30 | amorphous creature
guro fetish erotica blog 18+ only
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Hellooo! Iâve been a longtime fan of all your writing! I absolutely adore Athanasius from meanvamps and would love to draw fan art of him, but Iâm very worried that my visual interpretation might differ greatly from your official vision of him⊠Should I wait until you share an official reference? (Iâm more than happy to keep waiting!) Or, if possible, would you be willing to give me feedback through DMs?
Lastly, thank you as always for your beautiful work! :D
usually my answer would be feel free to interpret however youâd like but since iâm drawing them all/have specific designs in mind, hereâs a sneak peek at athanasius! he has (very long and luxurious) black hair, kind of brown/amber eyes, and his skin tone is a bit darker than orionâs. and of course, he's beautiful. i'm only doing portraits (right now) but his entire wardrobe is klaha-era malice mizer.
->Convenire member and apprentice at Cassowary Tattoo
->Tactile mesmer
->Gargulamorph
->Renaudâs story is a common one among those sired by dissenters: a beautiful stranger, a whirlwind romance, promises of love and life eternalâŠand then the sobering morning after when it all comes crashing down. Unsatisfied by his life in rural France and desperate for the chance to do and be more, he was easy prey. Heâll never know if she really loved him or not; they say it looks different in elders. Decades have passed since then but hatchlings are born with a skewed sense of time. For Renaud, the wounds of betrayal and abandonment are still agonizingly fresh, made all the worse by the unusually rapid loss of his last ties to humanity. Eternity is much lonelier than he was told it would be.
When do apprentices and future rebenants in training meet for the first time? Once the necromancer turns a certain age?
an apprentice revenant gets to meet their necromancer towards the end of their training. the exact time is up to the apprenticeâs instructors, because the meeting itself is part of their training and they like to arrange it at exactly the right time for maximum emotional impact. thereâs no specific age, but the rigorous nature of their training means theyâll be at the end of their teenage years at the absolute earliest.
as for the followup question:
To go back to my question submitted just now: considering the amount of people they need to train until they get those who make the final cut, when us a necromancer judged ready? Bevause technically they would have multiple graduates (this the pressure)
the situation for necromancers is completely different. there arenât a lot of âcandidatesâ at any given time because theyâre created specifically for the role and the process to create them doesnât always work. because theyâre so few and precious, each one gets a lot of individual attention as they go through a curriculum on all aspects of house mandragora. thereâs a lot to learn. no matter what role they eventually take, theyâre expected to have a working knowledge of everything from the alchemy lab to the gardens, and also need to have pretty extensive medical training to tend to their revenants in the future (itâs weird, magic-assisted necromancy medicine, but medicine all the same). once they demonstrate sufficient knowledge and skill, they âgraduateâ and become a recognized member of house mandragora.Â
necromancers arenât culled for âfailureâ like apprentice revenants are. theyâre too rare for that, so they simply have their graduation delayed and are given more time with their studies.
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Hey I hope you're well! Just a question if you'll allow me: you mentioned that a witch almost never shares her blood with more than one partner. Does that mean polygamy isn't allowed or Heavily discouraged?
this is complicated because of how the nightbound view these things. the shortest i can make this answer is to say that only some kinds of polyamory are discouraged while others are expected. the nightbound view all of these things differently than humans do and it all gets even messier when witches are involved.
firstly, romantic relationships in general are complicated for the nightbound. blood, hunger and satiation are all interwoven with their most powerful emotional bonds, whether that be through hunting (even play-hunting), feeding, turning/being turned, or intimate vulning. at any given time, they might be entangled with other nightbound, their regular donor(s), and their sire. these entanglements could be sexual, romantic, emotional, all of the above or something more instinctual that's difficult to explain. almost all of a nightbound's entanglements are very intense and stir up feelings of possessiveness, even when romance isn't involved.
secondly, partnership is considered fundamentally different from any of the above relationships. it's a distinct, âsacredâ arrangement that may or may not coexist with other relationships. what other relationships are permitted depends a lot on the kin involved. some nightbound might feel obligated to drop their other donors but others may see nothing wrong with maintaining those bonds. witches are permitted (and in some cases, encouraged) to pursue relationships with and even marry other witches while partnered, although they're steered away from connections with humans.
while the ultimate goal is for the dynamic between partners to develop into something intimate (physically, emotionally or both), the nightbound feel that calling kin partnership a ârelationshipâ in the human sense is reductive and not wholly accurate, but that's the case for all of bonds of blood.
Has there been any instances of witches adopting a fledgling to raise per witch customs? Iâm wondering at the utility of having the nightbound equivalent of a beard, essentially.
i held off on answering until birth by burial was finished since we now have a textbook example of what this looked like. the short answer is yes, it used to happen sometimes but doesnât anymore.
it was most common during the century of nightmares since the nightbound were constantly churning out hatchlings and not being particularly careful with them. a birth by burial was always performed to ensure the hatchling wouldnât pose a threat, but once complete, they were fully welcomed into the community.
aside from forming genuine bonds and caring from one another, the arrangement was also strategically beneficial and both parties were more likely to survive when they could cover each otherâs weaknesses. witches fended off threats during the day and protected the nightboundâs resting place, while the nightbound could keep watch after dark and deal with anything savvy enough to use antiarcanics. hunters were a much bigger problem during the century of nightmares, but witches who adopted a hatchling would go out of their way to lure in hunters just to keep their hatchling fed.Â
this is, in part, the origin of the modern partnership system. since these hatchlings were much more likely to survive, theyâd go on to teach their own eventual hatchlings to see witches as friends and family rather than cattle, an idea that would gradually morph into the concept of âkin.â unfortunately, some nightbound learned the wrong lesson from all of this and decided that their beloved kin were too precious to be left alone, even if thatâs what theyâd prefer.
mihai takes you to his favorite place in harrow creek where you encounter what you've always longed for and what you've always feared.
meanvamps featuring mihai. explicit. contains dubious consent, mind control, mild gore, implied past torture, feral behavior, mentions of heat/mating cycles, rough sex. also on ao3.
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âHe does not want your pity,â Athanasius says.
Water splashes in the sink. You hear the snap of cabbage leaves being peeled from the core and then crunching beneath a knife, a softer sound than the hiss of diced onions and rice sauteeing in a pan.Â
âThen what does he want?â you ask.
âTime, for now. Losing control in the presence of much younger nightbound brings a unique sort of shame. Allow him a moment away from prying eyes.â
Several nights after your trip to Council headquarters, Mihai has started keeping his distance again. Heâs not avoiding you completely. If anything, he never seems far away. You feel eyes on your back all the time. None of your things have gone missing but they seem to move on their own. Jackets you forget in the library reappear neatly folded just outside your room. Books left strewn across the parlor coffee table are neatly stacked the next time you walk by. Conspicuous leaf piles appear throughout the halls as you go about your business, as if he planned to say something, to show himself, and lost his nerve before you arrived.
Athanasiusâ touch makes you flinch. You didnât hear him move but heâs right beside you, peering over your shoulder at the pan youâre stirring. His hand settles on your back. âThat looks ready,â he says, approving. âHere. Add it to the bowl.âÂ
You work surprisingly well together in the kitchen. Athanasius is faster at everything, more practiced and precise, but he doesnât seem to mind when you take a little longer mincing parsley. He rolls up his sleeves and churns a mound of soft, seasoned and herb-speckled ground pork with his hands.
âAnd thisâll help? Heâll like it?â you ask.
âYes. It is his favorite. I contacted someone more knowledgeable to ensure the accuracy of the recipe.â
According to Athanasius, food is closely entwined with positive memory for the nightbound. Feeding means peace and comfort. Blood flavors remind them of previous donors. Their favorite dishes from their human lives can spark the faintest impressions of beloved people and places, even in those whoâve lost their earliest decades to PPA. It didnât take much for him to talk you into helping prepare a surprise for the hatchlings, especially since this part of the surprise is for Mihai.
âWhere is he right now?â you ask.
âIn the forest that borders the estate. Out of earshot, if that is what you meant.â
You work side by side at the counter, rolling fragrant pink clumps into cabbage leaves. You notice Athanasius slowing his movements to match your pace, taking his time and turning the rolls over in his hands before moving onto the next one. Prolonging the process, you think. Ensuring there will be plenty left for you.
âDo you know the phrase, âbirth by burial?â It refers to the practice of burying hatchlings alive. At timesâŠâ Athanasius stops, glancing at you. You know he saw you stiffen. He probably feels your growing unease through the connection. âYou have heard of it,â he says, audibly surprised. âI admit, this is unexpected. I would not consider it common knowledge for witches of the modern age.â
âIâve heard rumors,â you say. Youâre unnecessarily aggressive with the next cabbage roll and it oozes on one end. You donât like thinking about this. You wish he hadnât brought it up. âI know it happens. I donât know why.â
Athanasius hums in acknowledgement. Gently, he plucks the lumpy cabbage roll from your grasp and deftly smushes it into a more even shape. âThe process and the reasons for it are different between us. Those concerned with the building of dynasties did not consider turning a sufficient measure of oneâs strength, and so thinned their already meager clutches further. Some encouraged their progeny to fight to the death. Others believed the test must come sooner. Newborn and starving, hatchlings would fight the earth itself to earn their first feeding.â
âWas MihaiâŠI mean, did his sireâŠ?â
He steps closer, his hands folding around yours to guide your fingers for the last cabbage roll. Thereâs food all over both of your hands but his warmth against your back and the sudden intimacy make your pulse pick up. âYou care for him. More than I realized.â
âHe got a raw deal, thatâs all. It doesnât seem fair.âÂ
Athanasius produces a cast iron pot from one of the cupboards, a battered antique that would look right at home hung over an open fire. Together, you line the inside with all the leftover scraps of cabbage and neatly arrange the rolls on top. You lean over to check the recipe scrawled on notebook paper in Athanasiusâ elegant handwriting. Ingredients on the left, numbered steps on the right, starred notes at the bottom. Cut up some bacon. Pour in tomato juice. Start the polenta in half an hour.Â
âTo answer your question, no. Not quite,â he says absently. âHis sire would not have done it. They could not afford needless waste during the Century of Nightmares. His birth by burial was performed in the witch tradition by those he was sent to kill.âÂ
You lean against the counter, watching Athanasius gracefully move around the kitchen. Somehow, you arenât surprised to hear this. Mihaiâs circumstances have been weighing on your mind for days now. Part of you had already guessed his fear of you must come from firsthand experience with witches, though you hesitated to guess at the specifics.Â
âWhy go to all that trouble? Why not just kill him?â you ask.
