A shot of Chinaco

Fascists are literally the dumbest people alive.

LOST MEDIA YOUTUBER: *in the same cadence you would issue a debriefing on a terrorist attack* Number 7. The Oonglydoomples. *scary transition sound to slowed down footage of a kids show with a crt filter over it* The Oonglydoomples was a kids show on Nick Jr that ran from 2001 to 2003 that was about Jake Oonglydoomple's adventures in the big city. Only one episode of it has ever surfaced online. We have tried to get into contact with the shows creator, Mark Wankencock, but we've had no luck. Maybe someday, we'll all oonglydoomp once again.

What You’ve Suspected Is True: Billionaires Are Not Like Us

And this is really true of any futuristic apocalypse scenario. If you can terraform Mars to have a thick oxygen atmosphere, why not just do that to Earth? Even if you smash an ice comet into Earth and destroy basically everything, Earth will still be more habitable than Mars! It'll still have roughly the right atmospheric pressure, and magnetic field, and heat balance, and it'll still have whatever life the comet didn't kill... Same with a starshade to cool Venus. Same with excavating asteroids into city-stations. Same with abandoning Sol System entirely and heading to another star. If an ark-ship arrived in a new star system and found Earth-but-choked-by-climate-change, the crew would be ecstatic. They would never have thought to get that lucky. So why bother with the trip? Just stay and fix the damn Earth.

The process is beginning

Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allie’s roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. “This night is for the straights,” Swindell’s character says to Allie, before saying that queer people have worked around straight laws for centuries.  This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). It’s also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, that’s not even thirty years ago.  By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They aren’t the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond “repeal” signs in various windows and some creative graffiti (...) (...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. That’s just warmed-over conservatism running around in sheep’s clothing.

the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.

im gonna fucking cry