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@sleepyvib-es
Sound on to hear the water running through pebbles

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HEY, WATCH IT!
drew this like two months ago and totally forgot to post it on tumblr I don’t really remember why i drew Annabeth in a volleyball au but here we are
I have never drawn Rachel sooo here :)
Sleepy little guy…

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Uptown Girls (2003) dir. Boaz Yakin
sometimes u headcanon a character as a sexuality but then also ship things that contradict that. sometimes you ship things you would NEVER EVER want in canon. this is because these things are fun and silly and not legally binding.
the thing about the fandom experience is that it becomes p clear that the art itself is very secondary to the experience of a community or in-group to a lot of ppl
what i mean with this ig is that there r ppl that seem to be way bigger fans of fandom than the thing itself
ntm this particular manifestation of this 💀
i wanna add, i dont think there is anything particularly wrong with this per say. ofc ppl r desperate to be a part of a community and use their hobbies as a vehicle to find similar likeminded individuals that share their interests. it can even be a necessary social space for many. it just really does shape the reality of it and how it all operates, and i just especially dislike when it turns these spaces meant for discussing a piece of art into high school parodies lol. and ofc, if ur main desire is to actually prioritize analysis of a text for what it is… well…
this came up now as a result of the silly “can you be a fan of a game that you’ve never played” discourse, and i do wonder how much different it is now, say, post covid for example, if it is meaningfully that
Glimmerati, Claudia Keep

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does anyone know how to go to sleep
i need to killl myself but like nonchalantly
i think where i feel the most different in perspective from the average person who enjoys doing Fandom stuff is that i don't particularly care for media that Would Be Good If It Were Good and almost nothing i make is ever coming from the desire to "fix" a canon. the deciding factor of whether or not i'm gonna like something in a fandomy way or just a regular way is completely unrelated to any Missed Potential and entirely hinges on how much i feel like i want to or am capable of filling in the gaps in a narrative or a characters' life that just didn't warrant getting any screentime in the source material. like when i think something had a bunch of potential but completely missed the mark in execution that's normally disappointing more than it is any kind of inspiring. the stuff that makes me want to Create the most fervently is stuff i think is good for real.
tangentially related to this is i think sometimes people are unfair or just kind of incorrect about stuff they perceive to be "missed potential" in fiction. like they see elements of characters/a story that could easily handle being elaborated upon because the author has done a good job making something deep and textured, but these elements ultimately are not the point of the story and spending too much time on them would bog down the pacing or otherwise complicate/overstuff the narrative. and instead of realizing that sometimes being left wanting more is a sign of good writing, they'll view it as the author Dropping or Forgetting something. like it's usually not a mistake when side characters are less developed than the core cast and their circumstances do not get the plot's full attention.
a fictional world that clearly has more stories in it other than the one you're seeing now is not necessarily missed potential, that may just be regular potential.
ZARA LARSSON Midnight Sun: Girls Trip
everything is changing and maybe that’s okay
as you get older you realise that anything that helps you stop feeling stuck is welcome even if it hurts at first

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Not a popular opinion on tumblr I know but I would argue character death is good for stories, actually, and often a death with long narrative consequences is much better use of a character than having them linger with no more important plot beats to hit.
Character death isn’t writers being mean to viewers or something characters don’t “deserve,” it’s an important part of narrative and plotting to give stories stakes and emotional beats. The work making you have an emotion is in fact the point, not something to avoid.
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