occasionally subtle
trying on a metaphor

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Marguerite Duras home in Neauphle-le-Chateau.
my great-grandmas kitchen window
π―π’π£π―π’π°π₯

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photos from work: rare books and vintage calligraphy nibs
Life lately π΅
ana march
at a cafe writing, listening to sweet lisa ono <3
I hear that

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Ingram, John Henry, Flora Symbolica: The language and sentiment of flowers, (London: 1869).
- familiar part of the city
stop. analyse that text through the lens of its author's intentions and original historical context. okay now take the author out back and kill them dead and analyse that text as though it were published by your mutual yesterday and is in direct conversation with the contemporary discourse that's most relevant to your life. okay now pick your favorite angle of interpretation and come up with the strongest possible argument against it. now imagine that the text is your best friend and that it means you well and that you naturally give it every benefit of the doubt because you're on its side and you want the best for it. now imagine that the text wants you dead and it'll eat you if you don't eat it first. now pretend that you found this text locked away in a cave with no evidence of when or where it came from and you have to divine its meaning solely through its internal coherence and nothing else. okay now address the elephant in the room aspect of the text you've been ignoring because you find it boring or confusing or uncomfortable and become the number one expert on it. now spend forty minutes assigning all the characters dnd classes with at least three sentences of reasoning each. okay now do the cha cha slide.
the thing about nonfiction is you come out of it with several more books to put on your to be read list and it's only gonna branch out from there so really the only solution is to read every book in human history starting at the beginning
Staircase at the studio of artist Ezio Gribaudo located in Turin, Italy

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i love bookstores. i love public libraries. i love being surrounded by books so so much