'The Snow Maiden' by Marcin Minor.
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'The Snow Maiden' by Marcin Minor.

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“Close your eyes and let the mind expand. Let no fear of death or darkness arrest its course. Allow the mind to merge with Mind. Let it flow out upon the great curve of consciousness. Let it soar on the wings of the great bird of duration, up to the very Circle of Eternity.” -Hermes Trismegistus.
Caduceus - Magical Staff of Hermes Talon Abraxas
Hermes, personifying the dual powers of the Secret Wisdom, carries in his right hand a powerful symbol which represents the breathing in and breathing out of the cosmos and unites all the dual aspects of manifested existence. The caduceus of Hermes was said to have been given him by Apollo. It is a wand with two serpents twined round it, surmounted by two wings. The ancient Greeks believed it to exercise influence over the living and the dead, bestow wealth and prosperity, and turn everything it touched into gold. They called it Kerykeion, 'herald's wand' – it was the emblem of heralds and ambassadors, giving them power and inviolability. While the rod represents power, the serpents symbolize wisdom.
The wings of the caduceus symbolize the 'winged radiance' of those who have achieved the dynamic equilibrium of the two lobes of the medulla, the petals of the third-eye chakra, as well as the lightning speed of Hermes as Messenger of the Gods. Like the twining serpents, Hermes is known as the equilibrator, balancing the pairs of opposites, inspiring the alchemist's belief that without him neither Isis nor Osiris could accomplish the Great Work. The caduceus also symbolizes the fall of spirit into matter from the archetypal world to the creative and formative worlds and finally to the material world. Thus it essentially represents the astral light, the means through which Hermes wields his great power of transformation. The astral light is variously described as an "ambient and all-penetrating fluid . . . a ray detached from the (Spiritual) Sun's splendour," – the girdle of Isis that twines around two poles, and the winged dragon of Medea as well as the double serpent of the caduceus. It is the vehicle of life, representing time and eternity: the tempter and the redeemer. The wings of the caduceus signify the spiritual transcendence of time and temptation.
The rod of the caduceus is called a 'laya rod,' a central staff surrounded by the positive and negative energy of the serpents. It is the neutral Sushumna, the channel of the Sun's One Ray. All wands and staffs of power derive from this idea, just as the guiding power of Hermes is reflected in the prayer to the Christos which promises, "Yea, though I walk through the valley of the shadow of death I shall fear no evil; for thou art with me, thy rod and thy staff they comfort me." The magician's wand, the 'baton de commandement' of ancient cave-paintings, and the lightning rod, are all aspects symbolic of a principle of controlled power.
The original Great Symbols articles from HERMES magazine, by Prof. Helen Valborg, online only at Theosophy Trust, contain profound insights
sophie margolin
"Angel of Sadness", Wilhelm Kotarbinski (1848-1941).
Priestess of Isis in the form of a Goddess in the book: Les filles du feu: Sylvie, Jemmy, Octavie, Isis, Émilie / Gérard de Nerval; avec une préface de Jules Levallois, c. 1888
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The Oracle - Giles Ketting
Vanitas Celestyn Czynciel c.1888
Allegory of Medical Science (detail) Robert Auer c. 1914
The Chariot of Mercury, detail from the vaulting of the 'Cielo de Salamanca', c. 1480-90 by Fernando Gallego
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"The whole universe moves in an eternal cosmic rhythm." - Paramahansa Yogananda Nataraja - Cosmic Dancer Talon Abraxas naṭarāj naṭarāja jai shiva shaṅkara naṭarāja. shivarāj shivarāja shambho shaṅkara shivarāja. "I salute Shiva, the form of the universe and lord of the cosmic dance. With his ankle bells tinkling, he crushes death under his feet." Nataraja literally means lord of the dance. Siva is the lord, the ultimate and effective cause of all creation and the dance is his act of creation, a dynamic rhythmic movement. His dance is a guided action, under his complete mastery, not an act of chaotic, random movements. The lord and the dance together constitute the projection of the Paramasiva, the highest eternal and formless Nirguna Brahman on the canvas of his own awakened state as Saguna Brahman.

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“The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail.
The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposite, i.e. of the shadow.
This ‘feed-back’ process is at the same time a symbol of immortality, since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself and gives birth to himself.
He symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes the secret of the prima materia which […] unquestionably stems from man’s unconscious.” ― Carl Jung
Image: Rose and Cross YHVH - Ouroboros
Rose Cross represents the flowering of spirit through the trials of earthly life.
VI - The Lovers
All separations lead to love.
Self-love. New love. Or love reunited.
THE LOVERS, the Path of Zain (meaning Sword), runs between Binah (understanding) and Tiphareth (Beauty) and connects the Pure Conscious, from which all forms emerged (Binah) within the central sun/son of Manifestation (Tiphareth). The Soul being the Solar Child (Son/Sun) produced by the combination of the esoteric lovers that are the Anima and Animus of the Divine.
As Crowley stated: The Oracle of the Gods is the Child-Voice of Love in Thine Own Soul; hear thou it. Heed not the Siren-Voice of Sense, or the Phantom-Voice of Reason: rest in Simplicity and listen to the Silence. Aleister Crowley
Image: Tessarion and Seasmoke as The LOVERS tarot moonwyvern @moonwyvern
Georg von Welling, Opus mago-cabalisticum et theologicum, 1719
“The Birth of Venus” by Adolph Hirémy Hirschl
Reaper Death (Walter Crane, 1900)

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“People do not understand me when I say God is unconscious and requires the human being in order to become conscious. This process of becoming conscious can only take place within humans, because here God touches his other side.” — Carl Jung
Img: BLΛC @blac_ai
the other side is within, us.
La Danza Griega, from Caras y Caretas Magazine by Jorge Larco (Aug. 1920)