task 03 + jordan and karaâs relationship. (Â @roadkillnâ ).
super fun bonus:Â
he wasn't even looking at me and he found me
One Nice Bug Per Day
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Monterey Bay Aquarium
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Sweet Seals For You, Always

oozey mess
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TVSTRANGERTHINGS
todays bird

Product Placement

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Lint Roller? I Barely Know Her
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@roadkilln
task 03 + jordan and karaâs relationship. (Â @roadkillnâ ).
super fun bonus:Â

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đ˛ ESTELLA & KARA
Estella: đđđđ
Estella: You knew I got shot and you weren't thoughtful enough to send me some get well soon gifts? I'm hurt.
Kara: jeez. they said you were fine.
Kara: i know you're a badass, i didn't think i needed to play nurse with you.
Kara: you okay? i came to the hospital, i saw you but you were busy with doctors then.
would you rather have chainsaws for arms or machine guns for legs??
eyebrows furrow for a second â sheâs thinking about it, really is. but does it warrant a reply? âcan i have a fire-breathing mouth instead?â, she asks, and one might even think sheâs speaking seriously. âyou know, like dragons. like in shrekâ.
What do you look for in a partner?
âwhat makes you think iâd even look for one?â. perhaps the unaddressed loneliness thatâs so crystal clear behind the mask. perhaps the way she sometimes stares at people (happy people, loving people, people with hands that are meant to hodl and not harm) not with longing but regret. hands buried in her jacket, kara shrugs, a weak-willed attempt at downplaying the sadness thatâs suddenly gripped her by the throat. if she were honest (if she even had the ability for honesty), sheâd admit all she wants to, all she really cares about, is o feel human again. but she canât, so she wonât: will keep pretending, instead, that nothing matters on this planet but the will of the body. âi just look for a good fuckâ, she lets out nonchalantly, then grins. âthe kind that scratches and bites and is just fun, you know?â
You ever loved someone before? Ever had the chance to?
her laugh is coarse, it speaks of stinging more than it does of joy. there is none of the former in the look she gives â itâs cynical instead, perhaps clinical, as if anyone talking about this sort of sht must be ill, insane, deranged. the usually flat line of her lips curls in a mocking grin. âaw, you still believe in fairytales. that is cuteâ. but sheâs loved her brother passionately, if love means putting someone above yourself, above your needs, your faults, your failures â losing him felt like losing a limb, and why would she go through the effort of attaching herself to anyone else, in any sense, when all thatâs in store for her is one more amputation? this fucking ghost pain â sheâs through with it. âforget about thatâ. the grin is gone, whatâs left is barren disappointment. she thinks of the part of her that still feels: the part of her that steps too close to the edge of comfort, the part of her desires. she wishes she could murder it, set its body on fire. she canât, so her expression turns sad, instead â a child facing life. âitâs just one more weakness you need to account forâ.

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If you could have any other pet (ordinary or fantastical), what would you have?
âguess a wolf would be out of the question, uh?â, kara smirks, gazing swiftly away in to the sunset. stupid question, ainât it? she herself feels like a goddamn tiger in a cage, most of the time. she looks at the sky and the passing flight of a bird reminds her of her brother. âiâd like a crow. a real one ââ crowâs the name of her dog, too, and it was the nickname sheâd given erik before him. maybe it induced her love for the dark-feathered creatures: maybe they just feel similar to her.Â
open to: drug dealers, wolves, charming pd, anyone who might have business (or a problem) with kara (feel free to assume connections). where: mayhem maidens, 1 am. @charmingstarterâ.
