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// this blogs content is mostly 18+ // minors please don’t interact // ageless blogs will be blocked //
masterlist // comfort character letters // daisy’s library // asks are open

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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PASS THE SALT, MR MILLER
Pairing: Joel Miller x Female!Reader - No Outbreak Rating: 18+ | W/C: 4.5k
Summary: Joel finds out the hard way that leaving a pretty girl with blue-balls isn’t the smartest.
Or, Joel fucks you in his garage.
Tags: christmas-y vibes, fucking on Joel’s car, implied age gap,unprotected p in v, grumpy!joel, lots of yearning, squirting, sexual games, brat taming, outdoor sex, creampie
A/N: merry christmas folks! tbh this is just a game of how many fics can I write that has to do with (a) joel's truck or (b) joel yearning. side note, looped Disease - Lady Gaga track on repeat while writing this oops
MASTERLIST | MAIN STORY
Holidays have never really been something you celebrated. Fuck it, your own birthday even. It just wasn’t a priority you considered worth fussing over. Admittedly, your lack of enthusiasm for these events was probably why you ended up avoiding them. You would do the most for the people you loved but never for yourself.
Take Halloween for example. Your friends from Columbia were begging you for a slutty girls' night out, but you’d opted to stay home to help chaperone your younger brother Oscar’s party. Even so far as to set everything up, you’d made sure Oscar had a shot at being the coolest damn guy in his school. Fret not, jobless big sis is there to help ya.
Of course, it hadn’t gone unrewarded, to put it loosely. All that really happened was some broody hot middle-aged dad jerking off in front of your face. Nothing out of the ordinary.
Pump - A Javier Peña One Shot
Summary: A man starts coming into the gym where you work, and you find you can't keep your eyes off him when he starts to pump...
Pairing: Javier Peña x GN!Reader (No name, defined sex or physical description of reader. It’s you, bub.)
Word Count: 2.6k
Scoville Smut Rating:🌶️ “Don't hurt me, cadejo."
Check out my Scoville Smut Ratings here.
Warnings/Triggers: PWP/Javi wearing the tiniest satin shorts ever made/cock outline/possible peek of a ball/very pervy thoughts over a very sweaty Javi 🥵
NSFW. MINORS DNI! OVER 18’s ONLY. YOU ARE SOLELY RESPONSIBLE FOR WHAT YOU READ.☝🏻Don’t come at me; you’ve been plenty warned.
I write for me, and I share with you. If this story isn't to your taste, that's fine. Just slip quietly out the back door. No need to make a fuss. It's just a work of fiction.
Author’s Note: I saw this amazing fanart today of Javi, and the thots just thotted the fuck out of me... 🫠
MAIN MASTERLIST | JAVIER PEÑA MASTERLIST
Enjoy! 🖤
✨Run Rabbit✨
A/N: This idea literally came out of nowhere today, so I had to hurry and write it real quick! This idea is based off the song “Run, Rabbit Run!” by Flanagan and Allen. The song would not leave my head, and then I got this image of Joel chasing reader through an abandoned mansion. This one is a tad bit dark, but I hope you enjoy! If you liked this work, please think of reblogging and leaving me comments 🩷 Thank you to @ozarkthedog for being my beta 🥰
Summary: At the beginning of every month, you meet Joel to play a little game of hide and seek at the abandoned mansion near Jackson. It’s not just any game of hide and seek though. It’s dark and it’s twisted. If he catches you, he gets to do whatever he wants with you.
Pairing: Dom! Joel x fem! reader
Rating: Explicit (18+ ONLY MDNI)
Word Count: 4.1k
Tags: Possessive Joel, hide and seek, cat and mouse, Joel chases reader until he finds her, Jackson! Joel, outbreak! Joel, smut, fingering, oral, unprotected p in v, cream pie, dirty talk
Dividers by @saradika-graphics
The air is suffocating, the black walls are covered in regret and years of cigarette stench. The dim lights seem to shine down on you like a spotlight as you run as fast as you can through the lavish house. You can hear him calling you, stalking you in the dark shadows like a starving dog hunting to devour fresh meat.
