Becky Whitney's Reflective Blog

Voices to create a publication of 2nd year Graphic Design students at Liverpool John Moores, of Making the Voice Visual. Consisting of three concertina's, 3 pieces of work selected for each speaker of each brief. All students work changed to black and white with the only colour being either pink (1.1), orange (1.2) or blue (1.3). On the back of each concertina is an alphabetical code of the rest of the students work that wasn't shown in the chosen three on the front (all in one colour also). The publication was set to a very specific grid design throughout.

(with examples of only two of the backs, because somehow I forgot to photograph the 1st envelope [?!] so I’ll be back in the studio again soon.....)

current mayhem

Not sure about the size of these, and I’m thinking of covering the entire envelope in type...

Missing vowels throughout imitating the Cobb’s desire to ‘show people what they had’ - through means of a broken sentence.

I’ve been looking at distorted typography and I came across anamorphic typography. I found online that this existed in Liverpool one, so obviously I went on the hunt for it..

A quote from John Cooper Clarke delivered in the “typographical voice” of Nigel Farage. The positioning of glitches determined by his specific actions in the space of 23 seconds.