theyâre in a shitty mood. pretty blatant, actually: not that emotion is usually shown on their face, but one might notice the slightly tighter line of their lips, a furrow of their brows, muscles clenched even beneath the jacket. itâs a whole lot of things, piling up one over the other â itâs the shooting, still burning in their head. itâs the people who got hurt â people they cared about, and people they couldnât admit they cared about. itâs that they fucking need a break, and healthier coping mechanisms, really â and that this job is a pain in the ass, no matter how loyal to the wolves they can be. âalright, listen ââ, tilting their head, bones cracking somewhere along their fatigued spine. ââ i donât have the time, the energy or the fucking will to baby you so â speak. whatâs the problem?â
angie â
Angie nodded, that same genial smile at the womanâs order. She cleared away the drink and set about making something stronger. âIt can be, but you get used to it.â Shrugging as she looked for the right bottle, she poured out with a practiced ease. âI started mixing drinks at parties when I was maybeâŚsixteen or so? I was good at it then, with whatever people could swipe from their parentsâ liquor cabinets. This town is small enough..by the time I could legally get behind a bar no one really raised an eyebrow. But they couldâve just been used to me being behind a bar.â Angie set the fresh drink in front of her client. it seemed less like the job was sad and more like Angieâs life was sad.Â
kara listened absent-mindedly, a cheek resting against her closed fist: not bored, but tired. a sensation she wasnât truly used to, so eager to just keep thrusting forward, unrelenting. the woman could smile what she wanted, she could sense the bullshit â she was sad. seemed everyone in this goddamn town was always fucking sad and nobody would do a thing about it except just keep giving them more reasons to justify their sadness. kara stared at her drink, wondered if maybe sheâd never really gotten the point of acohol âcause sheâd never really allowed herself to feel this: whatever this shitty, need-to-punch-it-out feeling was. she took a sip, then set her glass down and groaned. âand you keep just giving things to people? thatâs your job?â rude, yes: lacking manners, theyâd never really been taught to her. with a sigh, kara took another sip. âfucking hate peopleâ.
yen â
the time of ordering kara around had long passed, their relationship with the manager of the dealers had become much more than one of simple colleagues. kara was one of the few reasons that tied yennefer to this town. a soft, tired laugh fall from their lips as karaâs dramatics are played out and the younger womanâs next question brings an all too familiar smile to yenâs face, one that says why the fuck not? yen knows her favourite fighter doesnât own a licence but at five a.m. yen was willing to take their chances. âfine. youâre probably more alert than i am, anyway.â lazily, they rummage through their pockets for their car keys before throwing them accurately into karaâs lap. âdonât drive like a three year old just cause itâs five in the morning, either. cops will take any excuse.â and with that, they stand, stretching for a few seconds and heading towards the back entrance.Â
âsweetâ. she wouldnât say it, but a certain kind of pride settled into her as yen handed over the keys â she was aware of her position in the wolves, she was far from the clumsy idiot whoâd showed up asking for a job on day one. still yenâs guidance mattered more than sheâd have liked to admit; more than that, she searched for reassurance the way a child looks for their parents. and like a child, her way of caring was reckless, and out of tune, and most of the time misguided. kara threw the keys in the air once, twice, making them jump in the palm of her hand and making it a game of not dropping them, as they made their way out the back, towards the car. then a groan, following yenâs words. âthen whatâs the fucking point?â, she produced herself in an exaggerated, comical yawn and took her place at the driverâs seat, next: pulling the seat back, letting the window roll down to the bottom so she could let her arm rest over it, the way sheâd seen in passing glimpses through the movies erik loved to watch. with a sigh (far too dramatic, exclusively for show), kara leaned over the dashboard and began pressing buttons on the radio, looking for the perfect soundtrack. then, as she landed on a radio station currently airing a bad, bad rendition of a roxette song. eyebrows perked up â felt like a good enough soundtrack, so she turned to yen with an inquisitive look on her face. âgood?â
gaming channel
gaming channel: what is your favorite video game? why?
erik had a gameboy once, in the hospital. someone gave it to him, and kara barely even understood the point of it, but it seemed to make him calmer, most of the time. sometimes sheâd crawl in bed with him and watch him play until he fell asleep. she took it with her, of course, after erikâs death; barely even knew how to use the controls, but it was a good distraction on dark nights. âi like the little plumber one. the one with the mushrooms and all that shitâ. the corners of her lips tug upwards now, remembering the noise heâd make each time his little plumber died. heâd lost his love for that too, over time. heâd lost everything, and nobody was there to save him. the smile fades, the anger remains. she lets her gaze drop the ground, kicking a stone away. âi donât like that stuff, anyway. itâs childrenâs stuffâ.

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amazingphil and gamingmas
gamingmas: what do you do in the month leading up to christmas to celebrate?
jesus christ, christmas. that day in the year theyâd punch literally any store clerk they could get their hands on, if they could. itâs a lot of aggression to hold within a body, so their ritual has a lot to do with renegade gym. âi just fight moreâ, kara props their chin against their fist, leaning over â apathetic, but perhaps wanting to remind them of their presence: not a poor lonely fucker, but someone whoâs been taught to punch hard at prying questions. their gaze is cold, ruthless: then they smile. âthereâs just something special about delivering kicks in the teeth like santa delivers presentsâ.
amazingphil: in what ways are you creative?
ah, see, thatâs a much better question: kara grins now, and their way of leaning in is shady, cospiratory almost, like trying to utter a secret. âi know ten different ways to make you spit your own blood out. wanna come closer and see for yoursef?â
What do you do when no one's watching?
they pause. for a second, dark eyes are pierced right into the otherâs face. theyâre wary, wondering: is this a serious question or, perhaps, like any other thing that ever crosses their path â something that can easily be ignored? either way, kara barely has any secrets, so itâs easy for them to shrug and, dead-ass, reply:Â âi masturbateâ.