âBecause for witches, birth by burial is a form of absolution. Mihai must have surrendered in order to have been given the opportunity. And yet, a wolf cub is still a wolf. Would you let an animal into your home without first testing its instincts? You do not know how readily it will bite.âÂ
The pot goes into the oven. Athanasius finds you still lingering at the sink when he brushes past to rinse his hands, staring into the basin. You feel restless with nothing else to do.Â
âSacrament?â he asks gently.
âHas he ever told you what happened in the cloister? He has all those scars,â you say.
âWhat he remembers, yes. Some of it has thankfully faded with time.â He pauses. You feel him staring but you donât look at him. âWhat pains you? The thought that his wounds may have been inflicted by witches?â His hand drifts into your periphery. He reaches for you, his palm slipping under yours and lacing your fingers together. âAh, yes. Understandably. But there is also something else weighing on your heart,â he murmurs.
You pull away from him but you donât get far. He doesnât let go. Youâre so used to him indulging you, extending your cat-and-mouse chases for his own amusement, that his unyielding grip frightens you. Athanasius cages you against the kitchen counter with his own body, one hand splayed beside you, the other keeping your fingers connected.Â
âI donât wanna talk about it,â you say, looking anywhere but his eyes. Itâs probably too late with your minds joined the way they are, all of your thoughts and feelings laid bare beneath his scrutiny. He must see the fire in your memory, that open pit in the ground and plumes of black smoke rising towards the sun. He must hear the screaming.
If he does, he pretends he doesnât; a mercy for you both. âVery well,â he says gently. âShall I distract you from these worries?â He lifts your hand to his lips. He brushes his mouth against your fingers along the knuckles, then your wrist. He doesnât bite. He breathes in the scent of your skin and sighs softly against your quickening pulse.
âWhat are you doing?â you ask. Your voice is hushed in a nervous whisper, like youâre both doing something you shouldnât.
âDo you dislike this?â he asks.
You want to lie but heâd know before the words left your mouth. Your face feels hot and your skin is tingling. Heâs not really doing anything. Heâs close enough that he could but everything is chaste, not tongue or teeth. Youâre reminded of your encounter with Renaud at Cassowary Tattoo, the discovery of erogenous zones you didnât know you had and the intimacy of a nightbound pressed close before the bite. Theyâre ruining you. Youâre starting to associate the places they feed with pleasure. Warm breath fans over your veins and you clench in anticipation, waiting for what surely comes next.
Your eyes are drawn to Athanasiusâ mouth; the plumpness of his lips and the curl of a teasing smile. What does his bite feel like? you wonder, and then feel a jolt of embarrassment at your wondering.Â
âYes, sacrament?â he says, his voice dipping to a low, pleased purr. âIs there something you would like to ask me?â Heâs even closer. He relinquishes his grip on your hand so he can stroke your cheek instead, his fingers tracing along your jaw to the tense line of muscle in your throat. His lashes flutter along his cheek, his gaze half-lidded and hungry.
Itâs mesmerism. It must be, you think. But mesmerism doesnât usually let you tremble like this. Athanasius traces your lower lip with his thumb and leans in closer until heâs all that you see and all you can think of. Heâs undeniably beautiful, luscious black hair and long-lashed, eyes a blend of dark oak and umber, golden-brown in the glow of the mansionâs dulled lamps.Â
Maybe itâs the light youâre using in the kitchen, foregoing lamps for candles, but somehow, they seem closer to mahogany than they should be. Brighter. Redder.Â
And then he draws back. Pulls away, lets you go. Your hands come away slick with sweat and your heart is racing. âI seem to recall a reluctance to be observed in moments of intimacy,â he says simply and rummages through the refrigerator as though nothing happened. The sound of footsteps and the voices of the hatchlings drift down the hallway, close enough that you shouldâve heard them sooner, and youâre torn between gratitude and indignation.Â
âFuck you. Donât act like you care,â you mutter. Youâre overheated, flushed with shame and residual tinglings of arousal. You donât need to rinse your hands again but you do, splashing cold water on your face in desperation. Athanasius acts busy and keeps his distance, rummaging leisurely through the cabinets as if he doesnât know where everything is, and the whiplash of this nonchalant act fans the flames of your anger to new unreasonable heights. âMaybe Iâm into that. You wouldnât know. You have no idea what I like.â
âOh? My apologies, sacrament. I should not make assumptions,â he says mildly. He turns just enough to glance at you in his periphery, but even that brief moment of attention feels like a brand on your skin. âNext time,â he murmurs, âI will not stop.â
Orion and Renaud find you staring resolutely into the refrigerator. âOhhhh, I knew it! I knew there was a surprise. You had us buy each otherâs homesickness meals,â Orion says smugly. He pulls one of the kitchen stools out of the corner to sit down and sets the paper bag heâs carrying on the counter. âIs that Mihaiâs? Whatâre you making? It smells good.âÂ
âSarmale,â Athanasius says. He brushes past you and youâre absolutely certain that the lingering graze of his shoulder against yours is on purpose. âAn hour from now, I would like the two of you to make the polenta. I will explain the steps.â
âOh, polentaâs easy,â Renaud says. He saunters over to the counter and leans against it. He has a takeout bag, too, larger than Orionâs with a grease stain along the bottom.Â
You watch them swap bags across the counter, grinning like they already know whatâs inside. The unveiling happens with deliberate, emotional slowness. Orion lifts a burger out of his bag and holds it in its white brand-stamped wrapper like a priceless family heirloom. Renaud opens a takeout box and you swear there are tears in his eyes at the sight of a decadent brioche stack dusted with powdered sugar and topped with blackberries.
âEat slowly,â Athanasius says, his tone suggesting this warning often goes unheeded. âAnd save room. Mihai will want to share.â
The food puts everyone in high spirits. Even a dispute over whose leftovers go where in the refrigerator is settled amicably, and Orion and Renaud tackle the polenta with surprising enthusiasm.Â
âDoes it surprise you that we are so enamored with the culinary arts?â you hear echoing through the connection.Â
Athanasius joins you at the far end of the kitchen, keeping an eye on the maelstrom of movement and chaos at the stove; spilled flour, dirty whisks, two and a half cups of water in a puddle on the floor. The hatchlings canât seem to cook without making a mess. Athanasius chuckles under his breath and shakes his head.Â
âIt is an anchor. A joyous remnant of the life that came before. For hatchlings, it is even more important that they practice so that one day, they may prepare food for their partners.â
You can feel him watching you. Expecting some sort of quip, probably, a bitter remark about how everything always comes back around to keeping witches against their will somehow, but you just nod and stare straight ahead. Not at the hatchlings. Past them; before them, and this place.Â
You want to leave. You donât want to be alone. Athanasius knows before you say anything. His hand settles on your back, between your shoulders. He doesnât have to push for you to walk with him to the parlor. He helps you settle against the arm of the sofa, draping the blanket over you like a child home sick from school. Suddenly, youâre so tired you can barely keep your eyes open. Youâre certain itâs his mesmerism. The fog of exhaustion grows thicker when he bends down to kiss your forehead.
For once, you donât mind and you donât fight. The fire and the fear retreat into old, faded memory. You let go, headfirst into the dark.
*
You dream about the forest. Moonlight and night wind. Moss and petrichor. A beast nuzzles its bloodsoaked maw against your hand, begging for warmth, affection, and forgiveness. Butterflies drift languidly on the breeze. You both wish you could stay forever, butâ
The knocking isnât all that loud but a gentle nudge in the back of your mind helps wake you. Athanasius wouldâve come in, would probably be at your bedside already. The hatchlings would say something. That leaves Mihai. You blink the bleariness from your eyes and get up to find him right outside your door. Heâs still hiding behind his bangs but his hairâs neater than youâre used to seeing it, smoothed down and combed through, and that makes the jagged, uneven cut even more obvious. The ends fall past one shoulder but taper just short along the other.Â
âYou helped,â he mutters. âAthanasius told me.â
It takes your mind a minute to catch up. He must mean the food. âOh, yeah. Did it turn out alright?â you ask.
He nods. Heâs staring intently at the floor. âThereâs a place I like downtown.â
âUh-huh?â you say.Â
He shifts nervously. Seconds pass in silence. âDo you want to see it?â he asks.
Heâs inviting you out again. Youâre surprised and a little worried. âSure. Is thatâŠ?âÂ
âAllowed?â he finishes the thought for you with a wry smile tugging at his lips. âYes, itâs fine. I made sure to exert myself and havenât fed since last time. Not enough strength to maintain my hunting form right now.â That doesnât put your mind at ease. Is he starving himself? Is he expected to? You feel the familiar caress of mesmerism like fingers sliding up your spine and settling at your nape. âHm. Youâre worried.â It sounds like this troubles him. âFollow?â he says. Youâre used to that sounding curt, like an order, but itâs softer this time. He takes a step down the hall and stops, watching you over his shoulder.Â
You always end up thinking about dogs when youâre around Mihai. Dogs with pricked ears and sad eyes, that press into corners with their tail between their legs and bite anything that comes close. Dogs that always look back to make sure youâre still there.
âYeah. Lead the way,â you say. The weight of centuries lifts from his shoulders all at once and he stands a little taller. If he had a tail, you think, itâd be wagging.
Athanasius sees you off again but he keeps you at the door a moment longer. He telepathically deliberates with Mihai for a moment and the conversation looks tense. Thereâs a disagreement of some sort, an indignant huff from Mihai and the exasperated sigh of a parent from Athanasius. You donât know what exactly they fought about or what they decided, but Athanasius produces a thin strip of leather. Itâs plain on the outside but there are small symbols engraved along the soft black inner edge and a silver clasp at the end. He drapes it across his palms and holds it out to Mihai.Â
You grimace. You were starting to hope youâd never see that collar again.
