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Stanley Kubrick. ‘Passengers reading in a subway car’, 1946

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gacougnol

Jean Roubier (1896-1981)

Abbaye royale de Chaalis

Oise ; Fontaine-Chaalis, 1930-1940

artdesfemmes

Art par Leonora Carrington

purge-chronicles

Michelle Pfeiffer 🤤🤤🤤

henk-heijmans

A heavy load: a Sioux woman carrying a heavy load of firewood on her back through the snow, ca. 1908 - by Edward S. Curtis (1868 - 1952), American

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lovesthe1980s

Michelle Pfeiffer

likemonalisa

Michelle Pfeiffer, 1991

photocall

beammeupplease

Pompeii

postcard-from-the-past

Grand Hotel des Thermes in Saint-Nectaire, Auvergne region of France

French vintage postcard

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smsomah

Cree; Saskatchewan, Canada, around 1930. Paul Coze

itsdeenlee

Giorgio de Chirico, The Disquieting Muses, 1917, oil on canvas

eirene

Royat (1900) Louis Trinquier-Trianon

citizenscreen

Count Basie and Duke Ellington work on their album ‘The Count Meets The Duke’ which was released in 1961.

7wo7rees

Count Basie and Duke Ellington work on their album ‘The Count Meets The Duke’, recorded July 6, 1961.

ce-sac-contient

Emportez-moi

❝ Emportez-moi dans une caravelle, Dans une vieille et douce caravelle, Dans l'étrave, ou si l'on veut, dans l'écume, Et perdez-moi, au loin, au loin.

Dans l'attelage d'un autre âge. Dans le velours trompeur de la neige. Dans l'haleine de quelques chiens réunis. Dans la troupe exténuée des feuilles mortes.

Emportez-moi sans me briser, dans les baisers, Dans les poitrines qui se soulèvent et respirent, Sur les tapis des paumes et leur sourire, Dans les corridors des os longs et des articulations.

Emportez-moi, ou plutôt enfouissez-moi. ❞

— Henri Michaux, La Nuit remue (1935)

Wim Delvoye - Rimowa Classic Flight Multiwheel 971.70.00.4, 2013

Embossed aluminum (74.5 x 52 x 26 cm)

Galerie Perrotin, Paris

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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lostfunzones

"The death of human empathy is one of the earliest and most telling signs of a culture about to fall into barbarism." - Hannah Arendt.

philosophybits

“No greater mistake can be made than to imagine that what has been written latest is always the more correct; that what is written later on is an improvement on what was written previously; and that every change means progress.”

— Arthur Schopenhauer, “On Authorship and Style”, Parerga and Paralipomena

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