đľ HONESTY HOUR / MEME MONDAY!
FRED / KARA / NAT. + MEMES (A, B, C)
fran ââ
Fran let out a heavy sigh once the sound of heels echoed in the space that was her second home â the nightclub that she was so fond of and spent a great deal of time in. She just needed to get away from it all, away from the anger in her head and she knew that this was one of the places where her thoughts could be kept at a comfortable length away from her which was a relief because at this point, all Fran wanted was to stop thinking. Everything was so fucked, and everything was resting on her shoulders â grief, pain, remorse, anger. Once she remembered that anger, it came back absolutely scorching and she immediately turned towards the bar because she fucking needed a drink. âDo you want a congratulations? A good job for serving yourself?â Fran asked with an eyebrow raised before settling herself on one of the stools. âWhiskey neat, and you can also start telling me why the hell youâre here,â she said, as her eyes started to move around the fairly empty nightclub. Nobody was in the mood to celebrate anything tonight.Â
kara couldnât exactly blame their leaderâs sour ass mood. to an extent, it was expected: the air was heavy with bloodspill, and theyâd been sensing anger flowing around their fellow wolves like snakes lurking in the grass. still, their go-to method to approach difficulties was either aggression or ignorance, and since they were lacking a good target for the first (and fighting fran would be, if not just wanted, purely suicidal), the latter would have to do. they werenât insensitive to the pain: although they wouldâve liked to find a switch to shut down any pretense of feeling, the anger was there, white hot, buried in their stomach. (the thought of jordan came to mind. jordan with bandages around her arm. jordan in a hospital bed. jordan among the smells of dead, and blood, and pain). kara suddenly felt guilt, and the smug expression faded from their face. they shrugged instead, following suit on their leaderâs order. ânah. just didnât feel like being out there, so.â they held the glass of whiskey up for the other, sipping their own silently. they weighed heir options: ask for a plan for retaliation, or pretend they couldnât sense the tension in the air. oddly enough, they picked a third route. sipping on their gin lemon (and the fact that they were drinking was, on its own, a fire alarm), kara shrugged again. âyou know, it couldâve been worse. they all made it out in one piece - more or lessâ.
jordanâ â
her heart thumped wildly: drowning out everything but her and the moment they shared. it was easy to blur the lines theyâd drawn; easier even to pretend like they werenât actively slipping into something else entirely. stubborn as she was, karaâs words had managed to stir something in her, having poked and prodded a wound long left to fester. she could feel it eat at her then, spreading its rot to parts of her that were still good and dutiful. the thing about kara â the thing about them, really â was that it made her think twice. she could feel herself shifting, her thoughts going to a place she didnât like to visit. jordan believed in order, justice, holiness â but was that enough to overcome the loneliness thatâd made a home of her? was that enough to conquer that constant, overbearing hunger for more? what was her heart but another mouth to feed, and who â if anyone â had ever been so willing to fulfill such a task for her?Â
knowingly, jordanâs eyes welled up. she didnât want to go there, but the thought lingered - no matter how quiet. only kara could make the act of bloodshed seem romantic. âiâm not asking you to be okay with it,â she said then, her voice having shed its prior softness to reveal a newfound definitiveness. âiâm telling you to accept it. it happened. weâre here. thereâs nothing we can do.â which, if she was honest, was a bitter pill to swallow. it was her own fault â forever a willing hero â but that didnât make it sting any less. wordlessly, jordan let go of karaâs hand. it seemed that neither of them could manage to stop themselves from spilling into the other: the same tension that had overcome karaâs shoulders had now wound itself into her own. not wanting it to pop this bubble theyâd surrounded themselves with, she was quick to reconnect: this time to tuck a raven strand behind her ear, fingers lingering. she brushed the back of them against the warm skin of her cheek then. was she comfortable? jordan hoped so, and thus tried not to move.Â
this â all of this, was food for the starving. sheâd choke on it, if carelessly stumbling into it, turn it sour and tainted. out of jordanâs mouth, she would taste it in controlled bites: tiny morsels, lest she forgot that an empty stomach is the key to keep her ready and aware. it was a language she barely understood, barely even comprehended the necessity for it. her binary mind (fight on one side â a natural instinct for aggression, directly tied to the other side â where the devoted loyalty, the hopeless faithfulness resided) had served her well so far, ensuring the survival of herself and those sheâd vowed to protect. so what right did her heart have, to ask for more? to begin to melt under her touch, to feed off the feeling of her body, so close to hers, so warm â what good would it do her? at night, sometimes, she found herself resenting jordan. it held a beautiful irony, this game of theirs â sheâd been played a hand of her own game and she was the one in withdrawal now, hooked up to the very drug that should be forbidden to her.
