VRASËSIMENDUR

we're being pushed these Meta Glasses as if mass surveillance of strangers is fun and normal! it's weird!!! there are already reports that people are using these to film women without them knowing and sharing it to communities who get off on this shit. who else knows who people are filming. these glasses with cameras are not obvious and that is dangerous.

mixed media for solo exhibition “Silent Emptiness” at Red Brick Museum, Beijing, China

— Nosferatu (2024), Bram Stoker’s Dracula (1992), The Return of the Vampire (1943), Horror of Dracula (1958), Dracula (1931), Nosferatu: A Symphony of Horror (1922), Nosferatu the Vampyre (1979)

“The end” by Maethawee Chiraphong on INPRNT

medusa, by  Zoe Lacchei.

Dongni Hou

STEIN MEHREN — Twenty Contemporary Norwegian Poets: A Bilingual Anthology [Ed. Terje Johanssen], transl. by Paul Farmer, (1984)