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@senator-mothman

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A neighbor called and said she saw a swarm on a fire hydrant so I grabbed my bucket and ran there as fast as I could. I dabbed some lemongrass oil on the bottom of it and they walked in. After about 5 minutes I just scooped the rest in and bam! Free bees!
I got the queen on the first scoop too though. Apparently she was a new one because she was piping in there really loudly. This is my first personal swarm catch so honestly Iām not sure if that was supposed to happen or not.
What other website am i going to see posts where the op talks about ābam! Free bees!ā
I feel this is an appropriate post to retell the time my dad got free bees (found an extra thrown swarm) but didnāt have any equipment to transport them, so he just grabbed the queen in a pint jar, let the other swarm into his Ford Escort, and drove down the highway to home with a swarm of bees loose in the car.
I would honestly die of delight to find someone who watched my dad (~72 white guy) driving down a major Illinois highway with a swarm of bees loose in the car just chillin.
Iām sorry, heās just like that.
Imagine getting pulled over by the cops and just turning to the bees like Sic em gang
The future is bulletproof.
The aftermath is secondary.
you can tell a lot about someone based on their phone background. it shows whatās most important to them
Reblog this and put what your phone background in the tags
no thatās gengar. gender is a game of skill that involves balancing wooden blocks
No thatās Jenga. Gender is when someone has pale skin and red hair
No, thatās ginger. Gender is a male goose
No, thatās a gander. Gender is evicting the lower class and renovating it to confide with middle class standards.
No, thatās gentrification. Gender is a high ranking military officer.
No, thatās general. Gender is the woman on the syrup bottle.
no, thatās aunt jemima. gender is a person who is not jewish.
No, thatās a gentile. Gender is manipulating boundaries to favor one party or class.
No, thatās gerrymandering. GenderĀ is a translucent, colorless, flavorless food ingredient, derived from collagen.
no, thatās gelatin. gender is a creature known for living in lamps and granting wishes, popularized by a disney movie
no, that's a genie. gender is the death of tissue from infection or lack of blood flow.

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Heathers, a Failure of an Adaption. A Personal Essay.
I want to start this post off by saying that I love Heathers in all its incarnations, the film AND both musical versions. Itās one of my favorite films, and itās easily in the top five of shows that I love. However, there are flaws in all media, regardless of what it is, and Iām here to discuss the flaws of one of my favorite franchises; more specifically, the failings of the musical adaptations.Ā
Now, there are four facets on which the musical fails as an adaptation, in my opinion, and while I would argue that only one of these issues is an actual problem in the story telling, the point still stands that, at its core, Heathers: The Musical is an adaptation and love letter to the indie film it derives its identity from, and thus, it owes it to the film to try and maintain some level of similarity to it. While I wouldnāt say it doesnāt do this, it can be argued as to just how effectively it does.
PART ONE: Tonal Dissonance
One of the most beloved aspects of the original film is its dreamy tone. Thereās something strangely poignant about how detached and uninterested in its conflict it can be. The use of a made of slang to prevent the film from becoming dated, the quiet moments, the way most of the major events happen with little fanfare, such as the Chandler/Veronica confrontation being in isolation, the repetition of the line about oregano (which DID show up in my dreams, thank you very much!), that weird as HELL dream about Heather Dukeās funeral; they all contribute to the otherworldly feeling that oozes from the whole film. All you need is to see an abrupt wide shot of J.D. firing blanks, or Duke sitting in the window sill to know that this movie is something truly special.Ā
Thereās something really subdued and subtle about certain events as well that simply isn't present in the musical; while the party in the musical is a rambunctious and flashy high school romp that ends in a massive conspiracy to prank Veronicaās best friend, the party in the movie is downplayed as just another get together, and one where Heather Chandler is in a rare position of vulnerability that we just donāt see in the musical at that; sheās the underdog, the one who has to prove herself, to the point that she is coerced into statutory rape with a college guy.
The ending also reflects a completely different idea than the film; in the movie, Veronica chooses to cease in engaging with the social hierarchy by hanging out with Martha, while in the musical, she boldly declares that everyone needs to be better to each other, a sentiment that is widely accepted by the school, who are likely exhausted at this point from all the drama. This cautious optimism is a welcome change, but for those who prefer the iconic imagery of Wynona Rider lighting her cigarette on the fallout of J.D.ās suicide-by-bomb and her walking off into the sunset with Martha admist a sea of uninterested, oblivious students, I can see why this change might sour the experience for you.