“Can’t run from me forever, darlin’. You keep on runnin’, but I’ll eventually find you,” he chuckles as his deep voice reverberates around the echoing halls.
Tips for writing black characters
Day-to-day practical and minor stuff, specially regarding hair
If you have curly/afro hair then you are only going to need to wash it one or twice a week
But it can take a while. When I had long hair it used to take me 2h in the bathroom to properly wash it. That's why I only did it once a week. But it really will depend of the thickness and lenght of their hair.
It can be a little harder to find products for their hair, because straight/wavy hair products don't work on ours
If you wash curly hair many times a week it will eventually lose its nutrients, differently from straigh hair
If your character originally had curly hair but straightened it, it's probably going to look a little drier than naturally straight hair. it's a case-case scenario, though
If they have a skin care routine or want one they'll also need products made specifically for black skin
Your character is not immune to sunburns. It's harder to see if it gets red depending on how dark their skin is, but it's there. The more melanin they have, the more protected from the sun they are, but it's not gonna 100% prevent them from getting sunburnt.
Oh, and it can be pretty hard to dye it because first, if your hair is very dark, you have to decolor it, and depending on how black it is it can take a while and a few tries to get in a tone good for dying.
If they have long hair they're probably going to take a while combing it because you have to apply the hair cream lock by lock
They may have a haircare routine every month or so. Not everybody does it but if your character is disciplined and wants their hair to be extra healthy and neat they'll probably have one
If they care a lot about their appearence they'll probably have a lot of hair brushes of different types because depending on your brush you can comb it in a variety of ways, making your hair look fuller, making the curls look defined, etc.

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prompts from Ready, Set, Novel! A Writer's Workbook by Chris Baty, Lindsey Grant, and Tavia Stewart Streit from the National Novel Writing Month
Have each character retell their first memory.
Write your opening scene from the point of view of a supporting character.
Write a scene of dialogue between your main character and a younger version of themself.
Describe the worst thing that ever happened to your villain.
Flash forward twenty years into the future and write a scene that involves at least three of your characters.
Have your characters share tales of their first kisses.
Write about the last five things your main character bought and why they bought them.
Write a scene in which your protagonist and villain get drunk together.
Lock a few of your characters in a broken elevator.
People rarely get sick in novels. Have your protagonist come down with something.
Write a thank-you card from your protagonist to their sidekick.
Relate the dream your villain had last night.
Your protagonist's mother is interviewed for the local newspaper about her child's achievements. Write that article.
Add a scene in which your character loses something very valuable.
Write a week's worth of Facebook posts from a supporting character. Take it a step further and add comments made by their friends... and enemies.
Have your villain bust out their high school yearbook. Write some of the notes they find in it.
Have your character recount a (hilarious) childhood trauma.
Write a scene describing how your main character's parents met.
Does your main character collect anything? Maybe they should. Describe their collection and why they started it.
Write a really cheesy love song that your main character will sing to their love interest.
Describe the worst thing your main character ever did.
Write a scene in which your main character and the villain have to work together, and explain why.
Send your protagonist to a psychic. What do they find out?
Write a description of your setting in the style of a travel brochure.
Deprive a character of sleep for three days and write about how it affects them.
Read "Today's Featured Article" on Wikipedia and integrate something you learn into your novel.
Your main character finds a genie in a bottle. What three wishes do they make?
Place a few characters in a karaoke bar. Describe the scene and what songs they choose to sing.
Have a character win a huge prize out of the blue. How do they react when they get the news?
Your villain houses a dinner party. What's on the menu? Who is invited?
Write a 200-word newspaper obituary for your villain.
tips for setting the scene
it’s easy to get caught up in dialogue or a character’s internal dialogue and forget altogether that they, too, exist in their own physical world. as authors, it’s primarily our job to convey the exact amount of information: the reader is on a need to know basis, but they also need to know enough to draw their own conclusions. i’ll admit, it’s a difficult task, but here are some tips to help set a scene:
- imagine the world from the eyes of your character: how do they see things? do they see the big picture first or are they drawn to smaller details that others don’t often notice? what’s pulling their attention away from the action or their own thoughts?
