guided by voices - ugo rondinone (2000)

IRM

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Olivier Theyskens Spring 1999

ca. 1510-20

http://instagram.com/cvltfvck

Nicholas Alan Cope & Dustin Edward Arnold

María Evelia Marmolejo (Colombian, born 1958) Video stills from Anónimo 4 (Cuestiono que venir al mundo donde no hay beneficios ni tranquilidad para el recién nacido en una sociedad donde cada año, mueren 11 mil niños por hambre en América latina) / (Anonymous 4 [I question coming into world where there are no benefits or peace for newborns in a society where eleven thousand children starve to death in Latin America every year]), 1982

Joining a roster of politically active Latin American artists experimenting with performance art in the 1980s, Marmolejo’s works dealt largely with environmental issues, the role of women, and the concurrent political oppression in her native Colombia. Anónimo 3 (1982), for instance, was conceived as an atonement ritual in which she apologized to the Earth for years of pollution. The 15-minute performance in Valle del Cauca, Colombia, consisted of her covering her face with gauze and her body with surgical tape, then performing a vaginal wash over a toilet bowl in the center of a circular patch of earth. The fluids that fell to the ground were intended to re-fertilize the area.

Martin Kippenberger: Martin, Into the Corner, You Should Be Ashamed of Yourself

le lac sombre - the dark lake

Satánico pandemonium - Gilberto Martínez Solares - 1975 - Mexico

17th century

ARCHIVE.pdf: Archive Fashion Content for the World

Alice, Sweet Alice a.k.a. Communion (1976)