PART TWO: My Favorite Heather, Now In the Backseat
The next issue I take with the musical is a common complaint, and I will say that itās the only issue that poses an actual problem with the storytelling. That would be the handling of Heather Dukeās character arc, or lack thereof. Duke is easily one of the most interesting parts of the original film; her transformation from sympathetic victim of Heather Chandlerās harassment to queen-bee Chandler 2.0 is a dynamic and well thought out arc. However, this is reduced to approximately 2 scenes in Heathers: The Musical; one is when she claims Chandlerās scrunchy and declares herself new top bitch, and the other is when she discusses her involvement with Martha Dunstock with J.D. Any other appearance is, arguably, secondary to the struggles or presence of another character or played for laughs. Hell, Chandler has a stronger presence, and sheās DEAD for most of the show.Ā
What frustrates me about this is that certain iconic moments are transferred to other characters; her most famous line, where she responds to Veronicaās question about why sheās so cruel with ābecause I can beā, is instead given to a dream apparition of Chandler, albeit in a different context. Other aspects of her character, such as her donning Chandlerās signature reds in a show of her new place at the top of the food chain, are simply left out. And then...thereās THAT thing.
I will preface this by saying that I am white, and therefore you should all take my opinions with a grain of salt on this, but I find it extremely strange that a character who gets the shaft in favor of her fellow Heathers is also the only Heather to be traditionally played by a WOC. The OG Duke is Alice Lee, who is of Korean descent, and notable follow ups Kristolyn Lloyd, who replaced Lee off-Broadway, and TāShan Williams, of West End fame, are both black. Again, I am not a POC myself, so forgive me if I am out of line in commenting on this, but it leaves a bad taste in my mouth that they specifically cast WOC to play the Heather with the least amount of attention and likability, when the original Duke is white. I will not say that itās a bad thing for the creators to cast folks who are not white to play traditionally white characters; itās wonderful to offer representation like that. But choosing to relegate them to roles where they are almost set up to be seen as less than when compared with the other Heathers, who are traditionally white, seems extremely suspect to me ĀÆ\_(ć)_/ĀÆ
Luckily, this was remedied to a certain extent by the West End version (which is GREAT, yāall are just mean and hate things that are different), including a brand new song for Duke, a long overdue solo piece, āNever Shut Up Againā. This song, while certainly out of place in terms of style, certainly grew on me, and the inclusion of a reprise of āBig Funā was a clever perversion and parallel to a moment where Veronica receiving sexual attention from guys was a GOOD thing now being turned sour in the face of an ugly rumor. This number also offers the insight into Dukeās character that āBlue (Reprise)ā simply didnāt, and it also features my new favorite quick change in a musical (sorry Elsa!) when two chorus girls rip away her signature greens to reveal a red outfit similar to Chandlerā style. The song also gives Williams the chance to show off her vocals, which includes a raspy, vibrant belt that leaves me quaking tbh.
PART THREE: Meatheads One and Two; Predators Turned Comic Relief
The next issue I have with the musical, this time simply in terms of it being an adaptation, is Kurt and Ram. The Boys, as I will be referring to them as for simplicityās sake, are relegated to comic relief for most of the show. This isnāt a problem in my opinion; there has to be someone to ease the tension, and two idiot jocks seem like the perfect candidates. The issue, though, is in the execution.