âYou should,â Mihai pleads.
Athanasius presses the collar into his hands. âNo. You will. If there is no need, all the better, but I will not leave you both defenseless.â
âIâm undeserving. And they shouldnât be defenseless, you shouldâve taught them something simple, at leastââ
âMihai,â Athanasius says sharply.
Mihai clenches his jaw and ducks his head. It takes a while, an uncomfortably long silence and an exchange you donât hear, for his shoulders to loosen and droop again. He shares a meaningful look with Athanasius and nods sheepishly, then glances at you with apprehension. âSorry about this,â he mutters, moving behind you. His hands are shaking. He keeps bumping his fingertips, his knuckles, the back of his hand against the nape of your neck and every accidental brush makes his breath hitch. When you turn your head, trying to make it easier for him, he goes completely still for a moment. You hear a shaky exhale before he gets himself together and successfully secures the clasp.
The trip into town is awkward as usual. You have to win over the same scared, feral dog all over again, letting him sniff your hand and proving you mean no harm. Mihai stays close but not too close, steals glances but canât quite work up the nerve to speak. This time, he leads you to a quiet part of town you havenât been to before. It looks old but not as imposing as the Council buildings, the street bumpy cobblestone and the buildings made of faded, weatherstained brick.Â
Almost everything is closed. The businesses out here, sweets shops and antique stores with apartments up above, have dark storefronts and shuttered windows. Itâs unusual but not unheard of for a town with so many nightbound. Some places canât afford to staff an overnight shift, and some places prefer not to, leery of the nightbound or the noise that comes with late night foot traffic.
A soft glow emanates from an eatery on the corner. They donât look open. The string lights stretched around the outdoor seating area are off. But Mihai goes right up to the door and knocks a couple times, then leads you to one of the wicker tables beneath the awning. The text on the window says âKomorebi Cafe.â You see a forest of potted plants inside. A dark-haired woman in a pastel flower-print sweater comes out a moment later.
âYou brought a friend,â she says, sounding pleased.
Mihaiâs rumbling, âhm,â is more of a purr than a growl. âNot a friend, exactly.âÂ
âOh, hush.â No eye shine. Sheâs human. Youâre surprised sheâs so comfortable around him. She sets a tray on the table between you with two ceramic mugs exuding curls of steam. âCome by sometime in the daylight. Iâll make you something on the house,â she tells you. You nod meekly, unsure of what to make of her, but she just smiles good-naturedly and walks away.
âHer name is Kano,â Mihai says. âShe's the first human who ever spoke to me in Skelveross. I think weâre friends.â He lifts the mug to his face and shuts his eyes, taking a deep breath of the sweet, earthy aroma. A strangely familiar aroma, you think. It reminds you of nectar. âIt is,â Mihai says. He averts his gaze when you look at him sharply. âAh. Itâs habit. I prefer the connection. I know what you think and feel without asking.â
âIs it hard to ask?â you say.
âYes.â He slides the tray closer to you. âThe other oneâs for you.âÂ
Intrigued, you pick up the mug. The scent of nectar is somewhat diluted but unmistakable up close. Itâs some sort of tea, lightly floral with hints of berry and citrus. You take a testing sip and hum in satisfaction. âItâs good,â you say, impressed. You were sure Athanasiusâ concoctions had ruined you for anyone elseâs recipes. âAnd Kano seems nice. Howâd you meet?âÂ
âIn a waiting room. We both had appointments at the Dusk Council headquarters.â He glances at the cafe windows. Kano sits in a corner booth with a book open in front of her and a notebook off to the side, pencil hand. Her brows are furrowed in focus. âSheâs latent,â Mihai says.
That makes you look at her again, more carefully and with a pang of sympathy in your heart. She slides her pencil along a line of text and then scribbles something. âThat must be hard,â you say quietly.Â
Mihai looks at you curiously. âWerenât you latent once?âÂ
âNo.âÂ
Mihai must sense your discomfort because he doesnât press you for details, but you do feel him in your head again, tiptoeing and cautious. Youâre thinking that itâs easy to hide if you know how, but only if you start young. Magical potentiality evaluations for children can be either interviews or written questionnaires, and most families opt for the latter. Thereâs no face-to-face meeting, no verifying background checks, and no magical-medical scans, just a piece of paper with some boxes to check and some space to scribble answers.
You drink your nectar tea and watch Kano study. You donât meet Mihaiâs probing gaze. Heâs searching again, carding through your memories in search of whatever it was that shattered your confidence and left you vulnerable. You squeeze your eyes shut and envision barriers. Walls, hedges, metal barsâdoors. Thatâs what your mind settles on. An endless corridor with a thousand locks. The books in the library said this is easy magic if you can stay focused and hold the image in your mind.
You know it worked when you hear a grunt across the table, a little noise of shock and indignation. A sense of mounting pressure begins building behind your eyes like the start of a migraine and you swallow nervously. Youâre not confident you can keep him. âPlease donât,â you say. The pressure eases but never fully dissipates. You know heâs still in there, leaning against one last flimsy door. âPlease,â you repeat, your voice wavering in desperation.Â
Mihai frowns. He stares down into his tea, considering. âIâll trade you,â he says after a long silence. âOne of my secrets for yours.â
âWhy?â you ask. You donât want that. You donât want to talk about this, or even think about it.
âDonât have to talk. Just show me.âÂ
âWhy do you want to know so badly?â
He tilts his head. âBecause Iâm trying to understand you. I want to know everything. Iâll tell you everything, too, in exchange. Itâs the only way weâll ever really trust each other. That, orâŠyou could perform a birth by burial. I would let youââ
âNo,â you say.
He hesitates, taken aback by your vehemence and the stricken look on your face. âIt would be faster. I could prove myself in a single night. You'd see everything I have to offer. I know Iâm an elder, but Iâve made myself weak tonight. You can test me properly.â
âI said no.âÂ
Mihai growls at you, and for once, the dog companion is not endearing. He sounds like heâs going to lunge across the table and go for your throat. He looks ashamed for all of a few seconds before heâs glowering again. âThen what do you want?â he snaps. âHow do I make you stop pitying me?â
âI donâtââ
âYou do! I'm a useless wretch in your eyes, too broken to be of any value.â
âI donât think that,â you insist, but he doesnât believe you.
âI was wary of you at first. I know what witches can do. But the more I watch you, the more I realize youâre still young. Painfully young, and fragile. You canât even defend yourself. So I have to protect you. IâŠâ Mihai stops. He takes another whiff and a long drink of his tea, and it helps him steady his breathing. âI will never lose another witch as long as I live,â he says, his voice lowered to its usual low rasp again. âIf you wonât bury me, let me prove it some other way.â
âYou donât have to prove anything.â
âI do. You need to know. How can you trust me otherwise?â
Silence settles over you both and the sounds of the city rush in, footsteps and rumbling engines and the squeal of a car alarm a few streets down. The moon is lopsided and waning. Your tea cools in your hands. You can feel it when the anger seeps out of Mihai. The pressure fades. Thereâs nothing clawing at the hinges of the door in your mind.
âI donâtâŠâ You swallow the lump in your throat. Mihai watches you intently but heâs patient this time. He sips his tea gingerly.Â
To your surprise, you donât think of a dogâhe does. The image slips into your mind vivid but hazy at the edges, the colors runny and the textures rippling like water. A dog. A large dog. A guard dog that pads around in a circle right outside your door and then settles down with a loud thump, wanting you to know heâs there.Â
Iâm listening, he says wordlessly. You take a deep breath and try again.
âIâve seen a birth by burial before,â you admit. âAnd it wasnâtâŠMihai, listen, it really scared me. I think it must mean something different to you, but to me, itâsâŠI could never do that to someone. So please donât ask me to.â
He doesnât say anything. You donât even get a nod. Then another vision comes and fills your senses, the table and the cafe and Harrow Creek fading into a different night scene. The ground is firm underfoot but softer than concrete. You smell earth and decay. Moonlight strains through a net of leaves and branches. And there are people here, humansâ
Witches. You know somehow. A dozen, maybe more, young and old, gathered around you in a fearless huddle as they whisper amongst themselves. An old woman stands in front of you, barefoot beneath a long, embroidered skirt. Her face is a churning cloud but her voice is clear and strong. You canât understand her, and yet somehow you know she asks, âYou will not fight?âÂ
You will not fight. You groan and lower your head. It is too large and heavy for your starved frame. You are a beast and you canât remember how you came this way and you donât know how to unbecome it. You hear their heartbeats and you smell the tang of their sweat and exhaustion, but fear is a thin quiver and only from the youngest, the littlest things clinging to their elders.Â
You do not see death but you know you would if you walked far enough. Piles of it. Gruesome mounds of skewed limbs and blackening flesh left for the animals and for anyone who might come looking. The reek stings your nose and eyes. In that pile rests your entire world, clutch-siblings and strangers and superiors and blood-bonded lovers who you knew for mere months that felt like lifetimes. Most fell in the fighting but they kept some of you, bound you in ropes you could not break. One by one, they poked and prodded and asked their questions.
Who was your sire? Who was his sire? Who did he answer to, and who had sent you, and who else was coming? How many and when? Listening to the others, you began to understand that this forest was the only home the witches had left, and that there had been many more of them once before all the fighting and running and death in the night.
And when they had their answers, they left you in the sun to wilt then tossed those charred bones upon the pile. And now, at last, it was your turn.
âHow long have you been bound to the night?â the old woman asked.