- breathe life into your scenes: i don’t mean the english teacher’s equivalent of “the curtains were blue means that the character is sad.” i’m talking about the blue filter in Twilight that conveys the “constant cover of clouds and rain” and the shift from the Arizona desert to the cool Pacific Northwest. think about all the small details that convey information about a scene and allow the readers to make inferences. if the character walks along a street and the yards shift from overgrown hedges with frayed yard chairs and a birdbath containing a mini swamp to yards with freshly cut grass with white picket fences and ornate wreathes hanging on the doors, you’re providing all of the details for readers to make an inference. context is needed, too, but that will be provided in the whole of your novel or short story. don’t be afraid to provide details and use figurative language.
- spread out your details: did you feel bombarded in the last tip? i provided a lot of details quickly, all at once, without spreading them between action, dialogue, or internal dialogue. i’m not going to stop you from being the next J.R.R. Tolkien if that’s how you like to write, but try not to overwhelm the reader with details all at once. it will feel more natural if you spread things out and allow the reader to feel as if they, too, are with the character in their environment. this is more of a stylistic tip, so take it with a grain of salt and think about what will work best for your novel. always go back to that and to what your character is seeing. how is this all playing out for them? how can you put feeling into the scene?
- place your characters within the scene: where are they in their environment? how are they interacting with the people or objects in it? what do they think about these things? you don’t need to tell the reader everything your character does, but provide enough information so that we don’t get lost in their movement or stagnation. it helps to have someone else read your work if you’re struggling with this part. if they’re lost as to where the character is or what they’re doing, chances are a good portion of your readers will be confused, too. check out your prepositions. are there too many? too few? use them, but don’t abuse them.
happy writing! if you need help setting a scene or have any questions, our ask box is always open!
How To Write And Create A Subplot
A subplot is an essential aspect of any book. It helps drive your story forward and hook your readers in with a compelling narrative. A good subplot raises the stakes for the main character by introducing side characters, creating plot twists, adding another dimension to the story or revealing information from the past or future.
However, if executed incorrectly subplots can overshadow your main plot and deviate from the heart of your story. Unsure how to create and execute a subplot? Here are some helpful tips to get you started!
A very detailed character biography to help build characters. I found the original template HERE and edited it to make it more suitable for the characters I'm creating, and also to add some more details, such as a mental illness checklist section to use for myself to reference (because it helps to know what's wrong with your characters) and other details. You may not need so many minor details for a character, but you never know if you'll end up needing an explanation for something. I'll be using this template myself so I figured I'd share it in case it could help others too. I have edited it to better suit my own medieval fantasy characters, so I'm not sure how well it will work with other genres. Enjoy. ♡
☆Trigger Warning - Sensitive Mental Health Topics☆
Character 1
• Character’s full name:
• Reason or meaning of name:
• Character’s nickname:
• Reason for nickname:
• Character’s titles & what they mean:
• Birth date/season:
Physical appearance
• Age:
• Appears how old:
• Race:
• Gender:
how to write relatable characters
writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:
- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:
what skills do they lack? what do they struggle with?
can their strengths be turned against them as a weakness?
what makes them react emotionally or impulsively?
are they aware of their flaws? if so, do they want to improve them or change them?
- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:
how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?
what skills do they have that hardly anyone else has?
what obscure thing are they obsessed with?
do they have a unique outlook on life compared to their peers?
- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:
how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?
what, if anything, will change or shatter their values?
are their actual values misaligned with their believed values?
- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:
how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?
why does the overarching stake matter to my character? why do they care?
how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?
- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:
what does connection mean to my character? how do they show how they value their connections or relationships?
how does my character’s behavior change when around different connections?
what connections define my character and their reality? how will these connections influence my character and/or the plot?
how will removing or challenging a connection change, influence, or motivate my character?
a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.
you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.
happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.

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Some quick tips for writing sexual tension in your novel:
1. Establish strong chemistry: Develop the characters' attraction to each other through meaningful interactions, shared interests, or a deep emotional connection. Their chemistry will lay the foundation for the sexual tension to build upon.
2. Use body language and non-verbal cues: Describe subtle gestures, lingering glances, or the way their bodies react in each other's presence. These non-verbal cues can heighten the tension and create a sense of anticipation.
