if i look back, i am lost
we're not kids anymore.
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
Love Begins
Three Goblin Art
styofa doing anything
ojovivo
izzy's playlists!
Peter Solarz
#extradirty
Janaina Medeiros
he wasn't even looking at me and he found me
occasionally subtle
RMH
Game of Thrones Daily
sheepfilms
@theartofmadeline
Alisa U Zemlji Chuda
Today's Document
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@rosenfae
[Painting of Death as a spectral nanny taking a child and infant away from their bereaved family. A detail shows the familyâs house number is 1918.]
I never realized this until seeing the detail, but this painting is most likely about the flu pandemic.
Again because why not, i love it
Rob Harrison
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The Satanic Removal (1882), Felicien Rops
The Sacrifice, from The Satanic Ones (c. 1882), Felicien Rops
Peyote Vision, Marjorie Cameron Parsons Kimmel
At a Dinner of Atheists (1879), Felicien Rops
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A genuine book of spells (or âgrimoireâ) from 18th century Germany, the Clavis Inferni. The sword and branch refer to Godâs twinned powers of destruction and peace. A Latin text below reads âQui facis mirabilia magna solus finis coronat opus,â roughly âYou who alone doeth great wonders: the end shall crown the work.â Books like this flourished throughout the Enlightenment.Â
Grimoire with alchemical symbols, Greek and Hebrew lettering.
Illustration of 'Les Diaboliques' (1879), Felicien Rops
DĂ©part pour le Sabbat (1910), Albert Joseph PĂ©not
The Temptation of St. Anthony (1878), Felicien Rops
Group of the Dead (c. 1550), Jacopo Pontormo
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Danseuses basculant (Danseuses vertes) (1879), Edgar Degas
La Reve (1844), Gustave Courbet
Ex libris August Stoehr (1902)
Illustration for 'Les Epaves' by Charles Baudelaire (1866), Felicien Rops
Ex Libris 64 Bat Girl, GĂŒnter Hujber
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Henry Fuseli âAchilles Snatches at the Shades of Patroclusâ (1803)
Le Désespéré (1843-1845), Gustave Courbet