āBlueā, while being a glorious display of comedy, was a mistake; even the creators admit that. In a post #MeToo world, there simply isnāt a place for a song that makes light of a potential sexual assault. Thereās an argument to be made that The Boys are mostly harmless here and that Veronica was never in any real danger to begin with; after all, sheās got Duke and McNamara accompanying her, though they offer no help, and The Boys are far too intoxicated to stay standing most of the time, much less try anything unsavory. They also mostly leave Veronica alone during all this, relatively speaking, circling her occasionally but otherwise keeping a reasonable distance; theyāre almost more focused on each other rather than her. The trill of Kurtās āhey āRonicaā and their slurred, less-than-clever quips come off as more pathetic than threatening, and by the end, theyāre happily sleeping in a pile on the ground after Veronica easily slips away. The next time she sees Duke and McNamera, she seems more angry that they tricked her rather than livid that she was put in danger. The spreading of a rumor involving a threesome with her also comes off as less mean-spirited than the film; in the film, I always got the vibe that there was a malicious intent with the rumor, like they wanted to punish her for rejecting them, while the off-Broadway version shows that itās mostly Duke who is using the rumor to embarrass Veronica, The Boys simply wanting to appear cool by having slept with a hot girl.Ā
The inclusion of a new song to replace Blue, āYouāre Welcomeā, is a nice change of pace; everything, from the inclusion of the subtle preemptive victim blaming Veronica for her own assault (āhow can you expect us to control ourselves when you look like that?ā) to the darker tone of the music makes for an appropriately uncomfortable experience. The song still allows itself to get goofy at times, such as The Boysā ridiculous beatboxing and Veronica side sweeping them into cow manure, but it offers insight into just how threatened Veronica feels throughout the ordeal. In āBlueā, she got maybe five entire lines, and she always seemed more annoyed than scared, but in this new number, she morosely reflects that sheās āa rat in a trapā, before deciding that sheās actually the bait. She also quickly takes inventory of all the factors in trying to escape, a feeling many women alone with a threatening man know all too well; she realizes that they have her keys, and she notes that trying to get to tree to climb it and wait until they get bored and leave wouldnāt work, as they would just catch her. She wonders about what moves from her self defense class would save her, and eventually she settles on not fighting or immediately fleeing at all, but rather āaccidentallyā knocking them over into manure so that she can get away. Her quick thinking saves her, but a less intelligent woman might not have been so lucky as to think of this; what if McNamera had been in her place? Would she have tried to get away immediately or fend them off? And what would they have done to her if that failed?
In āNever Shut Up Againā, they also make a point to invade Veronicaās personal space in a way they didnāt in āBlue: Repriseā. Again, they almost seem more focused on each other, lending validity to interpretation that, maybe, J.D. hadnāt missed the mark with the whole āgay forbidden loveā thing. They seem to really like being around each other more than they like getting girlsā attention, and their escapades often come off as performative and less genuine for it.
Thereās one line that really gets me, though; in āOur Love Is Godā, Kurt tries to apologize for calling J.D. Bo Diddley and seems confused as to why heās being hunted like this. Thereās almost an air of them being too stupid to understand why heās angry at them, which is a vibe that carries throughout the show. This line, however, is replaced in the West End version by him apologizing for spreading the rumor about Veronica sleeping with them, showing that Kurt is somewhat aware that what they did was objectively Horrible and feels no real remorse until heās held accountable by an unhinged J.D. It can be assumed that Ram would share this mentality, as they seem to be on an identical wavelength.
Ultimately, I actually prefer using The Boys as comic relief and playing them up as too stupid to fight the system that rewards them rather than enjoying their own cruelty and privledge outright, but thatās just because I have a soft spot for the way theyāre written in the off-Broadway show. In terms of adapting the film, the West End version is clearly superior, and it offers an interesting commentary on toxic masculinity and male entitlement.
PART FOUR: J.D...Psychopath or Misunderstood Rebel?
The last point I want to make is, yet again, not what I personally consider a problem, but instead a failing of the musical as an adaptation as opposed to a fault. And while Kurt and Ramās character changes can be overlooked, as theyāre pretty minor characters compared to the power players of the show, the bastardization of J.D.ās character simply cannot be.
Itās not clear if the musical wished to deviate from the movieās portrayal, or if they just REALLY missed the point That Badly, but either way, the J.D. we know and love to hate is gone. Thereās glimpses of him, such as a professionally filmed clip when Ryan McCartan hesitates following his final lines in āFreeze Your Brainā and seems to register that heās freaking Veronica out by showing his true colors, thus carefully reeling it in so as to not scare her off, and his unhinged screams of Veronicaās name in āMeant To Be Yoursā, which is again followed by an attempt to appear calm again, but otherwise, heās mostly played as deeply troubled and misunderstood rather than outright predatory. Pulling a gun on two bullies and firing blanks is now a fist fight where he isnāt the aggressor; trying to blow up the school comes off partially as an act of grief for losing Veronica rather than a strange, twisted form of vigilante justice. Gone is a forced kiss and grope; now he cradles Veronicaās face in his hands and reassures her when HEāS the one who got the shit beat out of him. And when he finds Veronica hanging, heās nearly driven to tears for the first time in the entire show, rather than revealing to her corpse that he intended to kill her when he came over if she didnāt agree to his insane plan to blow up their school.
