Jadwiga, the Salubri warrior, doing what she loves most — slaughter.
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oozey mess

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Love Begins

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shark vs the universe
PUT YOUR BEARD IN MY MOUTH
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if i look back, i am lost

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@ridiculus-mus
Jadwiga, the Salubri warrior, doing what she loves most — slaughter.

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more pyaari everyone say hi to pyaari
This cat puts up with so much
Boutique rue de Sèvres, 63 by Eugène Atget (France, 1857-1927), between 1910 and 1912, photograph on albumen paper
Bibliothèque nationale de France
being asked to leave a physical real life area and calling it a soft ban is pretty good
look at the cute cow angel i saw when i tried to link to the correct page of that manuscript.
(the Apocalypse of Saint-Sever, (Paris, Bibliothèque Nationale, MS lat. 8878)

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Watching Hornblower after emerging from the Sharpe TV series obsession is crazy, because Hornblower is so gentle and unsure of himself? I'm twenty minutes into the first movie and with all the stuff happening Sharpe would have already stabbed Simpson in the eye for attempting to eat his dinner, decked him if he attempted to make Sharpe dance and the dialogue about death would go like: "What are you thinking about?" "Death." "Whose death?" "Simpson's."
But since I've only watched the Sharpe movies, I wondered what Sharpe in his younger years was like, so I've started reading Sharpe's Tiger. Apparently the bastard marched into his first real battle not having any fcking clue what he was doing but radiating enough confidence to make one of the officers feel more at ease about the upcoming fight. Sharpe and Hornblower are at the opposite ends of the "crazy bastard" spectrum.
Sean Bean had to die in so many films because he used up all his lives in Sharpe's Fortress specifically
“Yellow was a most fashionable colour throughout the 1890s. Most evening dresses had low round necklines and tightly fitted bodices. The neckline and back of this dress are in a style worn a hundred years earlier and it may be a fancy dress costume.”
So my 14 year old has an idea that he's calling the "Million Adam Smashers" argument. The reference is from Cyperpunk 2077, where there is a character, Adam Smasher, who has turned himself into a living tank, a complete cyborg in which the only thing still human is his literal brain. My son's argument is this: as a creator--a writer, game designer, manga artist, whatever--you need to ask yourself, why is this guy unique? Why are there not a million Adam Smashers? All you need is money, connections, and a specific mindset that allows you to cope with or disregard your supposed lack of "humanity", and you too can be Adam Smasher. And he's right; there should be dozens, hundreds of rich assholes who might otherwise get into racing or yachts or something but if you can become a terrifying cyborg capable of stopping a car with one hand, at least some people, out of the billions in the universe, would choose that. Why don't Arasaka and Militech just have twenty Adam Smashers apiece?
More broadly, he's making a point about fictional characters, usually main characters--is what makes them special, you know....actually special? Are they the main character because these things happened to them, or did these things happen because they're the main character? Why are they Adam Smasher, and not someone else? It's a test; a check to make sure you're not favoring the character because you're enamored with that character.
I think it's an interesting mental exercise. Take a good look at your universe and your characters and make sure that if there's only one Adam Smasher, only one Captain America, only one Rock Lee, only one Joker, there's a good reason.
Alexander Harrison (1853 - 1930) - Nocturne, Versailles. Oil on canvas.
From 'The Mabinogion' illustrated by Alan Lee.

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let’s be real the pressure to use AI as an adult is exactly what they said the pressure the do drugs as a teenager would be like but the people that told us that caved immediately for the AI and definitely did not just say no
Ponte de Lima, Portugal
L'heure du bain au bord de la mer, 1896 by Ernest Ange Duez (French, 1843–1896)
has anyone noticed that after the porn ban of 2018 tumblr was essentially killed from the mainstream and everyone flocked to other social media sites like twitter and meta. then those sites got enshittified to where twitter became Nazi Central and meta sites had an entire meme around getting “zucced” aka mark zuckerberg himself would ban you for saying a no-no word like fuck. and then the mainstream shifted to tiktok where infamous toddlerspeak sentences like “he got unalived by a pew pew” were born because if you once again say a no-no word like kill or gun or any other word that isn’t corporate i mean kid friendly then the algorithm will bury your post into the ground. and somehow we’ve come full circle and tumblr is now the most bearable social media site because although we can’t have female presenting nipples we can at least talk to each other like adults. has anyone noticed that at all or is it just me and the flaming skull

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L'Art et la mode, no. 27, vol. 37, 1 juillet 1916, Paris. Robe en jersey de soie blanc et bleu. Broderie et petits boutons en soie de couleur. Imp. L. Lafontaine, Paris. Bibliothèque nationale de France
we’re so lucky that gilgamesh survived and is a banger. can you imagine if we found the oldest written human story ever recorded and it sucked balls.
We only find the bangers! This is a really important thing to remember both when analyzing ancient literature and when comparing your own writing to historical authors.
The less brilliant stories don't survive because people didn't make a million copies of them to pass around. It's pretty much guaranteed that there were a hundred other Gilgamesh stories circulating around the same time that did in fact suck balls, and just as many that were solidly mid, but people didn't write them down as many times (if ever), so fewer (if any) fragments survived.
It's easy to get discouraged thinking that 95% of ancient writers were brilliant compared to maybe 5% of modern writers. But really, it's just that 95% of what survived came from those few truly genius writers. Everybody else was out there telling stories too, and finding audiences who loved them, and producing beautiful art, they just weren't lucky enough or famous enough to get their stories recorded enough times for us to piece them together from whatever fragments survived the intervening centuries.
"The [1728] essay Peri Bathous was a protracted dunk on contemporary poets the author didn't like ... The essay is very incomprehensible to a modern reader because none of the poets getting dunked on are remembered nowadays on account of how they sucked..."