Not long. You try to tell her but all you can do is rumble and whimper like an animal, and even that you cannot do well with the rope tying your mouth shut. Not a year yet. Not even a whole season. You were the youngest of your clutch and your flock and the followers of your maker. You try to say that. You try and you try and the only noise that comes out is pitiful keening, so you count the moons you have seen. âOne,â you try to say, and grunt instead. You think of the crescent. The sliver. The moonless night. You keep counting until you have told her all of them. You know she is wise. She will know what you are trying to tell her.Â
When you finish counting, she sighs sadly. The witches chatter all around you.Â
âHe is an infant!â
âWere the others?â
âIt does not matter.â
âWe must not share their bloodlust.â
âNo. They could not have been.â
âNot all of them, surely.â
âThey do not turn them alone.â
âA clutch. Maybe five. Maybe six.âÂ
âThey would not have spared a chrysalis.â
âAnd we did not spare them. Does that make it right?âÂ
âThere is no making this right. He will want vengeance.âÂ
âGive him to the sun.âÂ
âWe cannot give him to the sun.â
âMake him sleep. Then give him to the sun.â
âMumÄ, what have we done?â
The old woman raised her hand and the forest fell silent. Even the leaves ceased rustling and the wind died. She stepped forward and you shrunk back, head bowed, whimpering. You waited for something that hurt but it never came. She stroked your beast-maw, sliding her palm up and down the strange expanse of flesh that smelled and felt and tasted too much. Your legs gave out beneath you. You had forgotten how weak and tired you felt until this moment. When she scratched beneath your chin, your chest rumbled and your throat vibrated with a low noise you did not know you could make. When she looked at you, you felt that she saw through skin, blood and bone and knew who you truly were.
You spoke without words. You felt that she was very sad, and very sorry, and very angry but not at you. She felt guilty for what had happened and what would happen next. She must have felt all that you felt and known that you were afraid. All you wanted was to be warm and swaddled in someoneâs wings.
âDig a grave,â the old woman said. The witches left the clearing in all directions, some more reluctant than others. She gathered her skirt and sank to her knees beside you, and she let you set your head in her lap, whispering, âYou are strong, yes? You are very strong to survive all that you have. Be strong one more time. When you are born again from the earth, the past will be the past and all will welcome you. You will not be cold, or hungry, or alone ever again. This I swear beneath the moon.â
The vision flickers. The forest fades. Youâre in Harrow Creek again, sitting at a cafe table across from Mihai. Tears stream down his cheeks and yours, you realize, wiping your face self-consciously. You donât know what to do with this. You donât know what to say, what to think or feel about what heâs just shown you, but thereâs warmth unfurling in your chest; a spreading sense of peace. You donât have to say anything. Heâs glad that you saw it. He needed you to know.Â
After you finish your tea, Mihai takes your mug and sets it beside his on the tray. You follow him into the Komorebi Cafe where Kano hasnât moved, still hunched in the corner with books and papers spread across the table. The bells jingling over the door make her mutter and sit up, rubbing her eyes.Â
âMihai! You didnât have to, I couldâve gotten it,â she says.
âHm,â Mihai says, setting the tray into an alcove on the wall for used dishes. âDidnât mean to keep you so late.â
âDonât be. Iâm glad you came.â She slides out of the booth and stretches with a yawn, then ambles over to you both at the door with her hands in her pockets. âSo? How was it? Iâm still tinkering with that recipe. Ah! Iâm Kano, by the way.â She holds out her hand to shake. The moment your fingers touch, a pleasantly cool sensation sweeps up your arm like a spray of mist. Kano feels it, too. Her eyes widen slightly but sheâs quick to cover her surprise with a laugh and starts rambling, âIâm calling it âSugar Water!â Itâs actually based on a family recipe. Grandma would kill me if she knew how much sweetener Iâm putting in, but the first customers I gave it to said it was kind of blandâŠâ
Sheâs not just latent. Sheâs a witch. Her grip on your hand lingers a moment too long, squeezing firmly before she lets go. Her eyes dart down to the collar on your neck, seeing it for the first time in the light, and then she makes herself look away. You wait for something more; another meaningful glance, a smile, telepathy, even just her lips shaping secret, silent words. Nothing happens. The reunion youâve dreamed of never comes.Â
âSo what did you think?â Kano says, something nervous edging into her tone. She glances up again but stops short of your face, looking warily at your collar.Â
âI liked it,â you tell her. âThe steam is really nice and fragrant.â
She beams and clasps her hands together. âOh, Iâm so glad! So youâll definitely come in again sometime, right? Wait, hold on, Iâll give you a card! I have a hole-punch reward program and everything.âÂ
Maybe thereâs a message hidden in the blocky text printed on the cardstock, or an enchantment concealing something. You hope there is and you know there wonât be. It wouldnât be safe. Your fingers brush as she passes it to you and the sensation of chilled sparks from your magic greeting hers is weaker this time, deliberately smothered. You shut this secret behind door after door after door, quarantining it in the back of your mind under lock and key. You swallow all the questions you want to ask and stifle the urge to wrap your arms around her and never let go.Â
Kano looks at you like she wants to say something, but she never does.
Mihai is standing in the doorway when you come back to his side, green and pink Komorebi Cafe loyalty card safely ensconced in your pocket. âWe can come back another time,â he says. Your dismissive shrug makes him laugh. âYou donât want to go yet. Itâs all over your faceâŠâÂ
He trails off, staring into the distance. Then he shoves you back, hard enough that you stumble and have to catch yourself against a table. âStay. And lock it behind me,â he says. Then he slips out the door and heâs gone. Youâre still standing there in confusion when Kano moves around you, touching your shoulder as she goes, and fiddles with her keys.Â
âItâs safer in the kitchen,â she tells you.Â
The question doesnât quite make it off your tongue when youâre struck with an awful feeling. Youâre nervous without knowing why, your pulse racing, cold sweat and goosebumps prickling all over your body. You feel watched. Trapped. You back away from the door and the windows. You know what this is. You felt something like this every night at your last job. The whole building exuded this same nauseating aura of dread.Â
âThatâsâŠâ You donât finish the thought. Your throat constricts with terror and you can barely breathe.Â
Kano just nods and you follow her without hesitation. The door to the kitchen is flimsier than youâd like, a lightweight faux-wood panel that even a hatchling could rip off its hinges, but itâs all you have. The back door, at least, is a proper metal slab, so thatâs one less point of entry. Kano hands you a roll of sticky, transparent material stamped with protective enchantments and she takes another, and you paste them all over the vents, the drains in the sink basins, all the little gaps in the door frames, anywhere that something might try to squeeze through.
âDonât be stingy with it,â she says, plastering over your work with even more clingy sheets. âThe Council hands these out for free. Iâve got a pretty big stockpile.âÂ
âDo you get a lot of lemures around here?â you ask nervously.
âNot usually. But they come in seasons, you know. Sometimes you wonât have any for a while, then they all come at once.â She checks her phone, then texts someone who texts back almost immediately. âThe CTFâs on it. Looks like thereâs been a couple sightings tonight.âÂ
The lights flicker. You cram yourselves into the safest spot you can find, crouched between industrial refrigerators and storage cabinets.
âCome on,â Kano whispers. âCome here.â She holds her arm open.Â
Youâre trembling. You want to be there, squeezed in beside her, butâŠ
âJust for a little bit,â she says softly.
So you go. This is how itâs meant to be; tucked against each other, leaning into your shared body heat and feeling your hearts beating together. You can breathe again. Your magic twines together, ebbing and flowing, pulled between you in playful tugs before it settles into perfect equilibrium. You nuzzle like cats, cheek to cheek, nose to nose, buried in the crook of her neck as she hums in quiet contentment. You canât remember the last time you had the chance to do this. Itâs hard to pull away. Kano manages it first but she gives you one last affectionate rub, nosing against the side of your head and letting out a breath. Her magic leaves with her and yours lurches, wanting to follow.Â
You want to know who she is. Where she came from. What she likes and where she lives and all of her favorite things. If there are others, if she knows. You want to know how and why the Council thinks sheâs latent. You want to know if she plans to leave, and where sheâll go. And if sheâd take you with her.
You donât say anything. The words build up in your throat, behind your teeth, and you have to swallow them back down because the moment has passed and anyone could be listening.
The lights flicker again, dimming longer this time. Thatâs when the skittering starts. You exchange nervous looks with Kano. No, you didnât imagine it. She heard it, too. You can hear something in the walls. Scraping sounds. Breathing.Â
It tries the vent first, clanging around above one of the industrial ovens. You hold your breath watching the warding enchantments bulge from the other side. Nothing should be able to squeeze itself between the metal slots on the cover, and yet a thin, sharp appendage like an oversized proboscis pokes and prods through the narrow openings. The enchantments hold. The thing retreats from the vents and starts circling again, searching for openings. It sounds like a tangled mass of rats all running in different directions; a spider the size of a car. Leg after leg after leg crawling up into the ceiling and down beneath the floor tiles, tapping against the other side of the wall.
It hisses, long and shrill. Then the hiss warbles, pitch zigzagging, and other rumbling noises join in. It keeps trying, adjusting, softer than firmer, higher then lower, until it settles on something convincing.
Kano grabs your arm and squeezes so tightly it hurts. The thingâs hiss becomes a sigh, and then quiet laughter. You hear an unpleasant, wet sound like a dog noisily drinking something. Tasting the air, the walls, the memories left behind in the Komorebi Cafe, Kanoâs thoughts and fears settled into the foundations. Its voice strengthens the more it speaks. It sounds like a man, settling into an airy tone and playful cadence. It must be imitating someone she knows. Someone she doesnât want to see.
âKano. Hi, Kano. Can I come in?â It paces around you again, circling behind you, on your left, nudging through the pipes in the sink before it hits the enchantments stuffed in the drain and then slinks back down. âHey, donât be like that. You know Iâm here to help. Kano. Donât keep me out like this.â
Kano canât go any further into the corner but she tries anyway, curled up as small as she can make herself. You get in front of her so youâre all she can see, hands on her shoulders, resting your forehead against hers. âStay calm,â you tell her, hoping you sound even a little bit calm or certain. âLook at me or close your eyes. We have to stay calm.â
Being scared makes it stronger. You can both hear it under your feet, in tunnels or pipes or, impossibly, just on the other side of the tiles, prowling inverted mere inches away. It sounds big and itâs solid enough to touch things, to make noise and have weight. Youâve never seen a fully matured lemure like that before, only the destruction they leave behind.