Itās clear that musical J.D. worships Veronica, as he so eloquently claims in āOur Love Is Godā and āI Am Damagedā; after all, their love is God in his eyes. But the only God that movie J.D. worships is chaos.
PART FIVE: Conclusion
The important thing to remember is that Heathers: The Musical is a wonderful show; it has phenomenal music, wonderful acting, and a brilliant use of leitmotifs, such as āOur Love Is Godā in āI Say Noā and āBig Funā in āNever Shut Up Againā. But it simply doesnāt hold up in terms of being an adaptation. The tone is completely different, and the characters are changed, not always for the better.
how do i get a sfw sasuke big enough to oblitherate my entire dashboard
why did they have to specify sfw
ITS A REFERENCE
Mobile Users experience a long boi
do you love the color of the sasuke
ayy ayy new project
it's britney, bitch
this look was inspired by the amazing Ms. Gardenko from the iconic 2001 masterpiece Spy Kids
a bit lost in the sauce
Rapunzel got nothing in me but Francis of Assisi might
aaaahhh thid seemed way easier on pictures
all rite this could work
walk walk fashion baby
and they were roommates
oh my god they were roommates
I let them eat cake
guess it was time to get half-decent
I don't know if the corset is really necessary for the silhouette with my body but I sure look hot af in it and more like a proper lady tooš„
step aside kim k I'm the new white bitch with artifical curves
juuuuust a little more volume and a few layers before the actual dress
a few more lines of ruffles some bows a proper waistband and we're done with the first visible part of the dress
the next layer will finally be the dress
also this is like that always ad from like 10 years ago
we've got sleeves that actually fit :')
this might be the point when I have to start planning ahead and not just using the "fuck it this might work" method
and then I didn't
this almost looks like a dress
I still have no idea what I'm doing
it really bugged me so i altered the pocket hoops, got rid of the bottom petticoat and adjusted the top petticoat and the silhouette is like a thousand times better now
yeah so this thing on the back is called a sack back and yes this is funny bc balls
almost done, I even covered my nipples
I need shoes
these didn't came out the prettiest but this is the end of the sentence
I mean it already was a great look but some self awareness sure adds to the drama, don't you think darling?
A LEGEND, COMPLETED
It says a lot that so many people need to filter their worldview through child-orientedĀ fiction. Saying shit likeĀ āOf course Hermione is an intersectional feministā orĀ āSteven Universe is a great way to show how racism is evilā as a fucking adult is disgusting to me. It shows a disturbing unwillingness to engage with the very real human beings that are affected by social injustices.
Social, political, and cultural awareness digested only through fiction isnātĀ āwokenessā. It means youāre only willing to swallow the most palatable distillation of nuanced issues and also that you are unwilling to recognize the humanity of the people hurt by the issues you are supposedly so steadfastly against. If you love reading so much then fucking educate yourself, instead of comparing Trump and Voldemort in hopes of filling up that pathetic cracked shell you call an interior.Ā Ā
WHEW
i literally dont read fiction because of itās lack of ability to produce actual, radical change. sure it can inspire, but theory is theory until you yourself take fucking action and are willing to face where we are and whats going on infront of us with the actual people facing actual consequences to the infastructures in place on actual earth.
