π Pulled up to the @moadsf last week with my people for EXECUTIVE ORDER, part of MoAD's LIMITLESS Film Series.
We walked through UNBOUND: Art, Blackness & the Universe first. The exhibition moves through three thematic clusters, earthly to astral, grounded to cosmic. Stood with Barkley L. Hendricks' Eclipse. Traced the gold serpent frame on Allison Janae Hamilton's Brilliant Sky. Sat with M. Carmen Lane's Mami Wata installation, an altar built from film, cloth, and ancestral memory.
Then the film. EXECUTIVE ORDER imagines a near future Brazil where a lawyer, played by @alfieenochofficial (Dean Thomas in the Harry Potter films, Wes Gibbins in How to Get Away with Murder), sues the government for reparations owed to descendants of enslaved Africans. Stayed for the conversation after with curator Cornelius Moore and UC Berkeley professor @saudadelight. Left with more questions than I walked in with. Usually a good sign.
Two more screenings before the series closes: π MAMI WATA β Thursday, July 23, 6-9pm at MoAD. C.J. "Fiery" Obasi's Sundance winning fable about the water deity worshipped across the diaspora. Conversation after with Cornelius Moore and UC Santa Barbara professor Jude Akudinobi. Free with museum admission. Register: https://www.moadsf.org/event/limitless-a-film-series-mami-wata
π BLKNWS: Terms & Conditions β Thursday, July 30, 6-9pm at SFMOMA. Kahlil Joseph spans 247 years of Black memory aboard an imagined transatlantic liner. Conversation after with Joseph and MoAD's Key Jo Lee. Tiered pricing, $0-$30. Tickets: https://www.moadsf.org/event/limitless-a-film-series-blknws-terms-conditions
If you're in the Bay, go sit with this work.