Kanoâs hands shake around her phone. She calls someone but it never goes through. Little red exclamation points appear beside every text she tries to send.Â
Mihai! you think desperately. You squeeze your eyes shut and throw your thoughts as far as you can, shouting into the dark. You donât know if heâs close enough to hear you but you keep calling for him, searching for the snapped threads of connection.
The skittering stops for a moment. You hear the lemure scraping at the other side of an outlet. When it starts to pace, itâs slow and meandering. It tastes the air again. It makes a hoarse barking sound like itâs clearing its throat. Its voice changes, thinner and raspy.
âIâve made myself weak tonight,â it murmurs, and your heart drops into your stomach. It sounds just like Mihai. âYou can test me properly.â
It tries the vent again. The sink again. The outlets, wriggling more of itself against the wards. It pushes against everything at once and you hear things shattering above and below, wood snapping, steel groaning. A bulb bursts, raining glass on your shoulders. Kano sobs into your chest. Something violent happens in the next room and you know itâs gotten into the building, its skittering louder and sharper than before. The handle on the kitchen door rattles but doesnât budge, slathered in paper wards.Â
âSomeone should clip your wings,â it whispers, and then something slams against the door. And again, harder. And again, making the wards peel back and rip down the middle. Kano wails and you cling to each other as the door cracks and splinters further, and tendrils of shadow pour through every space in greedy eagerness.
Something else comes barreling through the cafe with a bestial roar, its heavy sprint smashing tile with every step. The lemure rips away from the door, shrieking. Thereâs a thunderous collision; furniture snapping like twigs. Two behemoths smash into each other and all you hear is carnage, the squelch and bodily splatters of something being butchered alive. You donât think youâll ever forget the noise. Chunks of meat hit the floor and gore sprays the walls. They rip and tear and pulverize until only one remains, panting like an animal in the awful silence. Something lands heavily on the ground.
Your pulse pounds in your ears. Kano doesnât move. You donât want to but in the quiet, thereâs this soft wheeze and the strained start of a whimper. Like a dog, you think with dawning horror. A dog whoâs hurt, who canât get up. Kano grabs at your sleeve when you start to stand and follows you to her feet. You inch towards the door, the wards now a cloudy, sun-baked yellow speckled with mold-like splotches to show their damage. It opens easily. Chunks of wood fall off when you push through.Â
All thatâs left of the lemure is a giant stain, black and faintly iridescent like an oil slick. It bubbles and gives off heat. Collapsed in the boiling ink spill is a nightbound with a hunting form unlike anything youâve seen before. Itâs wolf-like, its strangely bent legs and elongated paws distinctly canid. There are so many scars on its body that its fur only grows in thin tufts and patches, most of it gathered along its shoulders and back in a thick black mane. The head is its strangest feature, disproportionately large and unwieldy. Its snout protrudes far beyond a wolfâs maw, the flesh teeth-lined and gnarled stiff.Â
A borzoi and an alligator, youâd thought before. You had no idea how right you were. Itâs Mihai, just as he was in the Council headquarters. This is what he looks like in hunting form. Heâs curled up defensively, the sharp angles of his shoulders straining beneath the skin of his back.
He doesnât have wings. There are no nubs or growths where something might have been cut, no scars suggestive of anything more than general injuries. You stare at the ridge of his spine and his blood-slicked mane in dim confusion. Heâs supposed to have wings, isnât he? Donât they all have wings?
Screeching brakes and whistling wind alerts you to someoneâs presence outside. The CTF, probably. Youâre in shock, only faintly aware of noise and movement around you. Nightbound fill the cafe, speaking solemnly to one another. One inspects the lemureâs remains. Several start hauling boxes full of equipment for a cleansing. Youâre herded out the door with Kano and surrounded by glinting eyes and worried faces.Â
âI want to go home,â Kano insists over and over, her voice quivering, but they keep asking her if her head hurts, or her throat, or if her eyes are burning, or her nose is running. âIâm fine. Can I please go home? I donât want to be here anymore.âÂ
Someone volunteers to give her a ride. You donât say goodbye but you look at each other one more time before sheâs gently eased into the passenger seat of a CTF vehicle. You try to go back inside but someone stops you.
âIs he okay?â you ask. The frown you get in response makes you even more frantic. âIs he hurt? Let me see him.âÂ
âItâs alright. Everythingâs going to be fine,â the nightbound says with patronizing softness. His gaze flits down to your collar. âWhoâs your partner? We should really get you home.â
âHeâs part of my convenire. Please let me see him,â you say desperately.
The nightbound looks startled. He steps aside reluctantly and starts to say something about how itâs all very delicate and you need to be careful, but youâre pushing past him before heâs done. Mihai is out of his hunting form. Not enough strength to maintain it, isnât that what he said? This couldâve gone badly, you realize, horribly if heâd fallen out of it any sooner. Several CTF agents huddle around him, their voices low and pleading, but he keeps shaking his head and mumbling weakly.Â
âMihai!âÂ
The sound of your voice makes him twitch, muscles flexing like heâs trying to get up. He looks up at you with a tired smile. Itâs easier to tell heâs hurt without all the fur. It was a close fight. Blood pours from somewhere beneath his bangs and slicks his shoulder, forcing one eye shut.
âOkay?â he rasps. Blood dribbles from the corner of his mouth. âNot hurt?âÂ
âNo,â you say hoarsely. You kneel beside him, pushing his hair out of his face. His skin is clammy with sweat. He trembles and leans into your touch, whining softly.
âHeâs not taking blood,â one of the nightbound tells you. He holds up a plastic pouch with fine print all over the label pasted across the front, a butterfly stamped in the corner.Â
âWhat? Why?âÂ
Mihai shakes his head again and groans, burying his face against your knee. He feels feverish. You squeeze his hand and he barely squeezes back.
He speaks through the connection so only you can hear. Even there, his voice comes through strained and quieter than usual. âAll emergency medicinal blood is witch blood,â he whispers. âIt comes from captives and strangers. I wonât take it. I havenât earned it.â
âThen take mine.â
He makes a pained sound. When you stroke his hair, he turns to kiss your fingers. âI havenât earned yours, either.â
âYou can have it! Iâm offering it!âÂ
âYou shouldnât,â he chides you. âYou donât trust me yet.â
You donât know what else to do, so you resort to the language you know he prefers. You clutch his hand to your heart and close your eyes, and you imagine crisp, night wind, rustling leaves and the scent of moss.Â
In the forest, you find him staring back at you in surprise. You are both bare, the moonlight shining upon your shoulders. There is a fire burning behind you; heat on your back, a halo of scarlet. Mihai sees the flames but not the thing thatâs burning. Youâre not ready to tell him about it. Youâre not sure youâll ever be ready. You might take that with you to your grave. But youâre here with him. Youâre not going to leave him alone.
His brows furrow. He thinks you pity him.Â
You smile and shrug. Maybe you do. Maybe you feel a lot of things for him and itâs hard to separate or name them. But thereâs a sense of kinship, too. You feel it more than youâd like to admit for all of the hatchlings, but itâs strongest for him. You reach for his hand, lifting it, threading your fingers together. You wonât bury him. Your trust wonât come all at once. Itâll have to be a slow thing; more quiet nights, more glimpses, more drinks shared over the same table.
He has some of it already. Just a little bit. Just enough that youâre willing to lift your head and bare your throat to him in offering. You feel him tense; see him swallow. His hand shakes when he brings it to the side of your neck, stroking your pulse. Asks, wordlessly, if youâre sure.
You think of the lemure; your fear and your relief hearing him tear it to pieces; his smile, lying on the floor bleeding out. You shut your eyes. Youâre sure.
The forest recedes in a rushing blur, overtaken by the wreckage of the Komorebi Cafe. Youâre on the floor, staring at shattered tiles, and canât remember how you got there.Â
âEasy now,â someone says warily. The CTF are still here but theyâve backed off, keeping to the edges of the room. âNo oneâs going to take your witch.â
Mihai growls. Heâs on top of you, you realize, his voice directly beside your ear. âNo need to use that tone. Iâm not a hatchling. Iâm lucid, but my instincts are aggravated. Keep your distance. Wait outside, preferably.â Nobody moves. Mihai sighs heavily and grumbles something you donât catch, his hand sliding up and down your spine reassuringly.
When you try to lift your head, his grip turns harsh. Mihai grasps the back of your neck and keeps you down, the growl returning softer than before.
âDonât move,â he murmurs.
âAre you okay?â you ask. You canât help but try and turn, wanting to look around, see the room, the CTFâ
âStill,â Mihai orders. A rush of mesmerism forces your muscles to unclench and your limbs to drop. The floor tiles are cool against your cheek. âSorry,â he says, sounding strained. âIâm notâthis isnât how Iâm used to feeding. Doing it so rushed, on the floor like this, makes it feel like play. LikeâŠâ
He shifts his weight on top of you and you feel the unmistakable twitch of his cock, half-hard against your ass. Embarrassed heat fills your veins. Heâs naked and arched over your back, panting quietly against your ear.Â
You raise your voice to address the CTF agents who you never heard leave. âDo you really have to be here for this?âÂ
âYes,â one says bluntly.
âNothing we havenât seen before,â says another.
A third adds, a bit too cheerfully, âArousal is a perfectly natural reaction to feeding, itâs really nothing to be embarrassed about. Iâd be surprised if either of you last longââ
âPlease shut up,â you beg.Â
Mihai works the collarâs clasp apart. It takes him a while with his hands shaking as badly as they are. Once itâs loose, he tosses it somewhere beyond your line of sight. His lips are on your nape in an instant. The bite is a quick, shallow pinch and it hurts more than they usually do. Mihai doesnât drink from the puncture. He kisses it instead, lavishing the small, oozing mark with long, sensual drags of his tongue. His hands start to roam, slipping under your shirt and palming your chest, mapping out your skin as he keeps you close to him. His hips move in languid drags like heâs teasing you. You feel his cock fill gradually, hardening a little more with every small sound he drags out of you.