Same. I literally have never read any fiction in my life. If I see a fiction book, I just eat it. Once I broke into the Library of Congress to get a taste of the earliest copy of The Odyssey. If someone tells me about a good book they read and its not non-fiction I sock em right in the jaw. One time I went to my local library and saw a woman reading a Dr. Seuss book to her child. I immediately went into a fit of rage and started windmilling while screeching, knocking over bookshelves and computers from 1998. The librarians tried to stop me. They threw everything they could get their hands on at me. Unfortunately, the only books they had at hand were fiction and as fiction has no real effect the books bounced off my thick superior intellectual cranium. Eventually they resorted to throwing the children. I was knocked unconscious by an airborne toddler in peppa pig rainboots and held in the icu for 36 consecutive days. The only reason I regained consciousness is because someone started reading Charlottes Web outloud. I awoke with a squeal like a wounded hog, snapped the readers neck, and jumped out the third floor window suffering severe buttcheek lacerations. I am now wanted in every state but Ohio and New Jersey. It was worth it. If you read fiction not only are you sad but also weak. I will find you, flip you like a pancake, and rearrange your bones. If you want to be enlightened on the dangers of fiction/discuss non-fiction and are also a superior intellectual being, meet me behind the Whole Foods dumpster in north Albuquerque. Please bring with you some tasteful literature like an autobiography or encyclopedia of root vegetables. I am waiting
Holy shit, Platoās RepublicĀ has made a comeback! No more fiction, gangāitās lacking in the proper moral instruction! Itās fantastical rubbish! This post is a good example of how some progressives have become rigid puritans. I guess it was just a matter of time before hot takes likeĀ āallegories for oppression in fiction are badā andĀ āfiction that doesnāt teach the proper moral messages is badā toĀ āfiction and fiction readers are bad.ā And before you start defending this post as only talking about people who only engage with social justice issues through fiction and not real life, I would just like to point out that a) fiction is a great way to introduce these ideas to people new to them and b) many people who engage in this discourse are themselves oppressed and are excited about seeing themselves represented. Anyway, what bitter stick-in-the-mud people.
i made a quiz find out how rancid you are and leave your results in the tags
crying laughing so far thank you all
UNMATCHED ACCURACY

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Tag yourself Iām 5
The whole Percy storyline in GoF really gets me now that Iām older because the kid is 18. Heāsā¦an infant, and he talks like heās just So Much Older, and heās DOING things that a kid straight out of school should not be handling.Ā
Which when youāre young, youāre like,Ā āwhat a toolā but now I feel likeā¦how are Arthur and Molly not having sirens going off in their minds as Percy is like,Ā āoh yeah Mr. Crouch put ME in charge of everything!āĀ
Howā¦is no one?? Concerned??? And if they are concerned, why arenāt they DOING anything?Ā
I donāt think this year gets the credit it deserves in setting the stage for everything else that happens with Percy the whole series. The Ministry lets Percy flounder and fake this whole year, basicallyāand then tries to throw HIM under the bus for it, if I remember correctly. Because heĀ āshould have noticedā (because entry-level assistants are SO trained and paid to likeā¦investigate whether their bosses are having mental breakdowns okay sure sure sure).Ā
Heās already been taken down a peg and kind of saved by Fudge. And THATāS when his dad wants to tell him something might be up and he has to rethink everything?Ā
Itās too late. The intervention, the discussionsā¦they should have been happening now. Right now, as Percy starts finding himself in WAY over his head for CLEARly suspicious reasons, and he isnāt noticing. Because heās too excited and too proud and too self-involvedā¦and too YOUNG to have a frame of reference for whatās happening and how utterly abnormal it is.
Someone needed to step in HERE. Not when their feet are to the fire six months from now.Ā
They lose Percy in Goblet of Fire, make no mistake.Ā
They lost Percy before Goblet of Fire.
I donāt have the age spreads in front of me, but since Iāve been on the Percy Weasley Defense Train since GOF was published, Imma just do some handwaving.
Percy is to all intents and purposes, both the middle kid and the oldest kid, with the worse parts of both. During the war, heās at home. By the time Voldemortās defeated, the twins and Ron both exist. Percy is old enough to have taken to heart all the stuff they had to do during the war. He was responsible. He was also a child. Everything gets internalized.
Percy the Perfect Prefect is in reaction to everything that happened when he was a kid. And the twins make fun of him for it constantly, but they donāt remember the war, they donāt remember what itās like, they donāt know.
And nobody takes Percy seriously. Heās the good kid, who gets good grades, so heās ignored in favor of the twins who suck up all the attention in the room. He gets good grades, but heās not spectacular, he doesnāt play quidditch, so he canāt distinguish himself when it comes to Bill and Charlie. He doesnāt have charisma. He doesnāt have talent. What he does have is thrumming in his head, the first lesson he had to learn: if you obey the rules, nothing bad will happen. And what are the rules? What your parents tell you. What authority tells you. Do what they tell you. Or bad things happen and itās your fault.
