Jules of Nature
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Not today Justin
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occasionally subtle
"I'm Dorothy Gale from Kansas"
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#extradirty

tannertan36

shark vs the universe
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@sawthatmountainburn

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Michael Olise ✨ of France against Irak [score : 🇫🇷 3-0] | world cup '26
every single conversation abt ip on here devolves into a bunch of people being really anxious that someone is going to take away their hypothetical income from them for their creativity and like, that is already happening. that is literally happening. how do you think publishers like penguin, harper collins, macmillan et al got big and stay big? how do you think publishers like elsevier et al maintain such a stranglehold and charge such amounts? do you even know how individual IP rights operate these days, especially when you're licensing them to a company? have you read a contract ever in your life? have you had to work on preparing a contract ever in your life? do you think your much vaunted, precious authors have the rights to reprint their books whenever if they realise their publishers are fucking them over? don't make me fucking laugh. at the very least please pull your heads out of your asses and read helen dewitt's extensive chronicling of her run-ins with the publishing industry as is. god knows you can pick up the biography or collected/published letters of almost any author* across time and encounter a section with their run-ins and struggles with their publishers, either because they're not being given enough royalties, or because they're writing to contract and need to give their publishers a book by a specific deadline, or a specific kind of book, even when circumstances & health issues are conspiring against them. do you think copyright gives them any control over their lives, or any sort of creative control? don't be so naive - and nevermind the fact that it is basically impossible to have a career in writing these days and that the rare few who do are writing extremely formulaic genre fiction written to, again, insane deadlines that are punishing for any sort of creative work. stop being naive!!!! take an actual look and reckon at what the actual circumstances and conditions are for producing art! it is not good! copyright is not going to save you! it is panacea at best! you will literally do better campaigning for universal basic income over championing the cause of copyright!
*off the top of my head just based on the biographies & other primary sources i've read: agatha christie, aldous huxley, jrr tolkien, georgette heyer
mind you, this is only in publishing/writing. the conditions are not that much better in other domains. music? most artists are being fucked over by their record companies cutting deals with spotify that leave them getting very little revenue while not actually owning their own masters. visual arts? a handful of artists will break through each year and it depends heavily on your ability to network and attend extremely expensive art events, from what i know of. but maybe you can get lucky working in highly exploitative conditions in a well-known artist's studio where you produce works that are sold under their name :) can't say i know much about television or film, but my impression is that its not that much better (perhaps the greatest evidence in favour of this is the way the number of working working class actors in the uk has nearly dropped completely off and nearly all of them are privately educated in one way or the other). so genuinely who do you think the so called ip law is protecting right now? bc right now from where i'm sitting, it is protecting literally those with the greatest amount of money and purchasing power, on both sides of the cultural production and cultural distribution divides. which as you might imagine is anathema to any kind of genuine creative culture.
i lost the post that originally linked it but this recent emily wilson interview made me actually interested in reading her translation of the odyssey like she's just so normal about it I wanna support her
Christopher Nolan cited Wilson’s translation when discussing his upcoming film. She unpacks the backlash to her work and to Nolan’s adaptati
(use archive.is to remove the paywall btw)
leg show magazine special 1995

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hey bro yeah nah dinner was great yeah right. but like. nah yeah great to see you and the missus too yeah been too long yeah. ah yeah well. right look. why was your pot being so racist to your kettle?
S Meadow Street, Colfax, Washington.
Vintage runway Lanvin turquoise enamel knotted snake Medusa necklace.
Source
went on a walk and spent five minutes meowing at this random cat until i realized the owner was standing right there in his yard

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aquamarine
then & now ♡
paraiba tourmaline

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2014-01-23