Ordo Mal-leus

What is NOT allowed?

Hate and bigotry of any kind — sexism, racism, transphobia, queerphobia, any other kinds of predjudice or being an indiscriminate asshole — all not allowed. 41st Millenium is a dark place, but in the here and now let's be civil to each other.

GenAI use — we're here to appreciate human* passion and creativity regardless of skill level

(*we do however welcome any friendly abhumans or xenos willing to take part in our event)

Character or ship bashing — have your fun and let others have theirs, we're here for good vibes.

Can I include Rogue Trader and Dark Heresy CRPG characters for this week?

We consider any work focusing heavily on Rogue Trader and Dark Heresy CRPGs by Owlcat to be outside scope of this event, however we understand that many original characters take on lives outside of the game's canon. Creations featuring original 40k women who may be Rogue Traders or DH Acolytes but focus on their lives, backstories, or futures outside of the Owlcat games or their relationships to the canon characters from these games are welcome in this event. Use your best judgement.

If you are primarily interested in canon Rogue Trader characters, we recommend you check out @rtwomenweek

How do the prompts work?

Each day (except the last) has two prompts: the source of origin or the faction for the woman you are creating for, and a general prompt. You can use either, or combine them if you wish. The prompts are intentionally broad — the goal is to inspire our participants and give them more creative opportunities, rather than limit them.

Are men/non-binary characters allowed?

The focus of the event is female characters in the 40k universe, and as such, your work for the event should center them. However, we do not limit who else can feature in your works! Many of the canon ladies have male colleagues/romantic partners/family members/comrades/bitter rivals/etc, and if you want to focus on one such relationship, you're more than welcome to. Same goes for your original characters.

Are genderbends/trans headcanons allowed?

You are free to include genderbent/transfem versions of canon male characters in your work as long as it centers a canon woman character or a female OC. (For example, f!Orikan/Vishani work qualifies for this event and so does an ungenderbent version, but f!Orikan/f!Trazyn does not.)

You are free to include original female characters from a canonically all-male faction. (For example if your work centers on an OC Novamarine from an AU where all Space Marines are women, or an OC Blood Angel who realises that she's a trans woman we will happily reblog it)

Of course, you are completely free to center your work on trans women characters, original, headcanoned or otherwise. Trans women are women.

Where else can I find you?

The event will be run on tumblr. Use #40kwomenweek to tag your post and/or mention this blog and we will reblog it. You can also add your work to the ao3 collection here. We will be monitoring the tag and the collection submissions for a week longer after the event ends to give you a little extra time as well.

How should I tag my work?

For us to find your post, you should tag with #40kwomenweek or @ our account

Additionally — we are only two people, and as such have not familiarised ourselves with every book/game/show/piece of lore out there. We are kindly asking you to include some information in the post with your work, so we can tag it correctly.

For canon characters: Full name, faction, source (Black Library publications, games, animation, other)

For OCs: Indicate that this is an OC and list the relevant faction

What about this thing that you haven't mentioned/considered?

What is NOT allowed?

Hate and bigotry of any kind — sexism, racism, transphobia, queerphobia, any other kinds of predjudice or being an indiscriminate asshole — all not allowed. 41st Millenium is a dark place, but in the here and now let's be civil to each other.

GenAI use — we're here to appreciate human* passion and creativity regardless of skill level

(*we do however welcome any friendly abhumans or xenos willing to take part in our event)

Character or ship bashing — have your fun and let others have theirs, we're here for good vibes.

Can I include Rogue Trader and Dark Heresy CRPG characters for this week?

We consider any work focusing heavily on Rogue Trader and Dark Heresy CRPGs by Owlcat to be outside scope of this event, however we understand that many original characters take on lives outside of the game's canon. Creations featuring original 40k women who may be Rogue Traders or DH Acolytes but focus on their lives, backstories, or futures outside of the Owlcat games or their relationships to the canon characters from these games are welcome in this event. Use your best judgement.

If you are primarily interested in canon Rogue Trader characters, we recommend you check out @rtwomenweek

How do the prompts work?

Each day (except the last) has two prompts: the source of origin or the faction for the woman you are creating for, and a general prompt. You can use either, or combine them if you wish. The prompts are intentionally broad — the goal is to inspire our participants and give them more creative opportunities, rather than limit them.

Are men/non-binary characters allowed?

The focus of the event is female characters in the 40k universe, and as such, your work for the event should center them. However, we do not limit who else can feature in your works! Many of the canon ladies have male colleagues/romantic partners/family members/comrades/bitter rivals/etc, and if you want to focus on one such relationship, you're more than welcome to. Same goes for your original characters.

Are genderbends/trans headcanons allowed?

