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noise dept.
Today's Document
Lint Roller? I Barely Know Her

Game Changer & Make Some Noise
The Bowery Presents
hello vonnie
"I'm Dorothy Gale from Kansas"
Doug Jones
TMBGareOK. The Official They Might Be Giants tumblr
Sweet Seals For You, Always
tumblr dot com
One Nice Bug Per Day

Jar Jar Binks Fan Club
h
taylor price
art blog(derogatory)
The Bright Sessions
EXPECTATIONS

Jimmy Eat World
KIROKAZE

seen from United States
seen from Morocco

seen from United States

seen from United States

seen from United Kingdom
seen from Thailand
seen from Netherlands
seen from United States

seen from United States

seen from Malaysia
seen from India
seen from United States
seen from Singapore

seen from United Kingdom

seen from South Africa

seen from Netherlands

seen from Kenya
seen from Indonesia
seen from Nicaragua
seen from Egypt
@sapphicmontague
Check out the Rutag Forever community on Discord - hang out with 25 other members and enjoy free voice and text chat.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Downton Abbey meme → seven scenes [3/7]
Do you know about horses? I looked after the horses at my father’s farm. It was the best job in the world. Then why did you leave it?
Lesley, Jess and Sophie

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14 days of downton abbey: day ten | favourite scene | 2x05
Now that’s a dinner party.

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it is an ever-fixed mark that looks on tempests and is never shaken
Compared to their first dance, the dance Mary and Matthew share in the Christmas Special is more angular and precise. There’s less softness, and because they are surrounded by others and overwhelmed by their circumstances, there’s a tenseness to this second dance.
These two frames make an especially interesting contrast to me, as we see Mary and Matthew in their earlier dance tilted to the side, so the audience gets swept up in their embrace, smiling and becoming more relaxed together, versus a Mary and Matthew in the CS who are much more restrained, their bodies further apart, their arms held out to the viewer like a barrier, or a cage. In the first dance, Mary and Matthew edge toward their feelings, but are, at first, as in the above capture, able to enjoy a sweet, nostalgic closeness. In their more-knowing second dance, Mary and Matthew are protecting themselves—from outsiders, and from one another?—but they are at the brink of overcoming their fears.

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According to Variety, the last time PBS had a primetime show on the cover of a mainstream magazine, it was in 1980 with Carl Sagan’s Cosmos.
Mary & Anna Moments: Part 49 of ??