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@saintdollanganger
I probably deserve more grace than I am given and I have a gun

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sub or dom?
a burden
Who are u
good question

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Kyle Gallner The Passenger (2023) dir. Carter Smith
and also we should get to kill pedophiles if we're a survivor thats a good and just thing
THE PASSENGER (2023) dir. Carter Smith SMILE 2 (2024) dir. Parker Finn
the thing is that rape is eroticized and romanticized allll the time in big ways and small thru all sorts of media - books, movies, erotica - but instead of treating this like something that should be seriously examined, it's treated like something that must be excised. as tho we can abolish rape by banishing certain reactions to rape. it's like ppl don't even want to question why bodice rippers were so popular or why dark romance is so big or why so much of what has been considered consensual sex in so much media is now (i think in many cases rightfully) considered rape (by which i mean we now understand certain circumstances - such as a sober person having sex with someone too drunk to remember anything - as having the potential to cause quite a lot of pain). they want to say, "well, it's bad bc it's romanticized. and when rape is seen as anything other than horrible it's wrong." but ofc rape has not been seen as horrible and is not seen as horrible in so many situations. this is something that rape victims have always had to live with; the situation of their pain not being taken seriously bc in many cases it is not even seen as rape. marital rape, for example, was legal in the us until the 1970s and wasn't illegal nationwide until the 90s! rape is embedded in structure of our societies, so much a part of the substrate that it is often invisible to ppl. when the idea that certain ppl can be forced to have sex is so popular, so old, and so crucial to sexual politics then ofc it is a notion that becomes romanticized and eroticized. and yet it somehow becomes unspeakable to be too explicit abt this. it becomes "contributing to rape culture" to write a work that finds rape hot or romantic or in any way anything but a grueling, dismal, disgusting thing to talk abt. i don't think it's giving in to rape culture to "allow" works that engage with rape on levels beyond pure aversion. i think it actually threatens our ability to earnestly fight back against sexual violence to pretend there is one believable way to respond to sexual violence. as if victims are entirely cut off from the eroticization that is in the tap water! and you can say the way we talk abt rape in general is bad (i agree), but i just don't agree with acting like victims can't have these feelings... when the conditions feel or are inescapable, sometimes the answer is to find those conditions hot.
i want to add, as a csa victim to my uncle who was also a csa victim, that it is important to talk about this in part because if it remains untalked about, it often becomes a cycle.
if youre a small child and you have something happen to you and you are completely unable to talk about, process, and accept it, then it WILL continue to hurt you and sometimes the people around you.
when i told my mother, who has always hated pedophiles because she was molested as a kid, that her brother perpetuated that cycle on a four year old, her first and only reaction was to deny it. luckily i anticipated this so she was the last person i told.
it doesnt matter if it makes people uncomfortable. it needs to be talked about, explicitly by survivors, so that it stops being romanticized. so they see other survivors talking out about it and see that theres nothing wrong with them because of shit that happened when they were a child. and if its kept shamed then its only going to keep happening.

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Crash 1996 tee
'i could fix him' well i could sexualize his failings
And I could pat him on the head and tell him he's a good boy. There are just so many options!
i'm going to run over your good boy with my car
The Flagellation This rare 18th century Spanish colonial figure represents The Flagellation of Jesus Christ. Hand carved and polychrome painted wood with inset glass eyes. Unknown Artist.

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Jericho sat at the bar with his beer and his cigarettes and the jukebox playing something low and mournful behind him. He felt it crawl on h
not every perspective like this but jerichos maybe and bits and pieces of owens. intercut with the very normal grounded perspective of passerby and friends and judith. parts of the uncles parts of the mothers. unreliable omniscient third person prose. something whatever is that
( Nothing without ) PAIN, Helena Minginowicz