âRelax,â he whispers.Â
One of his hands trails lower, working at your clothes until you feel the cold air on your backside. He doesnât undress you completely and that makes you feel even more exposed somehow, your shirt bunched up and your legs trapped together as he slots his hips against yours and pushes his cock between your bare thighs. He keeps stroking your spine with one hand as he squeezes your hip with the other, thrusting in a slow grind that smears precum along your inner thighs.Â
âArch your back. A little more. Lift your hips.âÂ
Mihai arranges you into an even more compromising situation, raising your lower half while keeping your head on the floor. You get it wrong the first time, trying to sit up again. He corrects you with a nip beneath your ear, pinning you by the nape again and squeezing. Your skin tingles beneath his palm. When you stay put, youâre rewarded by his hips moving again, his cock pushing between your thighs and grinding against your sex. Arching into the friction and moving back against him earns you a soft moan.
âI wanted to prepare you more, but thereâs no time,â he says, his voice strained. âItâs going to hurt. I couldnât get enough venom out to put you into heat.âÂ
Youâre not sure you heard him right and you donât get the chance to ask before Mihai sinks his fangs into your neck. He wasnât lying. It really hurts. The pinch you felt before is nothing compared to the deep, penetrating sting of a proper bite. It aches worse every time he draws blood from the wound and you canât help but squirm instinctively, trying to wriggle away.Â
Mihaiâs grip tightens. Wordless animal ferocity surges through the connection between you. You feel his hunger and indignation. He caught you, pinned you, made you surrender, and wonât deny him his prize. But beneath the red hot flashes of this showy anger like a wolf baring its teeth, you also sense the bubbly excitement of a wagging tail. Itâs all a game; a play-hunt. The pain wonât last and he will lick your wounds when itâs over.
He tries to help. He explores your skin, searching for weak spots where youâre most sensitive. His hips move faster and his thrusts grow harsher, every frantic back and forth motion rubbing against your sex. Bent over on the floor with your legs caught in your clothes and his weight holding you down makes it feel dirtier, more primal, and the tingling all around his bite starts to warm into pleasant shivers.
âAre you starting to feel it?â he whispers into your mind. Heâs louder than you thought heâd be. He moans into the bite and breathes in harsh pants through his nose. âI had to teach myself how to administer venom so neither the technique nor the results are typical. Youâll experience it properly next time. This is just a taste.â
Itâs nothing like Orionâs or Renaudâs. Their venom hit you all at once and drowns you in sharp, unrelenting pleasure, heightening every sensation and turning the pain of the bite to ecstasy. Mihaiâs takes longer, its influence gradually creeping up your spine like the lick of flames growing larger and hotter. You feel feverish, lightheaded and achingly empty. You try to spread your legs without thinking about it and whine when you canât get them far enough apart. Mihaiâs hand curls around your neck and cups your chin, gently guiding your head to a slightly different angle so he can drink more deeply. The sensation is maddening, still painful yet deeply satisfying.
Inside. Thatâs all you can think about. Mihai, inside you, however you can have him. His fangs hurt but they belong there and you feel yourself arching your back, begging him to penetrate you more, again, deeper. Mihai groans against your neck and his hips buck wildly, the head of his cock catching and slipping past your entrance. His hand leaves your hip to grasp himself by the base and you feel him shift on top of you, his stance changing, widening, his weight settling differently.Â
Dimly, you recall he said something about heat. Like an animal. That mustâve been what he meant, because heâs mounting you like a beast about to rut its mate. The noises he makes are feral, grunting and growling with his teeth in your neck as he folds himself against your back with his hips molded to yours. He moves completely on instinct, humping mindlessly. Every quick jolt drives him closer to your entrance until you feel the thick head of his cock stretching you open.Â
The forest flashes through your mind. Mihaiâs mesmerism drags you there again and somehow you are both places at once, surrounded by beige walls and evergreens, the scent of coffee beans mingling with moss. Mihai takes you on the floor of the Komorebi Cafe and in this strange wilderness, his claws scraping broken tiles and tangling in the grass. He drags his fangs out of your flesh and pants against the slow ooze of blood trickling down your neck, but his hips never stop moving. If anything, he ruts even harder now that itâs all he has to focus on.
âThank you,â he whispers, his voice in your mind gone breathless. âThank you for this gift. For your blood and your trust. Next time will be different. Iâll show you how itâs meant to be.â
You couldnât answer him if you wanted to. His relentless, animalistic fucking drives the air from your lungs and the pleasure echoes, the warmth of satiation and burning lust blooming in the connection between you. You lose grip on everything but the sensations of being claimed.
Mihai doesnât tell you heâs close but his body warns you. Thereâs a growl rumbling beneath every sound he makes and he starts shifting restlessly, subconsciously searching for the right angle to press even deeper into your tight heat. His stance widens and his nonstop pounding rhythm falters, his thrusts getting slower, more rolling and grinding, refusing to pull all the way out of your body. He drags you to the edge with him with wave after wave of smothering mesmerism, emptying your mind of everything but your shared pleasure.
You cum when he does. He doesnât give you any other choice. You cry out and tremble uncontrollably, consciousness wavering at the onslaught of his ecstasy cresting alongside yours. You feel warm; heavy; truly sated. Full to the brim and sheathed in squeezing, pleasant heat. Mihai pumps his hips in several last, frantic thrusts. He stays buried inside you until heâs fully spent and soft. When he pulls out, his cum spurts out around him and trickles slowly down your thighs. He collapses onto his side and drags you with him, still catching his breath.Â
âNeed something for mending,â he says raggedly, holding out his hand. Thereâs footsteps; shadows moving over you both. Mihai holds you, murmuring indistinctly and rubbing your back when a sudden cold, wet sensation on your neck makes you whimper. Feeding often leaves you a little groggy but this is worse than youâre used to. Everything sounds muffled and you can barely keep your eyes open. Mihai strokes your cheek. âYouâre alright. Itâs a side effect of my venom. Iâve got you.â
You donât want to fall asleep here but exhaustion tugs your mind deeper into the dark. You cling to Mihai and he keeps you curled against his chest, stroking your spine reassuringly. âWanna go home,â you mutter.
âI know. Iâll get us there,â Mihai says. He nuzzles into your neck and hums softly, sounding perfectly content.Â
âI didnâtâŠI meantâŠâÂ
âHush. I know,â he says gently. Connected and nested in your conscious mind, he knows youâre lying. You didnât think of your old apartment when you said âhome.â You thought of ornate wrought iron gates, a long, steep driveway, and the parlor where you spend most of your time.Â
Heâs kind enough to let you hide your face and shut your eyes and keep believing heâs none the wiser.
How .. common? For lack of better word, are nightbound territories? theyâre quite large, as youâve stated, but they donât cover every inch of the earth, right? Are there swaths of land that are human ââterritoriesââ? Would a witch be safer from nightbound (ignoring the human dangers) in a majority or only human city, if that even exists outside of a nightbound territory? Or are the human dangers so great they prefer to take the risk with the nightbound?
Youâve mentioned itâs dangerous outside of nightbound territory when it comes to lemure nests and such⊠so does this divide not exist solely due to humans making use of the nightbound to keep a lid on lemures? Are there just large areas of uninhabited, unclaimed land thatâs a no manâs land due to these dangerous beings?
Iâm so curious!! Thanks for humoring me, sorry to add to your pile of asks đ love your work so so much
âfairly commonâ feels like a uselessly vague answer, so hopefully answering the rest of these will help lolÂ
yes, there are âunclaimedâ places without any nightbound presence. as is the case for a lot of things, when it comes to witch safety, it depends on how those humans feel about kin and who they trust less. some are even worse than claimed territories and will immediately surrender a witch if the ctf comes looking. others will do everything they can to stall and impede proceedings until any suspected witches in the area make themselves scarce, just to spite the nightbound. there are even unclaimed places that are âinformally claimedâ by dissenters just to keep councils out, although these are much less common.
and the nightboundâs utility as powerful combatants is a big part of why humans tolerate them. there arenât any completely lifeless wastelands, but unclaimed territory (and even the outskirts of larger territories) have a lot more trouble with lemures. as an ordinary human, you get to pick your poison: live in a claimed territory with one kind of monster being in charge of everything and watching everyone at all times, or live in an unclaimed territory where other kinds of monsters might run rampant for a week before the local government can call in help from a few cities over?
How do meanvamps deal with periods? I mean like feeding schedule wise, are afab sacraments on a stricter schedules than amab witches? Is there some kind of "how to not accidentally kill your first witch" guide? Do they know how to balance with food cravings (their own along with the witch)? And most importantly, how would they handle witches with blood disorders than makes practically every drop of blood a precious resource for the witch in question???
Are there witch blood donors????
i've got a soft spot for the concept so i'm very excited to present the inaugural meanvamps âvampires and periodsâ question(s) lol
there are nightbound out there who are absolute fiends for menstrual blood. some probably dislike it and some are ambivalent because they tend to have very particular preferences, but there are some who are heartbroken that itâs only an occasional treat and they canât live off of it all the time.Â
beyond the taste, it also gets their instincts going to have a partner vulnerable, weak or in pain, who might be shy or alarmed about giving blood this way, and be able to satisfy them while also slaking their own thirst. not all nightbound bother with sex or all that much foreplay beyond using venom, so this is a unique form of intimacy that some might find extra appealing.Â
menstrual cycles require a slightly intensified roseblood regimen to compensate for the extra loss of iron, but proper adherence will ensure it has no effect on the feeding schedule.
thereâs almost certainly a guide, maybe even a class or mentorship, that partnered hatchlings go through for the safety of their first witch. they donât generally get partnered before theyâve mastered self-control, but theyâre still young and inexperienced. the ctf checks in a lot during the early days to make sure everything is going smoothly.
when it comes to blood disorders, some things can be treated or managed with the roseblood regimen and some canât. hunger drives nightbound ingenuity so theyâve spent centuries refining the feeding process and ensuring as many humans as possible can give blood. roseblood allows a single donor to produce much more blood than they need but it creates serious chemical imbalances that have to be mitigated with a fortifying diet, so there might be people who canât use it safely.
and yes, witches are required to give blood. the nightbound have cleverly tied this into the roseblood regimen, since all that excess blood needs to be drained somewhat regularly. donated witch blood is used mostly for nightbound medical treatment and as emergency supplies for combat situations (ie powering up one's principles before dismantling a shade nest). territories with a large enough witch population might also set some aside for recreational use, albeit restricted to special events (such as holidays or formal inter-territory gatherings).