You are free to include genderbent/transfem versions of canon male characters in your work as long as it centers a canon woman character or a female OC. (For example, f!Orikan/Vishani work qualifies for this event and so does an ungenderbent version, but f!Orikan/f!Trazyn does not.)

You are free to include original female characters from a canonically all-male faction. (For example if your work centers on an OC Novamarine from an AU where all Space Marines are women, or an OC Blood Angel who realises that she's a trans woman we will happily reblog it)

Of course, you are completely free to center your work on trans women characters, original, headcanoned or otherwise. Trans women are women.

Where else can I find you?

The event will be run on tumblr. Use #40kwomenweek to tag your post and/or mention this blog and we will reblog it. You can also add your work to the ao3 collection here. We will be monitoring the tag and the collection submissions for a week longer after the event ends to give you a little extra time as well.

How should I tag my work?

For us to find your post, you should tag with #40kwomenweek or @ our account

Additionally — we are only two people, and as such have not familiarised ourselves with every book/game/show/piece of lore out there. We are kindly asking you to include some information in the post with your work, so we can tag it correctly.

For canon characters: Full name, faction, source (Black Library publications, games, animation, other)

For OCs: Indicate that this is an OC and list the relevant faction

What about this thing that you haven't mentioned/considered?

there are two key dialogues to me between morrigan and wynne. the first is this one:

Wynne: I have been thinking about what you said, Morrigan. About the Circle. Morrigan: Allow me to leap to the supposition that you disagree. Wynne: Let us say that the Circle did not exist. What sort of a world would you envision for mages? Would you advocate a return to the days of the Imperium? Morrigan: I advocate nothing. Nature dictates that the strong survive, if they have the will. Wynne: So you prefer a life of hardship and fear, so long as you believe you aren't tethered and free to do as you wish. Morrigan: That is so. Wynne: But are you not here because your mother wished you to be? Morrigan: I could leave if I desired to. Wynne: Of course. It simply strikes me as odd that one who believes in such freedom has never spent any time alone and unprotected.

like it's not that wynne looks at morrigan and sees only a manipulative temptress bent on vaguely evil ends. this dialogue reads to me as tho she is fully capable of recognizing that morrigan is a) deeply naive and b) totally unprepared for the world that wynne believes eats up vulnerable young mages like her lost apprentice. i think there's also the implication here that wynne understands that flemeth is not a particularly good mother, and while she doesn't approve of killing flemeth, you can garner a whopping -5 disapproval, the highest of everyone, for letting flemeth go but telling morrigan that she's dead.

the second dialogue is this one:

Morrigan: I have spent time alone and unprotected. Wynne: I'm sorry, what? Morrigan: You said earlier that I had spent no time alone, I have. I left the wilds more than once when I was young to seek more of the world of men. Wynne: Did you return to the Wilds on your own? Or did your mother seek you out? Morrigan: She would never leave the Wilds. I returned on my own. The world of man… is dangerous. Wynne: And frightening, I imagine. Especially for someone ill-prepared for it. Morrigan: But the Circle is no place of safety. 'Tis a place of subjugation. Wynne: Is it? It is by no means perfect, I agree, but consider the alternative. At least other mages can understand our struggle. We can help each other. Morrigan: It is… something to consider, I suppose. Wynne: Well that's certainly something.

here, morrigan kind of accidentally admits that she was rattled by what wynne said to her, and while she's trying to assert her independence, what she's describing is neglect. wynne picks up on that. wynne had a community of mages who could understand her struggle. morrigan had flemeth, and flemeth let morrigan go out on her own 'ill-prepared'.

but when wynne talks to a morrigan-romancing warden, even tho morrigan's romance involves her getting extremely reluctant abt physical intimacy, wynne frames the relationship as she sees it as one where morrigan is constantly lusting after the warden — wynne says it's 'as though [morrigan] has completely forgotten there's anything of [the warden] above the waist.' and wynne also confronts morrigan about the romance:

Morrigan: You do not approve of me, do you? Wynne: You have to ask? I didn't realize I was being subtle. Morrigan: Ah, the old cat still has her claws, I see. And you also do not approve of my involvement with our stalwart Grey Warden. Wynne: You are dangerous, Morrigan. Dangerous, cunning and thoroughly deceitful. But you are beautiful, and he is young. It's a pity he doesn't know any better. Morrigan: Why, Wynne, I do believe that is the first time you have ever offered a compliment. Thank you. Wynne: Only you would take that as a compliment. Morrigan: Listen, old woman. what happens between myself and him is not your concern. You can approve or not approve as you wish, but this is one thing you cannot influence and mold to your liking. Wynne: So you say. I do hope that one day soon you will discover that neither is he. Morrigan: You mistake my intent, old cat. And you are a fool. Wynne: Am I? Well, let's hope so.