Also: non-standard cauldron thickness actually is an important thing. Itās basic safety considering potions is a major part of the magical world. But itās Percy in a nutshell: itās important, itās vital, itās also boring and so is subject to mockery because no one cares.
That Percy is mocked for caring about cauldron bottom regulations is pretty much of a piece with Binns and thus his subject being a useless joke, even as āstuff from the pastā drives so much of the plot, and yeah, all this. I hadnāt really thought about how heād have been just old enough to be directly affected by the first Voldemort War.
Plus, considering the age gaps weāre shown (as opposed to Rowlingās later attempt to claim Charlieās only three years older than Percy and had just graduated the year before Harry starts, despite that making several Quidditch-related conversations and motivations in book 1 nonsense) Percy was the eldest child at home for most of the year for several years that his (recently bereaved) mother spent coping with two infants and toddler Fred and George.
Two infants and twin toddlers would be bad enough without the toddlers being Born Terrors. Molly absolutely relied on Percy to take on responsibilities above his age and lavished praise on him for it, and had a hard time making time for him otherwise except for necessary homeschooling. His chief positive personality traits were āhelpful,ā āstudious,ā and ānever any trouble.ā
Then he goes to school and thatās whatās chiefly rewarded there, too, and they tell him this makes him āvery grown up.ā And then he goes into the actual grown-up world, and it looks like itās rewarded there too, except for the ways it isnāt, and suddenly his parents are withdrawing their support (which as op points out was always moral rather than practical) and itās not him who changed, itās them.
And he doesnāt have any tools to manage this, either, because the only skillset heās ever learned for coping with trouble is Being Good.
Also everything about his interactions with Fred and George should be interpreted through the lens of the fact that when he was five he was probably already responsible for keeping them from escaping the garden and feeding them peas.
The first Voldemort war was also very much comparable to the Blitz, and if you look at other films/books/shows/real life that show children during that time frame youāll see that Percy (and to be honest Bill and Charlie) are pretty much identical in behavior sets to what we see there.
Percy was a good, straight-laced, studious and BORING kid⦠whoās parents were far FAR more heavily involved in the war than most⦠which adds a level of danger andĀ ādonāt be seen, donāt be heard, donāt be noticed⦠breaking the rules means horrible things happen to you, your parents and the kids you protectā to everything about Percy and how he thinks, acts, and so on.
He also was too young (in his parents mind) to be told the truth about the war and the Phoenix stuff and so on (and related to that⦠Bill and Charlie WERE old enough and in a way that messed them up too.Ā Thereās a REASON both went for crazy dangerous andĀ āheroicā careers and the three āeldestā are held to a higher standard than the younger four)
Percy just gets a lot of flak, but to be honest I really like him and I wish heād gotten more IN BOOK credit and got less hate from the fan base
@deadcatwithaflamethrower figured this might interest you?
fellas is it gay to declare your devotion for the rebellion youāve never believed in just so you can die beside your homie
ITS APRIL 13 YOU KNOW WHAT THAT MEANS
FETCH ME NEIL
YEAR OF THE RAT
This is an amusement park where every family, no matter what their needs, can have fun.
Sesame Place is the worldās first theme park to be designated as a Certified Autism Center. In addition to creating a sensory guide ranking each ride and establishing quiet rooms, staff members have undergone extensive training to help meet the needs of children on the spectrum.
āThey treat each and every child here with such respect and so much love,ā said the grandfather of Eric, a 14-year-old who is diagnosed with Autism. Eric and his Pop Pop have been visiting Sesame Place together for 10 years.
āI canāt possibly explain to you what it means to a special needs family,ā his Pop Pop told NBC Nightly News.

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When I first came upon this show when it first came out, I didnāt know what to expect but I knew that I would enjoy it. And I did. It was truly a unforgettable and amazing adventure these wonderful characters had and myself. And despite it being just a show, I truly believe it made a difference, it made a change in not only my life but in many many others.
I am going to miss this show and the unbelievable journey it included. Thank you to all the people involved in making this a reality. Thank you to the all voice actors for giving the show and characters life. And thank you Rebecca Sugar. You have made a incredible and beautiful masterpiece that I will never forget. Whatever plans you have in the future, Iām here for it. Thank you for making Steven Universe a reality!
We will always believe in you Steven!!āļø
Your three most recent emojis are your main personality traits