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like most ancients who respect the treaty of aneptyra, avudim considers himself "unsuitable" for partnership. he knows himself well enough to know he wouldn't be satisfied by the arrangement.
far from the chaos unfolding in belvedere point, you've been living an ordinary, miserable life punctuated by mysterious letters from a stranger. the newest one claims that it's time for you to come home. you're not sure how you feel about it, but that doesn't matter because home is about to come to you.
->another story from the vow. contains gore, murder, implied past child abuse/neglect, obsessive behavior. also on ao3.
.
.
.
You know this one is different. It looks just the same as always. No heavier and no less ornate, but you know. This is the one youâve dreaded.
The envelope is a genuine antique. Aged to the soft, crumpled yellow of old parchment, it arrived mysteriously in your mailbox unblemished by a sender or return address. The wax seal is plum-colored and misshapen like a bruise with a stylized flower stamped at the center: five tapered petals, a star of blushing indigo. You hesitate before you rip it open, unfolding five pages of vintage letter paper adorned with calligraphic penmanship. The formality is jarring spread across a cheap folding table.
âChild of Mandragora,â you are addressed in elegant cursive scrawl, âthe time has come for you to return home.â
You should read it carefully but you donât have the patience, skimming empty platitudes, stupid questions, irritating assumptions, flattery, poetic turns of phrase, hollow words from a stranger who claims to love you. You used to look forward to these. Used to believe, unquestioningly, everything they said. Love is the greatest wish of any child adrift and unanchored, no matter how strange. You never wondered how these letters made their way to all of your foster homes, or how they came like clockwork for every birthday, holiday and school year milestone. You only cared about the sweet words they held, the love they proclaimed and the promises they made.
Someone out there loves me, you always believed, no matter what happened. Someone will come and save me.Â
Here, at last, after youâve aged out of the system and clawed your way into a miserable life of your own, sitting in your shitty shoebox apartment with mold speckling the ceiling and generations of flies caught in the window screen, it finally happens. The letter youâve always wished for arrives years too late.
âEverything has been prepared for your arrival,â it says. The penmanship gains an uncharacteristic messiness here, loose and oddly spaced as though the writer could not contain their excitement. âYour chambers have been furnished with the necessities, though I have left ample room for anything you would like to bring with you. The day of your return shall be one of feasts and celebration. The House will suspend official operations and all members shall be recalled so you may have an opportunity to become acquainted with your true family in your true home.â
Thatâs it, more or less. There are some weak apologies, some insistence that the wait was necessary, some more assurances that you are precious, perfect and more beloved than you could ever know, but no explanations. No acknowledgement of how long youâve waited or what youâve endured. A printed ticket is tucked between the fourth and fifth pages, informing you that youâre expected at the train station early tomorrow for a one-way trip to Belvedere Point. The flourishing signature at the bottom of the last page is illegible save for a capital âO.âÂ
You think about ripping it up and burning the scraps. Maybe you should. Maybe thatâs the wisest decision; certainly the safest one. Decades of disappointment and the pangs of adulthood gave you the distance necessary to understand the freakishness of these letters. No faceless stranger should be able to track you so efficiently. You think it might be a relative. Your âtrue kinâ from your âtrue home,â someone who thinks blood ties mean anything when youâve always had to fend for yourself. Now they expect you to drop everything and come back.
But you donât burn it. You donât even shred it, or throw it out, or fold it up and put it away. You sit there and stare uncomprehending at words that another version of you, long dead, would have given anything to read, and you feel so many bright and blistering things at once that they turn to the muddy color of every paint on a palette mixed together, leaving you numb.Â
What am I supposed to do with this? you think.Â
You donât go, for starters. Obviously, you donât go. All that sweet talk and not a single question about who you are now, what you do, what you like, what you dream of. Just a ticket to a place youâve never been and complete confidence that youâll do as youâre told. You donât know these people and they donât know you, no matter what they say. So you won't go. It would be insane to go.
The ticket is an awkward email printout, full-page size. Extraneous information at the top, barcode at the bottom. Itâs the page you look at the longest, imagining things that wonât happen and people you wonât meet, because you arenât going to go. You know youâd only end up disappointed.Â
You know that, and you still stare at the ticket, and an hour passes in indecision.Â
Thunder rolls along the apartment roof and throttles the windows in their frames. You get yourself together. No time to worry about anything but getting to work before the downpour. The letter stays right where it is, spread across the table, the ticket off to the side. You give them one last look before you leave it behind.
Standing beneath the gray awning of a bus stop, you look up Belvedere Point on your phone. Just for fun. Just to see. Itâs a place you only know in an abstract sense; a name with no face, letters on signs that point elsewhere. Seaside Chicago, they call it apparently, a consistent top three contender in Hidden Gems of New England listicles. Itâs got art deco skyscrapers, Cape Cod houses, yacht-filled marinas, old churches, streets lined with lanterns that they wrap garlands and string lights around in the winter, blue skies and brownstone apartments and hilly boardwalks descending onto beaches. And you know thereâs more to it, that it canât all be pretty and pristine, but seeing it and thinking about handwritten letters on fancy paper gives you an awful feeling.Â
The bus comes squealing to a stop in front of you, full of the languid sort of crowd that comes in the lull between lunch and the evening rush. People fidget nervously when you get on. The boldest inch away, abandoning their seats entirely for the more congested end furthest from you. They stare like caged animals. You look out the window and your weary reflection looks back. You wonder about the buses in Belvedere Point.
The rainâs coming down in sheets by the time you get to work. Thereâs a bad storm brewing and the sky keeps getting darker. You fight the wind to keep your umbrella open, pushing towards the superstore glow at the end of a strip mall where Chateau Chic looms over its own stretch of sparsely occupied parking lot. Youâre greeted by a reluctant coworker whose name you should really know but you wonât be here long and you both know it.
âHow about this weather?â he says.
âSure is something,â you say. And then he wanders off, pretending that something needs doing. Chairs pushed closer to tables. Bedspreads rearranged, retucked, refolded. Anything to be elsewhere. Thereâs just a handful of you on second shift and they all make themselves scarce when you show up. Itâs no different than the people you see on the bus; downtown; in line at the grocery. You lasted a couple weeks at the front of the store before your boss put you in the back handling inventory instead.Â
The kinds of customer complaints you generate are nonspecific and unactionable. âJust kind of creepy,â people say, but no, you didnât say anything off, and no, you didnât really do anything wrong, and well, no, actually, you werenât the one aggressively pitching a five year warranty on couch springs and upholstery like a used car salesman, but that doesnât matter. Sometimes youâre elsewhere in the store entirely, putting another fake plant on a shelf full of them, and a couple looking for new patio furnishings will feel the need to ask for management to make sure youâre supposed to be there, doing that.Â
Your boss pokes her head out of the office in the back. She wants to talk, she says. Just real quick, she promises. It feels a little too soon for the shaky excuse of position cuts but sheâs around you more often than most of your bosses and has gotten wary even faster. You slip inside and she hurriedly assures you that you donât need to close the door behind you, and really, donât worry, this wonât take long. You pull up a chair and she leans back further in hers. Sheâs smiling like sheâs got a gun to her head and you think this is probably it.
And then the power goes out.Â
It all quits at once. The vents stop humming. The music dies, one last squeal of melodic synth fading into an echo. Total darkness consumes the store, too sudden for your eyes to adjust. A few people shout in surprise. You fumble for the flashlight on your phone. Your boss is half out of her chair by the time you can see anything again, looking alarmed as she rises to her feet.
âEveryone alright?â she calls.
Someone says, âYeah.â Someone waves across a sea of heavy vintage bookshelves and king sized beds. Little phone lights come on across the store. Itâs pitch black everywhere but the very front where itâs only dark gray, the rain casting slithering shadows on the windows.Â
âDoorâs stuck,â somebody calls from the front.Â
Someone else screams, and then stops screaming just as fast. Shock holds everything frozen in its grasp for an agonizing moment and then all hell breaks loose.Â
âOh godâoh my god!â shouted and echoing, and running and tripping and scrambling, chairs toppling over and ceramics shattering, shelves teetering and wood splintering in a panicked rush to get out. And someoneâa man; a stranger, not a coworker, not a voice you recognizeâsomeone saying something, and saying it again louder and angrier and too close to where you are. Your boss is gone and youâre not going to look for her, stumbling your way to the wide double doors that lead to the warehouse.
You donât get that far. Someone snags you, catches your arm and drags you to a bruising stop, manhandling you closer and saying, âListen to me, listen, donât fight, I need you to listenââ
You twist and lash out and that makes him angry, makes him have to wrestle you around and drag you to the floor with him, and you know youâll die if he gets you still. You know, in flashes, in heartbeat flashes of lightning, that heâs got a gun or a knife or something gray that glints that can hurt you, so scream and flail and you bite when you get the chance. Heâs got gloves on, leather from the smell and the creak of it when he tries getting a grip on your windpipe, but you latch on like a wild dog anyway and find flesh where his sleeve rides up. You taste skin; sweat; blood; meat. He screams and kicks you in the head.
Itâs all in and out. Nothing, then everything, then ears ringing. Pitch black and then shadows and shapes. Vertigo, and then youâre crawling, one arm, the other, dragging yourself behind a heavy, angular something that you canât quite see in the dark, dropped your phone and canât remember how, when, where. You curl up on the floor and wait for the hurt and the throbbing to stop. You fade and then you snap awake, jolted out of a daze by voices breaking the quiet. Itâs eerily, hauntingly quiet except for two people talking.