wynne was a young mage who was taken advantage of by someone w far more power than her, and it resulted in a tragedy. granted, not every warden is necessarily less vulnerable than morrigan, but every warden that has the capability to knock morrigan up will suffer none of the consequences of a pregnancy endured alone.

wynne can recognize that morrigan, for all her protestations, was ultimate a child w an inadequate protector — not unlike aneurin, whose fate she agonizes over even tho she's taking on more guilt than is necessary. but wynne connects morrigan's beauty w how dangerous wynne believes morrigan to be. morrigan at one point snipes that she 'is still young, beautiful, and my life is [her] own while [wynne is] bound to that circle', but it's clear that she feels her beauty gives her status. for wynne, it's a weapon in morrigan's arsenal.

the templar who knocked wynne up writes her an incredibly nasty letter that wynne keeps until her death. it reads:

it's a good thing we haven't spoken much since my return. anger put my mind in disarray and civility would have been damn near impossible. but it is time, and perhaps in writing, i can put into words what i find difficult to say in person. you told me you had no choice but to let them take him. tell that to yourself if you must; we both know it isn't true. you had a choice from the very start. from the moment you found out. but you withheld knowledge of my own son from me because you knew i would have found a way. you knew i would have given up the order for the both of you. so blame my love for the chantry, the templars, my vows, if it helps you live with it. maintain the fiction that you couldn't drag me down with you. pretend that you are the martyred party. i'll always know the truth: you chose your place in the circle over your own son. your belief that perfect obedience could win a mage the trust of the chantry was more precious to you than what we had. you decided to be helpless when you had a choice to fight. it wasn't your decision to make. he was mine, too. the chantry may have taken him, but you kept him from me.

and idk. i just think this is all connected.

wynne never finds out that morrigan was essentially groomed into becoming a vessel. she might have wanted an old god's power; she might have wanted some way of protecting herself from flemeth. it is nevertheless overwhelmingly clear that morrigan has zero positive associations with motherhood, and the fact that she manages to become a loving parent to kieran is always in spite of flemeth. she didn't want to be pregnant. flemeth sent her w the wardens so that she would get pregnant.

it's not rly clear why wynne kept the pregnancy if she was so concerned abt her 'place in the circle.' but she did! and it resulted in her child being forcibly taken from her by the ppl who groomed her into devastating compliance. motherhood is no less fraught for wynne than it is for morrigan.

wynne looks at the warden and morrigan and knows the consequences of reckless, ill-advised sex. but i think she's so filled w self-loathing over the circumstances of her own reckless, ill-advised sex that she can't bring herself to see that morrigan is still young and vulnerable — as she was when she was a child encountering a world she wasn't prepared for — even if wynne doesn't know the full extent of it. morrigan has to be the aggressor. morrigan has to be the liar. a male warden is simply too in the thrall of morrigan's beauty to have much agency from wynne's perspective.

if you romance alistair, she's primarily concerned that the warden is going to hurt him. he's 'inexperienced', as opposed to the warden, who can also be incredibly inexperienced??? she can even try to soften this by saying the warden won't mean to hurt alistair, but nevertheless 'there is great potential for tragedy here, for one or both of you.' and idk man it's kind of clear who she thinks will cause the tragedy and who will bear the brunt of the grief, and it's not your warden. this to me is esp raw when you consider that alistair has multiple crossroads where he can abandon the romance if not the warden altogether.

if you romance leliana as a woman, she's similarly concerned for leliana's wellbeing. tbh i don't know if there's a difference between this conversation when the warden is a man vs when the warden is a woman. i suspect, like other aspects of leliana's romance, that the f/f option was not given as much attention, presumably bc the assumption was that the player would romance leliana w a male warden.

here is where it gets particularly nasty for me: if a female warden romances zevran, wynne starts off by telling her that the sex is too loud, and then she tells her she 'questions the wisdom' of being in a relationship w someone like zevran, who is surely only in it for One Thing. like. the warden gets to stand there and listen to wynne find the most nauseatingly grandmotherly way to say, 'you're foolishly choosing to be an inconsiderate, naive slut, and that could have serious consequences for the rest of us, too.'

(grain of salt w all of this bc i rly do not know if there's different versions based on the warden's gender, but even if there aren't, it has SUCH a different tenor when wynne is speaking this way to a younger woman in a relationship with a man)

all of these conversations are ultimately leading to her primary concern, which is that love will distract the warden from their purpose. she tells the warden that love is 'selfish.' accordingly, when she later apologizes for overstepping, it's difficult for me to read it as an apology for how she spoke to the warden, mainly bc it isn't. she essentially tells the warden to enjoy while it lasts, bc it won't. sweet that it's happening, tho!