
oozey mess


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EXPECTATIONS
art blog(derogatory)

bliss lane
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Lint Roller? I Barely Know Her
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Kiana Khansmith
2025 on Tumblr: Trends That Defined the Year

Game Changer & Make Some Noise



Love Begins
Noah Kahan
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@sawthatmountainburn

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I saw a post that I thought was fairly insightful, that suggested trans men are comfortable identifying as lesbians because it is a discrete word and if we did not have that word but simply called gay women gay women as we do gay men, they'd probably not do it, but the word adds a layer of distance or obfuscation. it posed the inverse as well, that you don't see trans women going around calling themselves gay men, precisely because it's degendering.
But, well, I've been around enough trans women to know that plenty of them do indeed call themselves faggots, queens and twinks quite often, without a sense that they are degendering themselves. I mean frankly this is a fairly trivial observation to make.
so rather than the original point it was making, which was a rather pointed observation about the ability of trans men to degender themselves without degendering themselves because of the nature of the English vocabulary for the community, I think the point is more that language in general can be used not only to circumscribe reality but to create a zone of ambiguity, obfuscation and transient meaning, through which people can and do swim both generally and specifically when constructing and communicating their identity.
Grilled Lemon Chicken Flatbread Wraps
Really nice recipes. Every hour.
Show me what you cooked!
Oh yeah here's another place from my work place
It's stairs that no one uses
was just thinking about how a lot of people (incl. me) used to picture "the black market" as like an evil open air market and then remembered Beastars just did that unironically. like it's a physical place you can go to.

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unaligned (2016)
fanart
"Hands That Never Touch" by kojiro
Howard Buehler Collection: Misc Family Photos 50s-80s

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「絡み合う」/「よむ」のイラスト [pixiv]
Memory of an Oak I Never Saw, Georg Wilson
20x25.5cm, oil on panel, 2024
Cumbia dancers at the Barranquilla carnival of Colombia
A highly rhythmic style of music whose origins lie in a West African, 19th-century slave dance, Colombian cumbia is considered to be the mother of most dance music from northern South America. It embraces the area’s Native American, African, and European influences
The term “cumbia" comes from the Mandingo word cumbe. The cumbe originated in Guinea in the Bata zone of Africa, where it was performed by workers on banana plantations using traditional percussion and cane flutes. Holding candles, the workers danced to the slow beat of the music. (The shuffling step supposedly originated in the attempts of slaves to dance while wearing leg irons.) Also known as the cumbiamba, the dance was introduced into Colombia during slave times by the blacks living on the Atlantic (Caribbean) coast. During the colonial period, the cumbia was found primarily within the provinces of Cartagena and Santa Marta, and the valleys of Sinu and Magdalena. Over the years, European and Native American influences changed the cumbia, transforming it into a mixed cultural tradition. Between 1940 and 1950, local bands decided to increase the tempo of the traditional cumbia, and by the 1960s it had become a popular dance music throughout northern South America.
Characterized by a compulsive, irresistible backbeat, the cumbia combines European melodies, African rhythms, and Native American harmonic components.
Photographer: Jairo Alberto Castilla Bedoya
shreenidhi_sarvotham

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Fred Herzog - Deux hommes dans le brouillard, 1958.
Art by Ron Pointon 🌙