Jim Hawkins model sheets by John Ripa (x)

Kaledo Art

shark vs the universe
wallacepolsom

noise dept.

#extradirty

祝日 / Permanent Vacation
trying on a metaphor
AnasAbdin

One Nice Bug Per Day

titsay
TVSTRANGERTHINGS
Stranger Things
taylor price
Game of Thrones Daily
Three Goblin Art
Claire Keane

seen from United Kingdom

seen from Kazakhstan

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seen from Jordan
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seen from TĂĽrkiye

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@rowdyyys
Jim Hawkins model sheets by John Ripa (x)

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Cowboy Magician
Ive taken some inspiration from some of Orwille Pecks outfits
the pain i feel because im not a humble cowboy riding on my horse is
immense
Me, a clueless cowboy:
Yeehuh?

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A Bullet fo the General (1966), Damiano Damiani
Gang Member: “Why’d you kill him?”
Chuncho: “Because Guapo wanted to kill the Niño. And the Niño is my friend.”
Gang Member: “Wasn’t Guapo your friend too?”
Chuncho: “Guapo is dead. Don’t worry about him.”
(See here)
Personal Notes:
I mean, western spaghettis are just awesome.That’s all I got to say.
Alfred Hitchcock and Anthony Perkins on set of PSYCHO (1960)
“Don’t buy bread … buy dynamite!”
Movie still of Clint Eastwood in “ A Fistful of Dollars”

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“I am older and I see things differently, and I finally understand you.”
Phantom Thread (2017) dir. Paul Thomas Anderson
BUSTER KEATON in SHERLOCK, JR. (1924) “Keaton told film historian Kevin Brownlow that one scene inspired the entire picture: a man, in this case, a projectionist, tries to enter the movie he is watching. At first he can’t; the characters in the film he is watching throw him out of the screen. When he sneaks back in he suddenly finds that he has no control over the narrative: a nighttime scene in a garden cuts without warning to a busy city street, then to a mountain cliff, then to a jungle filled with lions, to a desert, etc. It is a scene with a precision and clarity that is breathtaking. Keaton, his cameramen, and technical director Fred Gabourie filmed it with surveying equipment to align the separate elements… It may be the first time a filmmaker ever questioned the meaning and function of linear narrative.” — Daniel Eagen
John Marston Appreciation Post
ANCHORS AWEIGH (1945)

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Positively the same dame. The Lady Eve (1941) dir. Preston Sturges
Paul Newman, Diahann Carroll, and Kirk Douglas share a laugh in Paris, Newman and Carroll were filming Paris Blues (1961). photo source: doctormacro.com