3. Utilize dialogue: Employ flirty banter, double entendres, or suggestive remarks to create verbal sparring between characters. Clever wordplay can add layers of subtext and amplify the sexual tension.
4. Slow down the pace: Build tension by slowing down the pacing of scenes involving the characters. Emphasize their awareness of each other, the anticipation of physical contact, and the longing that grows with every passing moment.
5. Explore internal thoughts and desires: Give readers insight into the characters' internal dialogue, their secret desires, and the fantasies they have about each other. This adds depth and intensifies the sexual tension.
6. Employ the power of touch: Describe the impact of a brief brush of hands, accidental contact, or the lingering sensation left by a gentle touch. These tactile sensations can evoke a heightened sense of awareness and anticipation.
7. Create obstacles and conflicts: Introduce obstacles or conflicts that prevent the characters from acting upon their desires. These challenges can fuel the sexual tension, making the eventual release even more satisfying for both the characters and the readers.
8. Use sensory details: Engage the readers' senses by describing scents, sounds, or textures associated with the characters' proximity or potential intimacy. Sensory details can intensify the atmosphere and enhance the readers' experience of the sexual tension.
9. Play with power dynamics: Explore power dynamics between characters, such as a power imbalance or a push-pull dynamic. This can create a magnetic pull and increase the sexual tension as the characters navigate their desires and boundaries.
10. Employ the element of surprise: Introduce unexpected moments or situations that catch the characters off guard and heighten the sexual tension. These surprises can lead to spontaneous or forbidden encounters, increasing the anticipation and desire.
Remember to balance the sexual tension with the overall tone and genre of your novel, ensuring it aligns with your intended audience and fits organically within the story. With these tips, you'll be able to craft captivating scenes that sizzle with sexual tension, leaving readers eagerly turning the pages for more.
Happy writing!
my fave romance prompts
back hugs
forehead to forehead
never yells
KISSING IN THE RAIN
neck kisses
kisses ur scars
*holds your waist all the time*
LOTS OF SEXUAL TENSION
waking up to them cooking breakfast for you
"my love"
would take a bullet/arrow for you (will voluntarily use their body as shield)
trains you hand to hand combat/self defense
eye contact w/ sexual tension
takes you to their favorite secret place/spot (and they have never shown it to anyone before aside from u)
*towers over u*
borrowing their clothes !!
sexual tension to the point where u see their hormones coming out
plays with ur hair / massages ur head until u fall asleep
kissing ur hand
them being the one to put on the necklace they gave u
leans in for a small kiss, pulls away, and then turning into a full blown make out session
*will carry you if you're injured*
SHARING ONE BED
subtle touches w/ sexual tension
comforts you with your night terrors/nightmares
takes care of u if have fever/sickness
confesses their love while you're asleep
"let's fix this"
did i mention sexual tension?
PEDRO PASCAL as JOEL MILLER The Last of Us - "Long, Long Time"
oh to see his smile again
Pedro Pascal as Javier Peña Narcos S01E02

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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18+ mdni
Older Joel Miller would be the type to hold you by the back of the neck and tilt your head down to make you watch while he fucked you.
A heavy hand keeps you trapped while fingers prod at the sensitive tendons under your skin, forcing you to watch every devastating thrust as he buries his cock between your soaked folds.
“Look how wet you’re gettin’.” He’d brazenly drawl while eyeing your messy thighs and the syrupy slick that stains a creamy ring around his girth. He’d grind your pelvis, torturing your clit with the damp, wiry hairs that litter the base of his cock. “Suckin’ me right in.”
He’d hook his free hand under your jaw, content with your submission when your eyes go glossy and dumb, and tip your ragdoll head until he’s penetrating your soul with a hooded, possessive stare.
“Got you right where I want you.” He’d mock as a dark smirk tugs at his lips. His ominous tone slithers around your heart, and it makes your cunt anxiously clench. “You’re gonna be achin’ for days.”
STOP IT OZZIE I PHYSICALLY CANNOT TAKE THIS TONIGHT 😭😭😵💫😵💫😵💫😩
yeah, I know.