what a tight, aching predicament sheâd trapped herself in. she needed jordan (not company, but jordan â not a good fuck, not a distraction, not an excuse to pretend she was capable of human emotions. just the presence of jordan, the thoughts lurking in her head, the way she caught her glancing over her at times and then looking away, like her gaze had never even been there to begin with). she needed her, and yet knew that whatever room there still was in her life, she could not squeeze enough to fill it â it wouldnât welcome the very world that she belonged to, the one she carried around in spite of her need to call herself unleashed. as jordanâs hand moved through her hair (and kara found it odd, still, but pleasant: the way it seemed to smooth her thoughts too, dull the noise down to the background), karaâs eyes were glued to her, wide â lost, to an extent, for lack of a direction. âiâm sorryâ. it carried the weight of other words too, but those she couldnât pronounce. unknown to her language, or harbingers of bad luck â sheâd let jordan find a meaning in there, and meanwhile sheâd sit like that â tamed, draped over her, shield-like even after the storm. âi just donât like the thought of you getting hurt. i was afraid⌠iâm still afraid.â

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jordanâ â
jordan sobers up. okay, maybe her joke isnât that good. her grip tightens for a moment â letting her know that sheâs there, witnessing them both. part of her regrets not taking the hydrocodone now: this is one of those moments where sheâd really prefer the full range of her limbs. really, she doesnât know what sheâd do â doesnât even know what to do in this very moment â but she knows that she wishes they were closer. thatâs the only way she knows how to talk to kara; they only way she knows how to put a name to what swirled in the air between them. part of her wants to kiss her â anything to wipe that look from her face â but jordan doesnât think she looks very âkissableâ right now. if anything, she feels like an exposed nerve â one with a perverse sense of rationality.Â
finally, jordan clears her throat, sheepish. it was all too easy to get lost in her thoughts around kara. âwhy? âsânot like you did it.â and really, this is the part she hates most: the half-truths. itâs not karaâs fault. she knows that. she knows that as well as she knows that thereâs good in the person before her, but.. itâs the dent in the table, isnât it? the crack in the glass. her mind would always go back to it: the reality that karaâs a wolf - her natural opposite. whereas most believed in unruliness, jordan believed in order â more specifically, the order upheld by the law. ( would this have ever happened if neither outlaw group existed? itâs a thought that sits in the back of her mind, locked in a box somewhere. she doesnât want it to taint this, however selfish of a desire that may be. ) see, kara doesnât have to voice her intentions â jordan already knows. âi donât know who did this, but even if i did..â her chest rises and falls with a steadying breath. âi wouldnât tell you.âÂ
this is the part she hates. when she reminds her that there are layers separating the two of them, that the primal, nature-based communion of their touch always has to be sacrificed on the altar of justice, of law, of whatever shiny bullshit they put into her head to make her loyal to the so-called good guys. sometimes she realizes her anger towards the system comes more from the separation they impose on the two of them, than the natural order of things â dealer vs. cop, wolf vs. detective. it is easy to forget these things when sheâs with her. itâs so easy she strips herself of her name, her past, her faults, the scars sheâs collected on her skin, like dents against the prison walls. sheâs someone â something else instead: a creature of few words, pure spirit instead, adapting itself to her, wanting so desperately to believe that souls exist, and that hers, with effort and time, might just melt into jordanâs.