ââŠreally fucked that up.âÂ
âLooks fine to me. No witnesses.â
A sigh. âNo intel, either. You even ask anybody?âÂ
A scoff. âYeah, and what fucking difference did it make? Nobody knew anything. Letâs go.â
âCanât leave yet. Weâre supposed to confirmââ
âHeâs supposed to confirm. Look at him go, heâs doing it now.â
âYouâve never done a Styx job, have you? Theyâre not gonna like this.âÂ
âWhy? We did everythingâfucking shit, goddammit!â A pained hiss and then movement; leather peeling off, a sleeve pushed out of the way. âFuck, what the fuck! Shine a light over here, I think Iâm bleeding. Hurts like a bitch.â
âBleeding?âÂ
âGot bit,â through gritted teeth. âFuck, it really hurts. Itâs burning all up my arm.â
Coarse laughter. âWhat, was one of âem rabid?â A faint glow. Then a primal, choked sound of disgust. âOh Jesus.â
A little louder now, âWhat is that? Is it blood?âÂ
Louder, âItâs your fucking skin. Youâreâgod, itâs falling off, man!âÂ
Screaming, âWhat do you mean itâs falling off what the fuck do you mean!â
Your headâs still spinning, pain still radiating from the bruise on your scalp where he hit you, but you have to get out of here. Have to try. It takes everything you have to roll over and then lay there, nauseous with pain and catching your breath, staring up at
eyes.
Your pulse starts thundering again. Thatâs notâthat doesnât make sense. Itâs too dark. But thereâs someone standing over you and you can see their eyes in the dark the same way youâd spot an animal on the side of the road, a glinting leer from the ditch as your headlights sweep past. You can tell they move. That they come closer, crouching beside you. That they lean in and take loud, audible sniffs of the air and shut their eyes, those twin silver gleams hidden for a moment before they shine bright again. Fingers, tipped sharp like claws, caress your cheek.
âArenât you peculiar?â the thing murmurs. Human after all, or something close to it. Its eyes grow distant again, looming high above. It looks over the back of the couch you tried to hide behind. âIs this the one that bit you?â it calls.
The men are still panicking when they come rushing over. One shines a light directly into your eyes and you wince, squeezing your eyes shut. âI donât know. I donât know. I donât fucking know,â one of them babbles. âMaybe? Yeah? I guess, yeah, I didnât finish the job. Look at my fucking hand. What am I supposed to do?â
The light shuts off. You canât see anything but spots for a minute but the dark smooths into silhouettes eventually. Two men and one thing pretending to be a man.
âYou die. Within the hour, ordinarily, but this one hasnât been eating properly,â the thing muses. âThe Ferrymen offer their sincerest gratitude for your service. You have been tremendously useful, albeit through sheer incompetence.â You canât tell what happens, only that itâs swift and comes without warning. Both of the men cry out in pain and then they crumple at the thingâs feet. Puddles of blood spread like ink across the floor.
You try to move. It doesnât stop you. But it follows as you twist around and start to crawl again, walking beside you like a wolf trailing a limping rabbit.Â
âAnd now you,â the thing says, sounding intrigued and furious. âWhat am I to do with you? What else can I do but what the lords have asked of me?â It lowers its voice to a soft murmur, something almost tender. âDonât they know what you do to me? The mere sight of you, the scent of your poisons, however diluted, on your breath, itâsâŠâ You hear a long, trembling sigh and then youâre rolled onto your back again, pinned in place with the thingâs weight settling on your hips. It wears something leathery and form-fitting, coarse and flexible material that clings to slopes of solid muscle. It feigns humanity in ways you werenât at all prepared for, a distinct bulge of arousal twitching against your core.
Its hips jolt in a short, involuntary movement and it chokes back a moan, a claw pinning your shoulder to keep you down as though it fears coming any closer. Its breath comes in quick pants and it works itself into frenzied anger again.
âAnd they call my master âmooncalf.â You are an abomination. A bastard, only half-formed and undeserving. YouâŠyouâŠ!â
Youâre going to die. You donât have a fucking clue whatâs happening, what this thing is, what shattered your entire world tonight, but itâs going to kill you. You feel its muscles tense, the air shift, its eyes lunge closer, and then itâs gone. Something else stirs the shadows and drags it away. You donât wait to see what awful thing might happen next. You crawl, and then you shove yourself up to your knees, and then you limp, and stagger, and run. Hands in front of you, feeling your way through a lightless maze, you keep moving until the sounds of animals snarling is far behind you.
You donât know how you get out. You arenât thinking, aren't feeling the bruises and scrapes you get blindly throwing yourself forward into coffee table corners and sofa frames. You just keep moving until youâre standing in the rain, under the halo of the parking lot lights. Itâs shockingly cold and that snaps you out of your fight-or-flight adrenaline haze long enough to realize you're tired, afraid, and hurt all over, and you don't know when the next bus is coming.Â
Someone calls your name.Â
You turn around and heâs right there. Youâd scream if you had the energy. You didnât hear him coming. Heâs one of them, a monster with eyes that shine in the dark, but he mightâve fooled you in the light. You see some kind of bodysuit, the kind of dark, elegant garment that thieves and assassins wear in fantasy movies. Dark hair trimmed to the nape and bangs slicked down with rain. An angular jaw; a smile. His eyes are silver even beneath the shine, the irises a stark, striking color like the steel of a blade. He looks at you the way you have always wanted to be looked atâwarmly, wanting, full of loveâand you are even more afraid.
âHello,â he says. He almost sounds breathless.
You donât say anything. You donât think you could speak if you wanted to.
âItâs wonderful to finally meet you.â
You stare at him. It takes a couple tries, swallowing, wetting your lips, taking deep breaths, but you manage to force out your voice. âI donâtâŠI donât understand. I donât know who you are or what you want.â
He drops to his knees right in front of you. It startled you so badly that you almost turn and run, but heâs faster. He catches your wrist and holds it against his face, nuzzling into your palm like an affectionate cat with his eyes closed in bliss. âI'm yours,â he says. He peers up at you through dark lashes, pressing chaste, fleeting kisses to your fingers. He trembles like heâs holding himself back from doing something more. âAnd Iâm here,â he purrs, âto take you home.â
->Convenire member and part-time bakery staff at Bats ân Bagels
->Tactile mesmer
->Chiroptomorph
->Orion doesnât like to talk about where he came from. No, not smalltown America. As far as he can remember, he had a nice, normal upbringing, not that it matters anymore. Whoever he used to be died at the compound. Having a traditionalist dissenter for a sire isnât easy but Orion was lucky enough to survive his turning and either cunning or cutthroat enough to outlast the rest of his clutch. Now comes the really hard part: proving to the Dusk Council that he can leave his sireâs teachings behind. His stay at the convenire isnât just about learning to live in modern nightbound society, but earning the second chance he needs to live at all.
How do undercover witches find nectar? I imagine it's not something that you can just go to the supermarket for since it's probably being monitored by the local CTF if it is sold there. Do they just have to get lucky with finding it in the wild and hoping it's not a CTF trap?
witches in hiding donât usually bother with nectar because they have no use for it. itâs not necessary for survival, it just replenishes magic much more quickly than the slow natural recovery rate. not practicing means not draining your magic and also means no cravings (at least not the extreme, irresistible sort), so most just don't worry about it.
but letâs say thereâs an emergency. if youâre a witch in hiding who just expended all of your magic in a successful escape attempt and youâre not sure youâre in the clear just yet, you have a couple options. the first one is to consume homemade nectar made of your own condensed magic, but this requires foresight and witches who donât practice much or at all might not be able to. the other is to harvest wild nectar during the day. experienced councils like skelveross have human contacts who keep an eye on things for them while the sunâs out and theyâll almost certainly be watching known nectar deposits, so the best way to avoid detection is to pretend to be a mushroom hunter or forager and go with a group for camouflage. wild nectar boosts plant growth in the surrounding area so there are plenty of things you could be there for. if some crystals happen to be caught in the roots of whatever you pull up, that doesnât have to mean anything.
hello.. do you have a visual reference for the main meanvamps cast! i'd like to make fanart one day...
not yet, but soon! i always intended to do introduction posts for each of the main convenire characters with accompanying portraits, but i never got around to doing the art (aside from one very old and not great picture of orion). by some miracle, iâve had both the time and the will lately so iâm making decent progress. orion will be done first and iâll reblog his post with the new art once itâs up. here's a sneak peek for comparison.
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Helloooo, i haven't been here for a long time but im rediscovering your stuff and im glad you're still going strong as a writer (still making peak i see i see).
But I'm curious cuz ive seen you've been cross posting a lot on AO3 as well, do you plan on ever uploading The Drift series there? It's honestly one of my favorite works of yours and I tend to read your stuff offline as well, so it would be really cool if I get to have The Drift accessible on ao3 and offline.
Though I understand if you don't plan on doing that/take a while to do it because its an old work, so if that's the case is it alright if I make my own file of the entire series for myself? (Like copy the whole thing to make an EPUB or smth)
Regardless i still love your stuff even after all these years, im glad to see you still thriving and im very happily reading your new works when i canđ
-đ°ïž
the goal is to have all my old stuff on ao3 eventually, i just keep forgetting/donât get around to it. but the drift has been specifically requested a lot and i do have a second right now lol so iâll get at least the first part up tonight as a reminder. iâm going to try and upload a couple at a time whenever i get the chance but you can absolutely compile them yourself in the meantime if you want to. itâll be reformatted for ao3 and iâll try to check for typos i missed the first time, but i donât plan on making huge changes otherwise.
babe genuinely your stories are so so good!! it is genuinely so poetic, you make it all so whimsical yet visceral, finding your tumblr made my day bc i love your old goretobers!! i love your new ones obvi, but i especially love how your old ones follow a story, cannot imagine how long it takes to plan, if the drift and ritsukaâs pictures had a baby it would be a very fucked version of spirited away, just love your work so much and wanted to let you know!!
this is unbelievably sweet of you to say, thank you!! the overarching story goretobers are pretty intense commitments so iâve only attempted it those two times, but iâm fond of both outcomes and always touched when people say they like them ;v; they're both kind of personal and i'm proud of both attempting and finishing something like that, they're still some of my favorite work i've ever done.
funnily enough, the planning is pretty minimal on purpose. i only give myself a week or so before october to hash out the necessities (characters and, in the case of the drift, some towns and music) and the story itself is driven by the prompt list.