For Go—, for Sa—, for somebody’s sake!

Metaphysical selves.

Crowley & Aziraphale

Before the beginning.

Edinburgh 1827, The ressurectionists

Introducing the Bentley

Aziraphale has a baaad feeling about this

Gently grasping waist.

Ressurectionist era Crowley and Aziraphale. Aziraphale is wearing a quite dickensian (I could be wrong) shoulder cloaked long coat (The shoulder cloaks look like wings) in his usual pale beige browns and blues, but with flashes of teal decoration of the cloak and his neck tie. The Waistcoat is a silver damask. He has a beige slightly furry top hat and is probably a few decades out of style. Crowley is wearing quite dandyish clothes and ooat (Both are completely covered except their faces) The black oat has large leg of lamb sleeves and nips at the waist to flow out like a skirt. He is wearing breeches and high leather boots. He has a double layer red and black waistcoat of textured materials and a silk bow neck tie with a black gem fastener. He has a tall black top hat. both are wearing leather gloves. His silhouette is like a dark creature with hunched wings.

I lost my stars, my precious creations, that beautiful nebula.

I lost my faith in God, my smile, my light. I felt unworthy, violated, scared.

It hurt. Not just the fall but everything that came after that. And everything I lost in the process.

But none of that could prepare me for my second fall. The most frightening one. When I fell for you.

And none of that hurt me more than losing you.

"My car does not make that noise! What are you doing to it?!"

[Image description: Fanart of Crowley, Aziraphale, and the Bentley from "Good Omens". Alt text is provided and copied below the cut. End ID]