but she enjoys reminding kara too much that theyâre on the wrong sides of this story. her discomfort is clear, blatant in her gaze: she wants to pull away but jordanâs touch, right now, is the only thing anchoring to here and now. she pulls her face away instead, turning to stare at the beeping screen and wondering if the differences between them begin and end with that green line and the spikes it draws: perhaps itâs because jordan was born with a beating, red heart in her chest, and she wasnât. she resents this. if she had a heart, she thinks, she couldâve been a better guardian for her: she would be fussing over the shape of her pillow, pouring water from a bottle to make sure sheâs well-hydrated. she would be focusing on worry, out of love and not fear. sheâs angry instead, and this â this definitely comes from fear. eyes focus into jordanâs and she can feel herself harden, her grip tighter on the otherâs hand (if she had a heart sheâd be delicate and soft: perhaps her need from jordan comes all from that). âso what? iâm just supposed to be okay with this?â. pause. she looks at her, seconds stretching in between her words without a chance for a coherent thought to guide her to her next moves. she drops her gaze instead, voice turning to a whisper while her head is lowered again, resting now on jordanâs lap. âiâm not okay with thisâ.
jordanâ â
jordan doesnât know if sheâs crying, but she does know that sheâs leaking. all of her â blood, sweat, tears, and all â seeps into the bed she lies in. she thinks she mightâve heard the nurse say something about âpanicâ, but jordan doesnât do panic. no; this has to be something else. surely itâs because of the monitor that beeps behind her, interrupting every useless thought that pops into her head. maybe itâs because of the person beside her that wonât stop talking â an older man trying to check on his daughter, she thinks. hell, it might just be the fact that she chose the worst possible day to wear white. whatever it is that unnerves her, she just wants it to stop. jordan presses her head into the pillow and shuts her eyes, uselessly hoping to will herself elsewhere. she hates hospitals â always has, always will.Â
the sound of the curtain moving shouldnât spook her, but it does anyhow. her eyes are wide as they land on kara, and suddenly a thought comes to her: this isnât fair. the monitorâs tempo picks up behind her â an undeniable betrayal â and jordan can only hope that she doesnât take notice. she fumbles for a moment, blinking away the wetness in her eyes. âthere was, um â there was a shootout,â she says, voice thick. jordan feels small in doing so, but she canât help herself. if karaâs going to be here, then jordan needs her to really be here with her. a bloodied hand moves atop karaâs then and holds on. âthey got me in the arm, but itâs fine.â a lot about kara scares her, but the way that sheâs looking at her now scares her most. unsure of what else to do, jordan moves their hands closer to her midline. âi can say i got you beat now though, so..â her lips curl in a sorry attempt at a smile, and whether itâs for her or herself remains in the air still. âsilver lining, i guess.â
she should be laughing. somehow she can tell jordan expects her to laugh. the predictable move would be shrug this off, pretend nothingâs really happened â downplay the scar in a more or less ill-fated attempt to downplay her concern, yet. if she was any good at acting, her lips would be tightening in a grin, an eyebrow would shoot upward, out of her lips would come a line that would sound a lot like whatâs that face? i thought you were trained for this shit. none of that comes out. instead itâs a gaze that seems to be frozen still, set in stone as if to not betray the turmoil it hides. her hand betrays her: squeezing jordanâs, holding too tightly. it is a response that has little to do with the conscious effort to maintain a distance that, by now, only exists in her thoughts. sheâs drawing closer instead â in spite of herself, it seems something else is driving her. anger, perhaps. its target still unknown.
it takes a mighty effort to peel her eyes off the bandages around jordanâs arm, turn them to her eyes instead. give her the benefit of a face-to-face conversation instead on focusing on the growing burn she can feel somewhere inside of her â tastes like rage, white hot fire right beneath the skin of her face. someone must have shot. someone must have pulled the trigger. someone must have aimed at her â she squeezes tighter, and like her hands now move with a will of their own, the other also joins jordanâs, and she leans over, a penitent sinner at her saintâs bed. âiâm sorryâ. language escapes her, sometimes â words, she finds, have changeable, unclear meanings, they lack the sharpness of physical gestures. but her sorrow is real: if she could, sheâd take her pain and put it in her flesh, instead. the way jordanâs lips turn, as if trying to convince her sheâs not in pain â that unsettles her, too. wasnât it her, pretending everything was just peachy? now the look of pain over her is a slap in the face and she canât bear to look at it â she finds her face closer to jordanâs hand, her cheek pressed against her skin. when sheâs looking up at her again sheâs silently pleading for an answer, a way to give a meaning to her anger: âdo you know who shot? did you see them?â. a harmless question, perhaps useless, too â still, she needs, no, has a right to know. there would be no telling where a claim such as this could come from; deep down, she just suddenly feels like the gash in jordanâs arm is her responsibility. it should be her hunting down the guilty hand that pulled the trigger. it should be her fixing this.