over other American studios—they'll often produce things for regional audiences (Human Vapor is a Japanese-South Korean coproduction) but release them worldwide. Hope they get James Hong back for the dub!
take my ass to torture city where the grass is ouch and the girls are hit me
nope. funkytown again
imagine going to your first rehearsal for a musical and the first words your characters say to each other are “come home with me” “who are you” “the man who’s gonna marry you” and your first duet is a song about a wedding and you get to fall in love doing a show about The Tragic Greek Lovers Ever and then years later you get married to each other and you become the version of the lovers who get a happy ending and get to go home together and you get to do the show again together and now the characters have a different meaning
My favorite thing from the Hadestown proshot is how Persephone is drunk out of her godsdamn mind for 90% of it in a way that does not carry over to the cast recording but is nevertheless mesmerizing to watch
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whoever was in charge of cinematography for the hadestown proshot needs 500 awards immediately
computer open.
computer shpw me fortnite milfs.
hi I’m the computer. You’re not getting that.
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i love the linguistic trend of expressing something difficult to describe by just not including an adjective where there usually would be one. “i had a day today,” or “he’s definitely one of the characters of all time.”
it’s like i can’t describe this so i just won’t. you get it tho.
”I have this artistic idea but not the skills to achieve it to the standard I want.”
congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!
Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?
Don’t let the fear of it not being perfect on the first try stop you from being Weird About It!
Please view Hokusai's gradual working towards The Great Wave Off Kanagawa, over a period of 39 years.
An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.
A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.
This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.
And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!
Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.
And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.
It's all there; Mt Fuji, the ocean, the wave. The boats are gone, but replaced with birds, flying with the wave instead of fighting against it. It's not as famous as The Great Wave Off Kanagawa, but that's not what motifs are for -- each successive work does not have to surpass the previous in terms of success, especially in terms of external success. They're there for you to keep playing with, keep remixing and re-experiencing, for as long as you think you have something to say.
watched the hadestown proshot yesterday and. songbird vs. rattlesnake and flowers have always both held a shit ton of sexual abuse undertones but god you could really see it in the proshot. the fact that hades tells persephone that if she "doesn't want my love, I'll give it someone else who does" then immediately turns to Eurydice as he continues. the expression of fear on persephone's face. the fact that eurydice is so terrified yet just a bit entranced by him, but also needs what he has. orpheus jumping between eurydice and hades during way down hadestown-- which feels funny at first because it's itty bitty orpheus trying his best to protect her from Hades-- and then not being able to keep her from him, anyways. it makes me think of how people stay in abusive relationships because they can't financially support themselves or because it's all they know, because it's safer than doing what you truly love, and they can't afford to be unsafe. it's bad for her, and she hates it, but she needs to survive so bad that she can't say no.
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more than anything i want a world where a trans girl realizing she is a trans girl faces zero fear from that realization and subsequent coming out. Where she can say "Oh sweet, I can just be a girl? Sign me up!", no worrying if shes girl enough, no worrying if society will accept her, no worrying if she'll be an attractive girl as she transitions, no worrying at all in any way shape or form.
so funny to me the pope has siblings. imagine a bunch of people looked at your brother and decided he was the physical embodiment of god's will. like that kid kicked me in the head once.
:D !!!!!!!!!
(lil tangent down below.)
The costuming choices in Hadestown regarding neckwear are just super interesting to me. The first notable division is the fact that the main characters all have some form of neckwear, and the ensemble, or chorus members, do not. However, it goes further than that. The female goddesses, (Persephone and the Muses) all wear black chokers. The mortals (Orpheus and Eurydice) both have bandanas. And the male gods (Hermes and Hades) both wear neckties— except Hades loses his necktie in Act 2. This is possibly to demonstrate the fact that he is meant to be viewed more as a man than a god in this part of the show, as he is called a man many more times in the second half of the show than in the first. In Act 2, Hades calls himself an old man on multiple occasions, and Orpheus compares Hades to himself, saying that he is also “a man, in love with a woman.” The Fates also warn that he may be viewed as a “heartless man”, as they sing about the conflict between his human feelings and kingly duties in Word to the Wise. The shift in lyrics and the change in costuming are reflections of each other.
All in all, the details of the neckwear and what they symbolize are just absolutely fascinating to me, and it’s yet another demonstration of how incredibly well thought-out this show truly is.
More than "here in the Southern Hemisphere we have inverted seasons :)" thing, which is TECHNICALLY true, I would go a step further and encourage to think about that "much of the world does not exactly has a spring-summer-fall-winter season sequence as they show in cartoons"
I will scream about this to anyone who listens forever. AUSTRALIA DOES NOT HAVE "ENGLISH SEASONS BUT BACKWARDS" and the insistence that it does creates a massive layer of alienation from the natural world.
I never really realised how much difference it makes until I went to England and realised that here the change of seasons is an obvious, visible, physical change in the world. Like, everything REALLY IS orange and foggy in autumn! In spring there are flowers EVERYWHERE, so much more than any other season, and the trees really do have all blossom and no leaves. Even if it doesn't snow, in winter there's frost all the time and the trees are bare and the sky is visibly greyer all the time. You don't need to be told "this date is the first day of spring", you can SEE IT (although this is getting way messier and less precise due to climate change).
By contrast, most places in Australia the seasons we're taught feel like arbitrary categories - and is it any surprise considering they're colonial constructs? Orange-leaved autumn and blossom-covered spring is a cartoon stereotype with no relevance on a continent where ALL NATIVE TREES ARE EVERGREEN!! Snowy winters are a joke in the desert, and even sunny summers don't ring particularly true considering that much of the country is in the tropics, where summer means monsoons - not that I've ever seen the concept that WE HAVE A MONSOON SEASON taught at an Australian school.
Most Indigenous nations around Australia had six or more seasons, revolving around wet and dry times as much as hot and cold, and marked by the appearances of certain native animals and flowers. Schools need to start teaching the real seasons, and explaining that climate cycles are too complex to generalise globally, or else we will keep raising generations who view the natural world as hostile and unpredictable and climate predictions as generally irrelevent and frequently wrong - and I'm sure I don't need to spell out why that's a problem in the era of climate crisis.
i want to add that 40% of the world's population lives in the tropics, and the 4 season model just doesn't make much sense for a lot of places in there. usually it's just the wet season/monsoon season and the dry season. it's often hot year round.
the 4 season model as you and i know it is a european invention, though 4 season models aren't unique to europe! most notably china has the same type of season subdivision.
in general the way humans define seasons is largely subjective and varies across cultures. the one you were taught is not at all universal!
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amber gray was the absolute STAR of the hadestown proshot. i mean, they all killed it as per usual, but i really have to give her her flowers (no pun intended) for the acting decisions she made and how well they translated to screen. award her everything right now.
saw the hadestown proshot today, and all i have to say is AMBER. MF. GRAY. i don’t think y’all comprehend. she could have told the story with JUST her facial expressions. she was so scared for eurydice. so hopeful for orpheus. so angry with hades. and i gathered all of that JUST from her facial expressions. she makes every character she ever plays her own, and i absolutely love that.
something i’ve also come to understand after seeing the proshot is that persephone was not only scared for eurydice, but scared for herself. there were so many times she almost reached for eurydice or orpheus but stopped herself out of fear. so many times you could see her almost say something but stop herself before she could. and in the end, when she finally did stand up for her beliefs and for orpheus and eurydice, it didn’t fix things. it fell apart again. and she will do this again and again because they will sing it again and again.
persephone deserves so much better.
